absolutely feeling this right now! love the combo if drum rythm with Sax Harmony line. just beautiful!

Format: Vinyl LP, CD, Digital
Web: www.hopestreetrecordings.com/woodenboy

It’s soul music, baby, but not as we know it. The backbeat and the handclaps are still there and the horns still sound. The bass bumps, the organ screams and the guitars still twang, but the singer has left the room. Everything is shades of blue. This is soul music for the after hours. For the solitary dancers and the lonely hearts. The soundtrack to solitary headlights on a midnight highway. What to call it? Who cares! Can you dance to it? Just try not to. No one’s telling you to throw your hands up in the air, but no one would be surprised if you did. It’s dark here, so you can do your own thing.

Wooden Boy was recorded by The Cactus Channel -- a ten piece band from Melbourne, Australia -- all born in the 90s and raised on the internet. Yet somehow, this astonishing follow up to last year's rave-reviewed debut, Haptics, sounds like it could have been recorded in the 1970s, or possibly in the distant future. A timeless, placeless cinematic odyssey, Wooden Boy could have been an alternate soundtrack to Ghost Dog -- if Lalo Schifrin and the Meters were collaborating on the RZA's score. Or maybe Wooden Boy was what happened when Lars Von Trier got invited to direct an episode of Soul Train. What any of it may actually mean is left to the listener's imagination.

Funk aficionados will hear shades of New York on this record, echoes of El Michel’s taking on Wu Tang, the influence of Budos and Menehan et al. But this is the Generation Z version; both more tempestuous and more introverted. Recorded analog in the digital era, presented faceless in the celebrity era, inexplicably ambiguous in the soundbite era, is this the album the world needs right now? Undoubtedly yes. In a world where the NSA can read the text message that dumped you, what does a person need more than sad soul music from the future? Wooden Boy, baby, Wooden Boy.

PRAISE FOR HAPTICS by THE CACTUS CHANNEL (debut 2012 album):

•	"Hot-to-trot... an embryonic version of the Meters or the Dap Kings" - THE AUSTRALIAN (four stars)
•	"Tightly raw soul, rambling deep-funk jams and organ-driven party mash-ups" - THE AGE
•	"Infectiously funky sounds... a horn-fuelled, butt-shaking affair" - TRIPLE J HOME & HOSED
•	"Old-fashioned, gritty soul music – by a bunch of white teenagers from Melbourne" - THE MONTHLY
•	"Album Of The Week" - RTR PERTH, PBS-FM, SYN-FM, 2SER + EASTSIDE RADIO, RTR PERTH

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The Cactus Channel - Black Flag and Lady Bountiful

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https://music.apple.com/us/album/the-moving-finger/1663546857?i=1663546858

The Amazing Dorothy Ashby in a slight extended version for her beautiful creation "The Moving Finger".

Dedicated to my newborn Aviv "Ginger".

Dorothy Ashby - The Moving Finger (Ginger Dream Edit)

From the first album, "This is Marijata", Ghana 1976. With hints of its Highlife origins to the evolution of Afro-funk, by way of James Brown, this is one of the greatest funk albums to come out of West Africa.

No Condition Is Permanent - Marijata

Song For My Lady - Louiz Banks

Alpman - After Work

Buy: https://alpman.bandcamp.com/track/after-work
2015 - Istanbul

After Work

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Boco - Running The Mardi Gras - BC003-45 - Side A

Taken From Florian Pellissier Quintet's upcoming Album "Cap de bonne espérance" out on March 4th. 9 Jazz Tracks Studio Live recorded as the Blue Note way !


Production: Heavenly Sweetness

***
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Florian Pellissier Quintet - The Hipster

This one's not a jazz track, but I can't get it out of my head right now.
Recently re-released on Colemine Records, by The Flying Stars Of Brooklyn NY.
I've extended the intro and far too short break, and added a few tweaks to increase the playing time.
Also had to add some wise words from Herbie Hancock at the beginning to get round the copyright filter.
Hope you enjoy. 
SJE https://soundcloud.com/monkeypocket

The Cinematic Orchestra - Ode To The Big Sea

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