Shhh. If you close your eyes and listen. It feels like heaven on earth. ♥️🙏

Still listening to this beats ant song in fifa 23

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Do You Remember The Times

"Miracle Mile" is taken from Cold War Kids' latest record "Dear Miss Lonelyhearts" released April 2nd, 2013 on MapleMusic Recordings.

Buy "Dear Miss Lonelyhearts"
http://maplemusicrecordings.com/releases/dear-miss-lonelyhearts/

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Cold War Kids - Miracle Mile

Bricks in the Wall

First Flight To Mars  - Ark Woods

"Sin Saturación" de Velvet Petals es una poderosa canción de rock alternativo que explora la melancolía de los recuerdos desvanecidos. A través de guitarras atmosféricas y riffs potentes, vocales emotivas en español y una estructura dinámica, la canción reflexiona sobre cómo las fotos, antes llenas de vida ("tan hermosa en ella esa sonrisa"), se vuelven "mate triste, sin saturación" con el tiempo. Un viaje nostálgico y agridulce sobre la pérdida y la ilusión del pasado capturado. #RockAlternativo #RockEnEspañol #VelvetPetals #SinSaturacion #Nostalgia #Recuerdos #Melancolico

Sin Saturación

Blue Light

COME DOWN

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

MIGHT DELETE LATER

Gonkulator

Mandrake Handshake - Gonkulator

Written by Nation of Language
Produced and Mixed by Nick Millhiser
Mastered by Heba Kadry

A Different Kind Of Life

Just Not Today - The Arosa

Taken from the Boiling Point/Promise Land 12", out 5th Feb 2021. Pre-order here - https://smarturl.it/BadwanCoxon

A collaboration between Faris Badwan (The Horrors / Cat’s Eyes) & renowned guitarist John Coxon (Spring Heel Jack / Spiritualized / Treader), Boiling Point/Promise Land is the first release of an ongoing collaborative series between Faris and other artists, details of which will be subsequently announced.

Badwan & Coxon met some years ago when Faris was looking for producers to work with on his solo material and their working relationship evolved beyond the existing songs into something more improvisational and instinctive. As Faris explains:

The new songs we ended up working on were largely spontaneous and cut together from early takes with minimal overdubbing. The lyrics were improvised and the focus was placed more on creating atmosphere and keeping things fairly raw and expressive. I guess I found it rewarding particularly with the guitar playing because it was so intuitive and completely free from any expectations of how a song should be constructed. There are hooks and repetitive sections but fewer traditional structures.

We tried to avoid doing any planning beforehand and focussed more on responding to what was happening in the moment. I guess the sessions were kind of a constant dialogue where we would each respond to the other's improvisation.

With Promise Land I began by improvising lyrics over a drone track John and I created. Some time later I came across “To Our Land” by Mahmoud Darwish, a Palestinian poet, and was struck by the similarities - there are a few lines that match really closely. Despite being half-palestinian myself this was a total accident and I know for sure I hadn’t seen Darwish’s piece before.

With Boiling Point the lyrics are almost the ghost of a narrative rather than an explicit story. I’m interested in the subconscious and how the hidden parts of your brain express themselves when given the opportunity. Looking back it was almost more about creating the right conditions for the subconscious to come out.

Boiling Point / Promise Land is out on Tough Love Records on Friday 5th February 2021 on DL and as a limited edition (500) 12” which includes a very limited run of 100 copies with hand painted sleeves by Faris which are available via Bandcamp. In keeping with the approach of the music, each design was improvised and instinctive. Faris added about the artwork:

What was interesting about it was the way the style of the designs naturally evolved as a result of having so many blank squares to fill - there's a really clear development from start to finish - beginning with angular lines filling the sleeve and ending with smoother, more minimal abstract shapes responding to the existing sleeve design. It ended up almost like a process-based art project where you work repetitively within really strict confines and let the results emerge organically.

Promise Land/Boiling Point (MP3)

Badwan/Coxon - Boiling Point

"Magic" is the first single taken from the "Episode III"

Purchase on iTunes: http://smarturl.it/OAEpisodeIII

Also features remixes by Luke Million, Pharao Black Magic and Night Drive out now https://soundcloud.com/olympicayres/sets/magic-remixes

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Magic

Stream/Buy: orcd.co/island

Label: Frenchkiss Records

UK Booking: islandislandisland@outlook.com
US Booking: Philip.Barrett@artistgrp.com

UK PR: will@prescriptionpr.co.uk
US PR: lisag@grandstandhq.com

UK Radio: nick@airplayer.co.uk
US Radio: rubino@thesyn.com

Mgmt: islandislandisland@outlook.com

Do You Remember The Times

ISLAND

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