opera

تازه از تب مالت راحت شده بودم. فیلم روی تم مرا ببوس می‌گشت، شخصیت اصلی به طرز سمبولیکی مرده بود و...
تیتراژ پایان ستاره بود

Up Coming Funeral

Ave Maria - Franz Schubert - zur Hochzeit - Ellens Gesang III „Hymne an die Jungfrau“, D 839, Op. 52 Nr. 6

Violino: Daniel Barros
Piano: Edigar Monteiro

Ellens Gesang III, D839, Op. 52 n º 6 (Franz Schubert)

Giulio Caccini - Ave Maria

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

Auf Flügeln des Gesanges, Op. 34, No. 2,  F. Mendelssohn

Волшебная флейта
В груди моей пылает жажда мести — вторая ария Царицы ночи
"Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated Der Hölle Rache, is the second aria sung by the Queen of the Night, a soprano coloratura part, in Mozart's opera The Magic Flute (Die Zauberflöte). It is considered to be one of the most famous opera arias, highly memorable, fast paced and menacingly grandiose. It is often referred to as the Queen of the Night's Aria despite the fact that the Queen of the Night character sings another distinguished aria earlier in the opera, "O zittre nicht, mein lieber Sohn".

Mozart - Die Zauberflote, K 620 Act II. Der Holle Rache Kocht In Meinem Herze(Konigin Der Nacht)

St. Philips Boy`s Choir-09-Bright Eyes-Angel Voices 2-128.mp3

Reward on Moozar : http://reward-my-music/6876 

Mozart - Turkish March

A piano arrangement of the "Da Vinci Code" soundtrack by Hans Zimmer

Davinci Code Soundtrack Piano Version - Hans Zimmer

The Blue Danube

Mozart symphony #40 - classic

Puccini -Madame Butterfly

Lindsey Stirling - Phantom of the Opera HQ

Live recording
Zaragoza Auditorium
November 2012

Liszt - Les preludes - OCSMA - Juan Luis Martinez

In the Mood for Love

Mischa Maisky plays Bach Cello Suite No.1 in G (full)

As seis suítes para violoncelo desacompanhado por Johann Sebastian Bach são algumas das composições de solo mais realizados e reconhecível já escritas para violoncelo . Eles foram provavelmente composto durante o período de 1717-1723, quando Bach serviu como um Kappelmeister em Köthen . O título de Anna Magdalena Bach manuscrito 's foi Suites á Violoncello Solo senza Basso.

As suites foram transcritas para vários instrumentos, incluindo o violino, viola, contrabaixo, viola da gamba, bandolim, piano, marimba, guitarra clássica, gravador, baixo elétrico, trompa , saxofone, clarinete, fagote, trompete, trombone, euphonium , tuba, ukulele, e charango 

opera

Ismail Ubaid