Piano Love Song ten

Written during a journey, this track captures the essence of a place that radiates peace and stirs inner passions. It’s both a reflection of the moment and a soundscape that preserves the memory of an experience lived far from the everyday.

Released September 2, 2025

To license this song please contact:
matteo@odeonmusicgroup.com

Unveil to unknown

Buy on Bandcamp!

things start to unravel

Magdalene Flowers is a project of Alex Bober - a sound artist, photographer and graphic designer. 
For Alex main sources of inspiration are nostalgia, childhood memories, escapism and power of imagination. His music is a way of expressing indescribable feelings and emotions which are half-subconscious and almost vivid in their intimacy. His music tells a story of self-hatred, slowly and pleasurably destroying an individual from the inside, childhood memories projected on everyday existence and drowning sorrow in contemplation of the simple and beautiful.

The link to the artist's pages: 
magdaleneflowers.bandcamp.com 
soundcloud.com/magdaleneflowers

Crushing Sincerity

Magdalene Flowers - Crushing Sincerity (fragments)

Taken from the album "Deep Ground" [SSD03]

Deep Ground

Watts

Week 4  is taken from Sounds of a New Father, the new album by Olan Mill.

After the recent album on Unknown Tone Records, Olan Mill returns to Shimmering Moods Records. There is no doubt that the birth of a child is the most incredible, wonderous, and, frankly, miraculous event to be a part of. It’s the climax of the most complex and awe-inspiring biological processes, the most radical change the human body can go through and the most utterly emotionally over-whelming event possible. No wonder everyone involved is knocked for six....“The music was recorded in the moments after baby Alma had gone to sleep. All tracks were recorded using electric guitar and effect pedals. There was no post production or revisions to the original recordings. I was very tired while thumbing out these drones.....” Alex Smalley aka Olan Mill. 

Music written and mastered by Alex Smalley 
Original paintings by Alma Kemya Smalley 

Release date: 16.11.2018
Format: CD/Cassette/Digital
Order: https://shimmeringmoodsrecords.bandcamp.com/album/sounds-of-a-new-father

Olan Mill - Week 4

From my newly finished album 'Sight Seeing' - a musical theme and variations depicting different eye conditions.  Using an initial theme, the melody and harmony are taken away, distorted or otherwise changed to musically depict a number of common visual disturbances and conditions, from the sparseness of peripheral vision loss to the hallucinatory Charles Bonnet syndrome.
Release date etc TBC...

Glaucoma

The lead track from the new album from Francesco Giannico, entitled "Les Mondes Imaginaires"...

Francesco Giannico "Les Mondes Imaginaires"  Primum

Caught In The Wake Forever is the solo project of Scottish multi-instrumentalist & songwriter Fraser McGowan. 
Treading a path of quiet lo-fi, ambient, folk & modern classical music, Caught In The Wake Forever has had releases on a variety of highly regarded labels such as Archives, Dronarivm, Fluid Audio & Hibernate Recordings. 
From the delicate torch songs of 2011's debut album 'Against A Simple Wooden Cross' to the nocturnal drones of 2016's 'Under Blankets', each recording has dealt with matters of emotional strain and release. 
Caught In The Wake Forever's newest offering 'Waypoints' is the first full length album to step away from this formula. Whilst previous albums drew on deeply personal subject matter to guide the writing process, Waypoints navigates unknown territories using improvisation as its starting point. Recording began with two intense day-long sessions of modular synthesizer and acoustic piano. The resulting hours of improvised material were then gradually shaped over a 4-year period, McGowan relying on his musicianship and intuition to structure the compositions. 

These exploratory pieces retain the abstract textures and sketch-like arrangements from which they were sculpted, finding form with the contemplative melancholy and delicate melodic warmth that characterises Caught In The Wake Forever's music. Seven instrumental works that sound like distant radio signals interspersed with fragments of lonely lo-fi piano, broadcast from an unknown, isolated location. 

Words by Chris Gowers (2019) 

Written & recorded by Fraser McGowan 

Performed by Fraser McGowan 

Rogers Eungblut Upright Acoustic Piano, Yamaha C5 Classical Guitar,
Ibanez Blazer Series Electric Guitar, Korg MS2000, Roland SH101, 
Moog Slim Phatty, Akai S20 Sampler, Make Noise System Cartesian, 
Arturia MicroBrute, Arturia Analog Lab, Harmonium, Pearl Acoustic Drums, AM Radio & Digital Processing 

With 
Colin Morrison 
Ibanez GA5TCE-AM Classical Guitar & Boss RDD-10 Micro Rack Delay (A1 & B3) 

Darren Galloway 
Roland JU-06, Roland Aira TR-8 & Boss DE-200 Digital Rack Delay (B3) 

Yellow6 
Gretsch G6134 Black Penguin Electric Guitar, EHX Platform Compressor & Strymon Flint Reverb (B3) 

Produced by Fraser McGowan & Darren Galloway 
www.connectedbylandscapes.com 

Special thanks to Chris Gowers, Colin Morrison, Darren Galloway, Andrew ‘Woody’ Woods, 
Jon Attwood, Euan & Ali Millar-McMeeken & Agus Mena for making this record possible 

Mastered by Taylor Deupree 
www.12kmastering.com 
Photography by Alexander Kopatz 
www.go70north.com 
Archives58 // ArchivesCD39 
Archives / 2019

Buy Vinyl/CD/Dig

Caught In The Wake Forever - The Houses Here Have Changed Lately

"Black-east from the crow" - cold, dry east wind (Galloway) / stone shed (West Cornwall)

Music by Bethan Kellough
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Bethan Kellough - Black-east from the Crow

Maps and Diagrams - Kalia

Cat #: DR-68
Format : CD / DL
Release page : https://dronarivm.lnk.to/StalkingtheElusive

This album was conceived in Moscow during the Spring of 2018, when Dmitry Vasilyev organized the concert of Enrico Coniglio and Giulio Aldinucci at дом - Dom Cultural Centre. The album reflects the feelings of some very intensive days made of exchanges of ideas with a multitude of people involved in music (including Dmitry Taldykin of Dronarivm) and moments spent in isolated places out of the metropolis, like a forest not far from an army shooting range.

In this album, the two musicians wave together memories of an immutable past and questions about the present, giving birth to a sort of a requiem overflowing with lyricism. This music enlighten the dawn of a future that now appears more uncertain than ever, with frozen intensity and dramatic strength. As a message entrusted to the stars, it leaves as wondering if we can still change the course of events.

Stalking the Elusive

Buy CD

At The Airport Cathedral

New album 'Bright Star' out now at https://textura.bandcamp.com/album/bright-star-2

BIO:
Since 2005, Isnaj Dui (Katie English) has stood awkwardly between neo-impressionism and electronica, conveying a minimal yet capturing sound using the pure tones of concert and bass flutes alongside home-made dulcimers and electronics.   Having done her grades on flute and cello, English has also studied electroacoustic music, alternative tunings and Balinese gamelan.  She has graced labels such as Home Normal, Rural Colours, Smallfish, Front & Follow and her own FBox imprint. 

Having gained critical acclaim for releases such as 2007’s Amacrine (Smallfish) and 2014’s Dead Albatross Prize nominated Euplexia (Rural Colours), English has been cited as a distinct voice, taking the flute away from its pastoral image whilst maintaining its unique mellow sound.  She has also composed several site-specific sound installations including UNThread as part of a series throughout unconventional spaces around Essex, and After the Flood as part of Hebden Bridge Arts Festival 2013.  A prolific live performer, English has performed in numerous high profile venues and has received extensive attention in Wire Magazine and air play on Radio 3's Late Junction and BBC 6 Music.

As well as her solo work, Katie plays in littlebow, The Doomed Bird of Providence, The Sly & Unseen and has collaborated live and on record with numerous bands including Piano Magic, Memory Drawings and Hybernation.


Reviews... 

Textura, July 2014 ‘There's a maturity of conception and execution on display that identifies English as an artist and producer of considerable merit, someone hardly content to merely string myriad sounds together in the hope that they'll coalesce into something meaningful.’

Norman Records, April 2014 ‘…delicately attuned balance between almost spiritual stillness and constantly shifting textures and melodies with a sometimes confrontational playfulness about them…  Quite remarkable, possibly the best of her many releases that I've heard.’

Boomkat (album of the week) 'Absolutely gorgeous music and a big recommendation for followers of [Home Normal] and good music everywhere.'

Smallfish (recommended) 'Truly a delight to listen to and something that is both familiar and strangely exotic sounding. You’re unlikely to hear another album quite like this in the near future and for that we must be thankful that Isnaj Dui is out there doing her own thing.'

DISCOGRAPHY

Bright Star (textura), January 2021

Sight Seeing (FBox), November 2019

Poiesis (Rural Colours), November 2017

Sunspot Loops (Courier), July 2017

Answers at Dawn split album with These Feathers Have Plumes (Was Ist Das), April 2016

Stone’s Throw split EP with The Declining Winter (Rural Colours), September 2015

Dioptrics (FBox Records), August 2015

Euplexia (Rural Colours), April 2014

Secondary Projections (Hibernate), February 2014

After the Flood (Hibernate) June 2013

Duodecim (FBox Records) subscription series running September 2011-August 2012, CD released Feb 2013

Abstracts on Solitude (Hibernate) June 2012

Circle of Sleep (FBox Records) February 2011

Protective Displacement (Rural Colours) December 2010

Unstable Equilibrium (Home Normal) August 2009

Patterns In Rocks (FBox Records) July 2007

Amacrine (Smallfish) June 2007

Sequence EP (FBox Records) May 2006

Isnaj Dui (FBox Records) March 2005

Glaucoma

Isnaj Dui

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