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Reflections 09

How To Forget

Bach: Cello Suites, BWV 1007 - 1012

Cello Suite No. 1 in G Major, BWV 1007: I. Prelude

The Fountain OST

Together We Will Live Forever

Cloud Atlas (Original Motion Picture Soundtrack)

Cloud Atlas End Title

2Cellos

With Or Without You

Smooth Criminal

In2ition

Clocks (feat. Lang Lang)

Las 50 Mejores Canciones De Cine

A Kaleidoscope Of Mathematics (From "A Beautiful Mind" Soundtrack)

Gladiator - Music From The Motion Picture

Elysium

The Crimson Wing: Mystery Of The Flamingos

Arrival of the Birds

EUSA

Penn ar Lann

Richter: November

November (Single Edit)

The Assassination of Jesse James by the Coward Robert Ford (Music From The Original Motion Picture Soundtrack)

Song for Bob

Mari

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Music for the motion picture The Perfect Grey.
Written by Yusuke Tsutsumi
Performed by Taiga Ohashi

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Waltz I

Morricone Film Music

Once upon a time in America (Deborah's Theme)

Classical Masterpieces : Timeless Pieces from the Great Composers

Adagio For Strings

Lakme - The Flower Duet

Swan Lake Scene (Swan Theme)

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