This beat is harddd! you went crazy on this!!!

J'écoute Re-Ex 37

Bruce Lee

been sitting on this song for a minute now but i felt like it was time to finally release it. i hope to have more content out in the coming weeks too if this does good :) hope you all enjoy as always 
-ItsMagic #SU2SU

ALL RIGHTS RESERVED TO: Dylan Watts p/k/a "ITS MAGIC" (Vocalist & Composer/Producer)

Still I Rise

SPOTIFY

Connect on Instagram? -> go.sunnysmilesxd.com/instagram

Join my email list -> go.sunnysmilesxd.com/email-list

Buy a t-shirt to support me -> go.sunnysmilesxd.com/t-shirt

The Journey

UNDERGROUND
A Tribute to Metallica's Kill'Em All Phase
Music by Overdrive

Check out the IG promo video:
https://www.instagram.com/p/C2AFHGkOJG7/

This is an original track inspired by Metallica's Kill'Em All phase, which features James Hetfield's AI-generated vocals. It's a non-commercial/experimental track made as a tribute to the band and created under the fair use permission of copyright statute.

The use of AI-generated vocals is still a source of much controversy and heated discussion. I've been following the issue closely since the beginning of 2023, when French DJ David Guetta replicated the voice of American rapper Eminem during a concert, causing a wave of immense buzz about it.

Also in early 2023, the track "Heart on My Sleeve", which used AI-generated vocals from Canadian rappers Drake and The Weeknd, went viral before being taken down by streaming services. 

In September, John Lennon's voice was removed from a demo tape recorded in 1978. The poor quality audio was processed with AI for a new Beatles recording, giving rise to the song "Now & Then".

During this period, there was an eruption of websites focused on voice cloning, which, in October 2023, led RIAA to request the inclusion of such websites on the government's piracy watchlist -- and the main target became Vocify.ai. 

On the other hand, Aditya Bansal, a 20-year-old UK student who founded Vocify.ai, claims that several record companies have already contacted him wanting to make models of their own artists for demo tracks, "as drafts before the full recording process".

As MusicBusiness rightly pointed out, "major record companies hate AI voice-cloning platforms that don't pay".

I myself have had some very interesting personal experiences on the subject. A demo track of "Underground" was posted on a Discord server dedicated to vocaloids and synthesized vocals. The track was deleted less than 24 hours later by the moderator, who made a point of publicly censoring me on the open channel, stating that he didn't accept what he called "unethical" methods. I tried to explain that it was an experimental track, with no commercial purpose; that it was made as a tribute; that I had also sent the link directly to the band on their official Metallica Instagram, and so on. But the mere act of replying got me summarily kicked off the server.

I honestly believe that merely using tools like Voicify.ai and Kits.ai is not an unethical activity when the aim is to test the potential of a new technology. And the track "Underground" worked exactly as an experiment. It taught me that AI-cloned vocals need a lot of filters on the daw to mask defects derived from the cloning process. It served to show that the quantity of examples provided during the training of the AI is essential for improving the quality of the model. It served to show that training the model is better with vocals recorded in mono than with vocals in stereo; better with vocals recorded dry than recorded with reverb; and so on.

Moreover, I'm particularly happy with the AI-generated commercial voices I already use with Synthesizer V software, so I have no intention of replacing them with cloned voices of famous singers.

Hopefully, this small initiative will at least serve to dispel a little of the immense prejudice that has arisen around a technology that will soon become commonplace in the music industry. Nowadays, no one remembers all the controversy caused by the emergence of radio, when record company managers boasted that no one would buy albums anymore. It's the same story every time a new technology emerges.

Hope you enjoy the track.

TECH TRIVIA
* The guitar solos were assembled from multiple pieces of isolated audios of Kirk Hammett's solos available on YT.

* The rhythm guitars and the bass are Kontakt libraries. 

* The original vocals were created in Synthesizer V with NineZero voicebank. The NineZero's isolated audio was then converted into James Hetfield's vocals.

Underground - A Tribute to Metallica's Kill'Em All Phase

Young Kid Remix

Young Kid (Remix)

Armani White - BILLIE EILISH (CODON Remix)

Gabber Baby

forestporridge (prod. dontcrysloan)

Produced by Tera.mp3
Engineered by tc nova

Kalifornication

KALIFORNICATION

Don't Leave

New Song Want You By ZayZay  

#love  Like Share Comment And Follow  

Written By - Hezekiah Phillip, Isaiah Phillip

Want You -  ZayZay (Prod. By LVbeats)

2EZ - Too Far Gone (Prod. Bluent)

The Cure for the Pain Is in the Pain

Goblin nuclear warfare would be reckless and improvised warheads lashed to carts, flung from catapults, or floated on patchwork blimps. Nukes would serve as traps, threats, or trophies, with fallout zones becoming prized territory. For goblins, the blast isn’t the end of war, it’s the beginning.

Goblin Warfare

Sucka  Free (Chopped & Screwed)

Almost immediately, BandoMoss proves that the straightforward mixtape title “Free Codeine” is an open invitation to groove. When those initial vocal twists ring out on “When I First Left The Porch”, they inject a steady stream of endorphins through your headphones, making head nodding compulsory. Creating a full-on vibe and mood-inducing mixtape may not seem like a momentous task, but creating one with this level of precision and individuality is.

Markice Walker, better known by his stage name BandoMoss, is an American rapper and entrepreneur from Jackson, Mississippi. He started receiving recognition after the release of his second project ‘Lost in the Glo Mixtape’ back in 2016. Now he has released his third project “Free Codeine Mixtape” which is now available on all online platforms.

All across the recording, BandoMoss’ delivery is seamless, his varying-pitched vocal tones grinding against the lively production. There are no dull moments on this mixtape, largely due to the vast distinctions between each of the beats, and the rappers ever-changing flows.

Unlike many other feature-heavy releases this year, BandoMoss doesn’t rely on the presence of others to hold down the songs; his performance actually stands alone. He undoubtedly controls each of the 12 tracks, radiating a hazy psychedelic throughout each track. From “Too Much” to “On The Way” and “Show Me”, his performances are hypnotizing, as he weaves his way through skittering hi-hats and bass booming beats.

Almost all of the tracks could stand alone as a strong demonstration of what BandoMoss does best, but they also work together to create a cohesive project. He’s as flamboyant as hell, riding the steady beat of “Mr.Duwap”, while “Perfect” is both coolly synthetic and warmly pastoral.

“Im Booted Up,” is an undeniably gorgeous piece of twisted vocal bravado. BandoMoss is rapping with a masterful sense of song-craft, over some of the richest beats. And even when they tend towards the minimal, as on the piano driven “Andale”, he still rides them like a pro.

“Hands Up” comes out of block with a booming bottom end, and laced with eardrum tickling vocals, but it’s on “Whip That Dope” that BandoMoss is at his freewheeling best, as he flexes his melodic chops, which are as strong here as they’ve ever been.

The refined weirdness of this mixtape makes for a thoroughly pleasurable listen. BandoMoss’ voice has a color and distinctness that transcends any urban genre, but when he encapsulates it in the culture of trap, the possibilities are endless.

“Gas In My Tank” is another key moment on the record with its bombastic sound. BandoMoss’ resonant vocal energy bar for bar, leads to some truly wonderful banter here. “Plug Bitch” is loaded with ad-libs, punchlines and explicit wordplay, while showing off another of the mixtape’s strong points – the quality of production and complexity of the beats.

“Free Codeine” is exactly what the title reads, a great intoxicating experience for the listener. This is arguably BandoMoss’ most captivating project, and adds to his growing catalog. It is a project of excellent quality, with a personality all of its own.

Free Codeine

Plug Bitch [Prod. By ReddrumBeats]

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

+1
Producer First, Rapper Second
DM for COLLABS! (free of course)
 $5 reposts! (must have paypal or cashapp)
account for throw aways @magics-edits(inactive atm)
msg me  for prices on exclusive content use(include text credit)
contact me at r.y.n.prod@gmail.com
*I ONLY ACCEPT PAYMENTS THROUGH PAYPAL & CASHAPP*

Still I Rise

Its MAGIC

Recent comments

Shadow Light

5Star Record

Mr Mink

FRANKIEE

Related tracks