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Forever For You

https://soundcloud.com/goosetronics
https://soundcloud.com/djsecretguest

$ECRET GOOSE_GooseTronics feat. $ecret Gue$t

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Fire Tonight

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CHAOTIC CHARACTER - CRIMINALLY ILL

praying to tigers by @itsanwmi
track 14/19
Artwork by Keurater

Full Album Nov 1 on streaming platforms

linktr.ee/nwmi
linktr.ee/keurater

Fragments, the new 19-track LP by nwmi, emerged from an effort by Calgary-based producer Adam Blanchard to soundtrack a cooking web series with what he describes as “scenic beats” primed for chilling out and enjoying good food.

Blanchard, who runs the bass music collective DoYu and normally produces under the alias smol, is a longtime fan of culinary arts and frequently shares his passion with others through educational videos and menu design. Naturally, he began looking for ways to merge this with his passion for electronic music.

“Music to eat to, that was the original concept,” says Blanchard.

This concept initially began as a series of mixtapes of original productions called “music to be nice to” that Blanchard launched on SoundCloud in March 2021 under his smol alias. These productions soon morphed from a side-project into a full-blown foray into the world of beatmaking and the exploration of warmer, more reflective ambiances.

“I’m used to doing so much bass music, so it was nice to try something different and rebrand the whole writing process into a split personality,” says Blanchard.

Taking inspiration from artists like DJ Snake, Kaytranada, and Diplo, Blanchard created a new alias nwmi with the aim of producing tracks that crossed both genre lines and international borders.

The 19 tracks on Fragments are a mosaic of tempos that pay homage to genres like lofi hip-hop, downtempo electronica, house music, and jazz. To create a full-length album with this unique composition Blanchard assembled a vast library of samples, many of which can be linked to rich musical cultures around the globe. There’s the reggae-style vocal samples on “its yu,” the vocal percussion of Brazilian Baile Funk on “seaside funk,” and the dynamic guitars of Flamenco on “flamuego,” just to name a few.

“For the past 28 years I have explored every style, genre and cultural root of the music that floated into my awareness,” says Blanchard.

Fragments is the first full-length LP that Blanchard has released in the course of his decade-long career as a producer. To commemorate this milestone it will also be released on vinyl available through pre-order.

- written by Jonathan Crane

Fragments LP

parying to tigers

🧠 Stream / DL✨

praying to tigers

just when you thought that sound was filthy and then this stanky tune comes along, big shout out to our friend Arcadian Sound for curating this absolute monster for a tune "STANK"

be sure to give him a follow @arcadian_sound and show him some love!

Arcadian Sound - STANK

This one is for all my "G's" out there .. 

Hope you like it !

FREE DL : https://www.toneden.io/d-haze/post/glue

Twitter: www.twitter.com/dhazept

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Download

Glue

London Gentleman

frogs for fun by @itsanwmi
track 16/19
Artwork by Keurater

Full Album Nov 1 on streaming platforms

linktr.ee/nwmi
linktr.ee/keurater

Fragments, the new 19-track LP by nwmi, emerged from an effort by Calgary-based producer Adam Blanchard to soundtrack a cooking web series with what he describes as “scenic beats” primed for chilling out and enjoying good food.

Blanchard, who runs the bass music collective DoYu and normally produces under the alias smol, is a longtime fan of culinary arts and frequently shares his passion with others through educational videos and menu design. Naturally, he began looking for ways to merge this with his passion for electronic music.

“Music to eat to, that was the original concept,” says Blanchard.

This concept initially began as a series of mixtapes of original productions called “music to be nice to” that Blanchard launched on SoundCloud in March 2021 under his smol alias. These productions soon morphed from a side-project into a full-blown foray into the world of beatmaking and the exploration of warmer, more reflective ambiances.

“I’m used to doing so much bass music, so it was nice to try something different and rebrand the whole writing process into a split personality,” says Blanchard.

Taking inspiration from artists like DJ Snake, Kaytranada, and Diplo, Blanchard created a new alias nwmi with the aim of producing tracks that crossed both genre lines and international borders.

The 19 tracks on Fragments are a mosaic of tempos that pay homage to genres like lofi hip-hop, downtempo electronica, house music, and jazz. To create a full-length album with this unique composition Blanchard assembled a vast library of samples, many of which can be linked to rich musical cultures around the globe. There’s the reggae-style vocal samples on “its yu,” the vocal percussion of Brazilian Baile Funk on “seaside funk,” and the dynamic guitars of Flamenco on “flamuego,” just to name a few.

“For the past 28 years I have explored every style, genre and cultural root of the music that floated into my awareness,” says Blanchard.

Fragments is the first full-length LP that Blanchard has released in the course of his decade-long career as a producer. To commemorate this milestone it will also be released on vinyl available through pre-order.

- written by Jonathan Crane

frogs for fun

FutureVibes Music continues its reputation of pushing bass music’s boundaries with the label’s newest release, Alberta – VA Vol. 2. The success of Alberta Vol. 1 was extensive and showed how innovative Alberta’s music bass producers are. A short pause between Volumes 1 and 2 allowed Alberta’s featured producers to collect their best and most imaginative music for FutureVibes’ follow-up release.
Again, on Alberta - VA Volume 2, 18 Alberta artists take listeners on a journey through 17 excellent tracks, showcasing bass music from A to Z. Jake Robertz, John Rolodex, Reflektor, Woofax, SISTER MARY, Keekz, Heymac Giant Ibis, Heklur, Hypsetterz, Internal Frequency, Just Mayhem, KR Dub, LOSTRØNAUT, Sorsari, smol & INNOCENT, and Vies, demonstrate the excellent talent cultivated in the prairies of Canada.
From liquid drum and bass to downtempo, halftime to deep dubstep, diverse low-end subgenres are displayed from cover to cover. Often these genres are associated with overseas artists and UK origins. Listeners don’t necessarily think of Alberta as a hotbed of talent — but they should. Long overlooked by the globe’s musical centres, Alberta Vol. 2 presents up-and-coming and established talent for a release that has a place in any crate.
Edmonton’s Heymac has been hard at work, this time collaborating with one of Alberta’s most renowned producers, Reflektor. Their track, “False Prophet,” embraces dark sounds bringing big bass and early neuro vibes. SISTER MARY, (aka Mark Instinct), brings
a glitchy bass-driven tune, “Rollin,” suitable for flexing sub walls. Keekz’s effort “Therapy” features a synth-forward industrial flavor that harkens visions of dark clubs and early techno influences.
Jake Robertz shows precisely why he’s risen to prominence with “Probability” – a bass track that pairs groove and handclaps with traditionally darker sounds for an unexpectedly upbeat offering that would be at home in any timeslot. Vies has been killing it in 2022, and their tune “Alone” shows why. These guys are two to watch.
Alberta – VA Vol, 2 offers an excellent sample of what Alberta’s creators have to offer the larger bass community. It’s fresh, diverse, and engaging. Alberta – VA Vol, 2 will be available on all platforms Friday February, 24, 2023

15) Smol & INNOCENT - Got No Ass

NO DELAY

laying the foundations of #scenicbeats

community / label projects
@doyudigital  freeform offerings
@doyudeep  all tings deep


alternate music project for bass stuff
@smolbeats

Releases with

@DoYuDigital
@HeadBangSociety