is it your real voice . i love your voice

Wish this track and The Smell of he Blood hadn’t been removed from Spotify. They’re amazing and deserve other to hear them!

Haunting vocals sending shivers down my spine

Loved it!!! Feels like floating! And so mysterious *0*

'and when you're in need of sight to survive. remember, it was you who broke the glasses, blinded by rage.'

video: http://youtu.be/wpDQeVKEq_Y

the suspended kid.

CLEAR AIR

I Run Roulette

SOON BE GONE

visual: https://www.youtube.com/watch?v=koAtzvSBvfE
http://www.thefader.com/2015/01/14/sevdaliza-that-other-girl

prod. @muckybeats
artwork. zahra reijs

I trie to understand mine and others assumptions 
on how we welcome entertainment until we’re satisfied and move on
robotically drawn back into position waiting for the next call
where time is a flat circle, creativity stifles and nothing changes
where i’m everything you want me to be

http://soundcloud.com/sevdaliza
http://facebook.com/sevdalizamusic
http://twitter.com/sevdaliza


THAT OTHER GIRL

Premiere on NYLON: http://www.nylon.com/articles/song-premiere-vox-claws

Production: @josiahkosier
Mastering: @vermaasaudio
Photograph by Kristian Punturere

claws out, painted
saw me now, fainted
moved up, shoulda waited
this shit's fated

cage me, so young
take my place, champion
moved up, emboldened
this shit's golden

there are wild things in me

you can have me like a beast
have me, have me
only you can make me weak
me weak, me weak
all it really takes is your
claws out, claws out
all it really takes is your claws out

claws out, pressed in
make your mark, I've sinned
bow down, learn your lesson
this shit's destined

worship, at me
so untamed, demeaned
bow down, I am queen
this shit's victory

there are wild things in me

you can have me like a beast
have me, have me
only you can make me weak
me weak, me weak
all it really takes is your
claws out, claws out
all it really takes is your claws out

Claws

CHILDREN OF SILK EP 

spotify: http://spoti.fi/1N5wwpr
itunes: http://apple.co/1NMULtp
www: http://bit.ly/1JsCS1h
facebook: http://on.fb.me/1NJjrHP

"do not rename it when it can't be pronunciated. 
do not despise it when it is undressed. 
do not abuse it when it is in bloom.
do not only honor it inside buildings with marble vestments. 
do not stone it when beyond the walls of comprehension. 
do not kill it with gloves of silk for they will only soothe it.”

After the success of her first self-released EP “The Suspended Kid”, Sevdaliza releases her second batch of enigmatic songs on “Children of Silk”. The songstress/producer draws her influences from several textures like skin and glass. Sevdaliza’s melancholic visceral voice floats over beds of mechanical instrumentation, creating dynamics of chaos and order. Her songs have a philosophical questioning character, subjects like gender diversification and perception of emotion are strongly present. Diverse comparisons have been drawn yet it remains a difficulty to specify her in a particular genre. Rhythmic tensions build slowly into chaotic climaxes. Every retribution of her lyrics becomes more intense and personal, yet she isn’t able to break from that obscure statue of a woman. Children of Silk is now available worldwide via Itunes/Spotify.

lyrics:
this man of mine 
breaks to be desired 
this man of mine
a man to be admired 
this man of mine 
he reconsigned his heart 
this man of mine 
isn't yours, isn't mine

a man of glass
awaits his days
without a cause 
a gaze

some tales are meant to stay apart 
into a vague distance
some lives are better kept apart
bound to be inexistent 

MEN OF GLASS FEAT. ROME FORTUNE

Premiere on Interview: bit.ly/1NoUIYu 
Listen on Spotify: https://open.spotify.com/album/6ggVJwfIWpxz4C076Zb5Si

Production: @josiahkosier
Mastering: @vermaasaudio
Photograph by Shaira Luna

I took your word as gospel
now you're acting hostile
we were one and the same
why you pushin me babe?

I thought you were a profit
now you truly lost it
we were leading our flock
why won't you be the boss?

I wanna get down
I want you to get me down
I wanna get down
I want you to get me

holding
holding myself like you held me
holding myself like you held me
holding
holding myself back
holding myself back

I took your word as gospel
now your lips on the bottle
we were waking the wave
why you drownin me babe?

I thought you were a profit
now you broke your promise
we were laughing it off
why you don't wanna talk?

Get Down

often when one is asleep, there is something in consciousness which declares that what then presents itself is but a dream. 

written by sevdaliza
prod. @muckybeats
co-prod. sevdaliza
artwork zahra reijs



ONE ARMED LULLABY

https://www.facebook.com/WeAreLaMar/

Thinking About You is the third track to be released from Sydney duo La Mar's debut EP "Still Wild".

Follow La Mar

Thinking About You

"koh-it-t us"
MARZ LÉON

Production by Charlie Handsome
Co-Production by MessKid

koh-it-tu s

GR by sevdaliza
It was posted to Sevdaliza's Soundcloud before swiftly being deleted so I decided to re-upload.

GR - Sevdaliza

Paris and Paris (Acoustic) now available on iTunes https://itunes.apple.com/ca/album/paris-single/id660283751

Paris (Single)

Singer, songwriter, and visual artist vōx (Latin for “voice,” pronounced “wokes”) approaches all of her projects holistically—creating an engaging and thought-provoking audio-visual world where viewers and listeners can feel safe and find power in vulnerability.

As a teenager, vōx turned to songwriting as an escape from her small, conservative town. Years later, it became a therapeutic vehicle—helping the Los Angeles-based artist confront years of trauma and transform shame into strength. 

Drawing comparisons to such pioneering artists as Björk, Kate Bush, and Tori Amos, vōx recorded her debut EP, I Was Born, alongside co-producer Josiah Kosier in 2017. Soon after, she signed to Arts & Crafts and followed with 2019’s I Am Not a God and 2020’s This Body—both of which she co-produced with Alexander Vincent.

Inspired by the human experience, This Body is perhaps the most complete manifestation of vōx’s creative and spiritual evolution thus far—on an emotional, philosophical, and physical level. The five-song EP, which has drawn praise from the likes of Billboard, Paper, and Dazed, showcases vōx’s captivating voice and thoughtful words—accompanied by sparse, electronic notes, ethereal beats, and gentle, multi-tracked harmonies. The songs include an anthem for self-worth (“Be Bigger”), a confrontation of ancestral trauma (“How Do I Connect to the Spirits?”), and the title track, in which vōx reclaims her body with the formidable lyrics, “You were not here first. I was.”

Claws

vōx

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