OH MY GOODDD THIS WAS STUCK IN MY HEAD AND I only remembered the humming I FOUND ITT like 7 years later

'Tethered Bones' b/w 'Bloom' will be released on 12"/digital on Feel Good Lost on December 01, with remixes from WIFE, Eomac and Slow Magic.

Official Video: https://www.youtube.com/watch?v=5KH5FwtEX44

http://www.talostalos.com
https://www.facebook.com/TalosTalosTalos
https://twitter.com/talostalostalos

Tethered Bones

Pre-order our debut album ‘Caught In Still Life’ here - po.st/CaughtInStillLife

We’re going on tour next February 2017, dates below and tickets here - http://www.seetickets.com/artist/vaults/858695

03/02 - The Haunt, Brighton
05/02 - King Tuts, Glasgow
06/02 - Deaf Institute, Manchester
07/02 - Fleece, Bristol
09/02 - Islington Assembly Hall, London

We are all massive fans of these guys; they make such exciting choices in their music and we thought this particular track, with the Miley sample, would sound really interesting interpreted by a female voice. Blythe laid down a vocal which seemed to work first take - everything followed that :) we just hope they like it!

Stream/Buy

Hunger Of The Pine (alt-J Cover)

‘It won’t take long for B.Miles’ incredibly genuine vocal range to impress you, and for that reason, we believe she could become widely acclaimed very quickly’ – Hilly Dilly

Following on from ‘Nine Matches’, her acclaimed debut of earlier this year, dark pop artist B. Miles announces the release of her sophomore single, ‘Shaking Hands’ on 13th July.

The L.A.-based singer has described her latest track as ‘a twisted version of "The Boy Who Cried Wolf"’: a more complex take on the classic fable that’s perfectly in keeping with her atmospheric sound. Miles’ lyrical inspiration comes from the likes of Nick Cave and Tom Waits, and this is evident throughout. 

The track’s production certainly matches her songwriting too, opening with distorted bass, minimal percussion and stuttering guitar lines. As the sound on the chorus opens up, B. Miles artfully demonstrates the impact of her soulful vocal in its higher range – a talent that was already abundantly clear on ‘Nine Matches’ and prompted praise from Q Magazine.

The young artist first crafted her songwriting in Miami, attempting to forge an identity which captured ‘the essence of melancholy and yearning, while finding beauty in the sadness and pain that all of us carry inside’. 

Though also striving to remain true to a pop aesthetic, she is determined to succeed on her own terms, having spent years gigging mercilessly up and down L.A.’s Sunset Strip in order to refine her sound.

The recent charting of ‘Nine Matches’ on The Hype Machine saw this sound compared to the likes of London Grammar and Banks, inspiring a solid foundation of fans. And in gaining the support of production duo Noise Club, best known for their work with Wild Belle and the Spin Magazine-approved Quigley, B. Miles seems to have struck on a sound that promises much for the future.

Spotify

Shaking Hands

There you go, we had a good laugh with Mariah Carey's spit remix for Christmas, and now, to kick off 2026, I'm dropping a new Jersey Club remix.
It's a remix of Gwen Stefani's Hollaback Girl with a cut from El Chapo by The Game and Skrillex on a Jersey arrangement. 
I hope you like it, let me know what you think!

I added silence at the beginning so that I could upload the track due to copyright restrictions, but if you download the track, it's not there.

FREE DL

Go Terence - Gwen The Game - Hollaback Girl Jersey Club Remix - FREE DL

We couldn't resist, hope ya'll enjoy <3
Huge s/o to my boys @glasshouseaus for getting in on this one with me. They got next. 

Premiere by Complex : bit.ly/1NiKa8U
<3 on HypeM : bit.ly/1QVMDwX
Spotify : spoti.fi/1IsvZlQ

@glasshouseaus
facebook.com/glasshouseaus
twitter.com/_glasshouse_

facebook.com/fekibeats
twitter.com/fekibeats
instagram.com/fekibeats
snapchat: fekmaster

Mastered By : @tabrill

Free Download <3

James Blake - Retrograde (Feki & Glasshouse Cover)

Premiere on Interview: bit.ly/1NoUIYu 
Listen on Spotify: https://open.spotify.com/album/6ggVJwfIWpxz4C076Zb5Si

Production: @josiahkosier
Mastering: @vermaasaudio
Photograph by Shaira Luna

I took your word as gospel
now you're acting hostile
we were one and the same
why you pushin me babe?

I thought you were a profit
now you truly lost it
we were leading our flock
why won't you be the boss?

I wanna get down
I want you to get me down
I wanna get down
I want you to get me

holding
holding myself like you held me
holding myself like you held me
holding
holding myself back
holding myself back

I took your word as gospel
now your lips on the bottle
we were waking the wave
why you drownin me babe?

I thought you were a profit
now you broke your promise
we were laughing it off
why you don't wanna talk?

Get Down

https://www.facebook.com/WeAreLaMar/

Thinking About You is the third track to be released from Sydney duo La Mar's debut EP "Still Wild".

Follow La Mar

Thinking About You

❤️ on Hypem ::
http://hypem.com/track/2fqc8/CLAVVS+-+I'm+on+Fire

Hear more from CLAVVS

Spotify
open.spotify.com/artist/2JcWOIfDeHESCg42COyDy1

Youtube
www.youtube.com/clawsatl

facebook.com/clavvsatl
www.clavvs.com
@clavvsatl

Lyrics & Melody by Bruce Springsteen
Music :: CLAVVS 
Mastered by John Horesco IV for One Up Mastering in Atlanta, GA

I'm on Fire

donnamissal.com
twitter.com/donnamissal
facebook.com/donnamissalmusic
instagram.com/donnamissal

on tour
4/6 boston - brighton music hall
4/7 philly - milkboy
4/8 dc - jammin java
4/9 brooklyn - knitting factory

Sick

Abi Ocia debuts with her first single, 'Running.' 


Produced by: Draper 
Co-produced by: Mkulu
Written by: Abi Ocia/Draper

Running

Buy/Stream

Written and Produced by San Scout
Mixed by Jamie Snell
Mastered by Robin Schmidt @ 24-96 Master
____________________________________
www.san-scout.com/
www.facebook.com/SanScoutMusic
www.twitter.com/SanScoutMusic
www.instagram.com/sanscoutmusic/
____________________________________

Lyrics:

My pride, self loathing, I'm on track to not knowing. Chaos in line with control, its unnerving
Something to align with, thoughts to fill your mind with. Can you even fight this? 
My love and your loving. In time, disconcerting. Chaos in line with my faults, that you're solving
Something to align with, thoughts to fill your mind with. Is limitation the something you want, can you even fight this?
It's something to rely on 
My heart indulging, locked out in closure. Chaos in line with numbers now recurring
A void in the limit, and now recurring
Something to align with, thoughts to fill your mind with. Is limitation the something you want, can you even fight this?

In / Balance

Email cameronrath@gmail.com for inquiries.

Singer, songwriter, and visual artist vōx (Latin for “voice,” pronounced “wokes”) approaches all of her projects holistically—creating an engaging and thought-provoking audio-visual world where viewers and listeners can feel safe and find power in vulnerability.

As a teenager, vōx turned to songwriting as an escape from her small, conservative town. Years later, it became a therapeutic vehicle—helping the Portugal-based artist confront years of trauma and transform shame into strength. 

Drawing comparisons to such pioneering artists as Björk, Kate Bush, and Tori Amos, vōx recorded her debut EP, I Was Born, alongside co-producer Josiah Kosier in 2017. Soon after, she signed to Arts & Crafts and followed with 2019’s I Am Not a God and 2020’s This Body—both of which she co-produced with Alexander Vincent.

Inspired by the human experience, This Body is perhaps the most complete manifestation of vōx’s creative and spiritual evolution thus far—on an emotional, philosophical, and physical level. The five-song EP, which has drawn praise from the likes of Billboard, Paper, and Dazed, showcases vōx’s captivating voice and thoughtful words—accompanied by sparse, electronic notes, ethereal beats, and gentle, multi-tracked harmonies. The songs include an anthem for self-worth (“Be Bigger”), a confrontation of ancestral trauma (“How Do I Connect to the Spirits?”), and the title track, in which vōx reclaims her body with the formidable lyrics, “You were not here first. I was.”

Get Down

vōx

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