@perila any chance on an id on this, it haunts meee

// for practice (all)

WET starts residency at @refugeworldwide
Tracing, chasing, capturing dreams as messages from the subconscious.
Liquid matter of hidden desires and pleasures.
Intimate stories woven in a dripping waterfall of sounds

First show is a soothing entrance into the world we are about to explore deeper.
@perila shares her dreams straight from a pillow, soaking a hot bath.
Sax is sex.

Sax Dreams with Perila

OUTTAKES21

infinite change (feat. Perila)

WET talks with nsns magazine
comes with a time mix inspired by a work for MAERZMUSIK :
https://www.nsns-magazin.de/featured_item/fine-drops-of-touch-with-perila/

“Weird here could be interpreted as a word inviting to express the most strange and bizarre thoughts and sounds on sexuality, a kind of gate to open up and explore, push limitations and step out of your comfort zone to discover new. Look deeper in self and find out some hidden desires and fantasies and give them a green light for realisation.”

“Lack of physicality and touch are also huge factors to motivate looking for new ways of feeling closeness. It’s been hard but also inspiring to research these ways of feeling a lot while being far away from each other. I would be really curious to hear what people have been finding during this period.”

perila – time mix

"Be, in this immensity of night, the magic force at your sense’s crossroad..."

An intricate selection from @muzaneditions label curator @joshua-stefane

✢

MFIS XXXIV ✢ Endurance

For the first guest on ‘in Passing tides’ slyn is ecstatic to be joined by one of her biggest inspirations,         
 ‧₊⋆•‧.°₊‧⋆.₊˚•⋆.°.‧₊₊‧.°.⋆•₊‧.‧⋆˚•₊‧⋆.⋆‧₊˚•⋆.°.•‧₊˚•⋆. Slowfoam   .°.⋆₊˚•‧₊.⋆•‧₊.°.‧₊⋆•₊.°•₊‧.⋆₊‧.‧•₊˚.⋆‧₊‧.°.•⋆˚₊.⋆‧°.⋆°. ‧₊

Slowfoam, who has curated the first thirty minutes of the show, navigates the frontiers of ecology and technology, delving into interconnectedness transcending past human bounds. 

The second half, by slyn, follows her last months spent working with the sea, encompassing her feelings of helplessness, nostalgia, wonder, and hope, which she felt during this time. 

Both taking large influence from the dynamics of natural systems, drift through an hour of textural ambience and meandering sounds.

Photo credit: Madelyn Byrd

in Passing tides 02 ~ Slowfoam & slyn ~ (20.05.24)

Sélection de mes disques acquis ces derniers mois entre downtempo, dub, drum n bass et trip hop. Une Soft Frenesia à l&amp#39;ancienne qui prend son temps, les morceaux sont laissés jusqu&amp#39;au bout pour se balader d&amp#39;un univers à l&amp#39;autre, le tout dans une atmosphère organique et lounge 🌷
Avec des morceaux de Unitone Hifi, King Kooba, Zend Avesta, Atjazz, Colin Newman... ainsi que des labels Incoming! (GE), Moving Shadow (UK), Pussyfoot (UK), Swim(UK), Source Lab (FR), 10 Denk Record (UK)...


Soft Frenesia w/ Léa Baldazza (01/10/24)

Sandra Mason

The Blackest Ever Black released singer-songwriter Carla Dal Forno stops by NTS' London studio once a month for an hour-long show featuring original productions side by side with old favourites and inspirations ranging from minimal synth to folk and dream pop... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/carla-dal-forno/episodes/carla-dal-forno-17th-december-2024

Carla Dal Forno 171224

Super Expanded edition, including extra unreleased tracks for a continuous 90 minute mixtape trip.
avail here: https://abstrakce.bandcamp.com/album/middle-of-nowhere

Middle Of Nowhere Mixtape A Side

Textured, grubby sounds and luscious melodies selected by Annabelle Mödlinger, artist and member of The Umlauts.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/roadkill-ikebana/episodes/roadkill-ikebana-14th-january-2025

Roadkill Ikebana 140125

"Lorn" is a cinematic piece from my upcoming album made for the video game "Faeborne" by conical studios  

Subscribe to my channel for more content like this.
Feel free to leave a comment about this song!

Stream/Download:
https://hypeddit.com/galaxytones/lornn

Support me on Bandcamp:
https://galaxytones.bandcamp.com/track/lorn

▼▼ Follow GalaxyTones ♬
● Spotify: https://spoti.fi/3plnhgT
● YouTube: https://www.youtube.com/c/GalaxyTones
● Soundcloud: https://soundcloud.com/galaxytones
● Instagram: https://instagram.com/galaxytones

Follow  @conicalstudios  for more info about the game.

____________________________________
🔴 You are free to use this track over your videos with credits
When you are using this track, please add this to your video description to avoid getting a copyright claim:

Music: Lorn by GalaxyTones 
Stream/Download: https://hypeddit.com/galaxytones/lornn

Stream/Download

Lorn

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

Lööt Sound Radio Episode 4 - OFF Q

@prpluncl track from [ECH011] VA - Ten Years of Echotourism
cassettes and digital
bandcamp: tinyurl.com/y9tokpvm
iTunes: tinyurl.com/y8yre6v9

10 Years of Echotourism

Rundfunk Tamingo

Пурпурный Дядя – Rundfunk Tamingo

Music: https://soundcloud.com/zhuravkovasophia
Artwork: Stas Shupikov

Oblcast #27 - Sophia Zhuravkova

๑ゝᴗම๑ max  ৷ਕკ~ෆ

Weird Erotic Tension

An online community featuring sensual podcasts: spoken word, poetry, ASMR, field recordings, and explorations of sonic sexuality.

SUB_MISSION_S welcome°

Sax Dreams with Perila

WET

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