Discovery - January 27th - August 2nd, 2021

Discovery is my first full length album since 2017, and was written and produced in the midst of the worst pandemic of the modern era, and the mentally arduous lockdowns that occurred as a result. When I began this project, it had nearly been one year since I'd been further than 10 km from my home. Throughout my time stuck indoors, with my motivation at an all-time low and my life on hold, I ended up spending a lot of time daydreaming of the simpler and happier days in the before times. I decided to try and channel these memories into an album, which could transport the listener into the places and moments I'd been fantasizing about, through music. However, what began as a fairly simple concept eventually grew increasingly more emotive and personal as time went on. Discovery became more and more about my own personal developments, and how I rose to the occasion to tackle them head on, learning more and more about myself as I progressed. The album began to transform into a diary of sorts, becoming a source of comfort and stability throughout one of the most tumultuous periods of my life. Over the course of making this album, I dealt with an upheaval of my daily routine, an uncertain future, a full perspective change regarding my place in this world and in the lives of others, relationship dissolutions, family turbulence, friendship upheavals, and the loss of not only my most cherished musicians and musical influences, but the heartbreakingly sudden loss of two of the most formative and loved people to have ever graced my life. This album is a true testament to the determination, strength and bravery I have developed over the time of its creation. I genuinely couldn't be more proud of myself, and I'm incredibly grateful for living in what is probably the most content period of my life thus far.





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Discovery

The Scandinavian EP was an ambitious project from start to finish, which perhaps at times pushed the limits of my creativity, patience, and even sanity. What started originally as a quirky and slightly downtempo project which sought to emulate what I considered some of the more eccentric elements of my new home turned into something a lot more brooding and introspective.

Over time, as I experienced culture shock, relationships, long winters, loneliness, burnouts, redemption and love, the project evolved into something I could never have imagined. Something vibrant and unique which truly pushed the limits of my technical and creative abilities, but ultimately resulted in something I could consider uniquely mine. This is my journey through the wonders and quirks of Scandinavia.

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The Scandinavian EP

Adieu is one of the most spontaneous tracks I've ever produced, being completed over the course of an afternoon and being basically fully completed after only one demo track. The song represents not only the beginning of the end, but also the start of a whole new chapter, and the optimism and excitement which comes with it. The song represents a freedom and a comfort resulting from my acceptance into a much anticipated masters programme in Sweden, which will allow me to pick up where I left off, and continue working towards my dreams and goals. I see it as a triumph over struggle and hardship, and the harbinger of a fresh new era in my life.

Adieu contains a sample from "The War Song" by Tatsuro Yamashita.

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Adieu

Enoshima was written over the course of 2 days, during a moment of incredible clarity and personal enlightenment. The song came on the heels of a long period of no motivation and an intense feeling of emptiness and listlessness. I felt lost and hopeless, and wasn't sure of the direction life was going to take me. Over the course of a week, I experienced an overwhelming sense of achievement and personal pride, and realised I was finally beginning to untangle the more intrusive thoughts and bad mental habits I'd accrued over the years. The song is named after Enoshima, a seaside town a reasonable distance from Tokyo, where I had experienced a similar (though less profound) feeling of enlightenment and positivity over the course of my time living in Japan.

Enoshima contains a sample from "Last Coin" by Naoki Watanabe.


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Enoshima

Dogenzaka was written and produced over a 2-week period in May 2021. Over the course of its production, my beloved grandmother sadly passed away after a short battle with cancer.

Initially, I had intended Dogenzaka to be a contrasting and melancholic companion to the more "Idol Life" that preceded it. I named it after the Dogenzaka area of downtown Shibuya in Tokyo, an area I was 
tangentially familiar with, and where all of my female Japanese friends steered very clear of. The region is often nicknamed "love hotel hill", and often associated with the exploitation of some of Tokyo's most vulnerable young women. In my mind, the area became a hill of broken dreams, something I began linking to the seemingly never-ending cycle of the Japanese idol industry, churning through young girls and disposing of them when they were past their sell-by date.

After the death of my grandmother, the sadness and grief I felt further fuelled the core concept of the song, a song I'm incredibly proud of but cried multiple times over its creation.

Dogenzaka contains samples from "さよならセンチメンタル" by Yumeko Kitaoka, "Angel of Love" by MISA, Emiko Furakawa & Mie Shimizu, and an extract from an Instagram live by AKB-48 idol Ishizuka Akari.


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Dogenzaka

I've been interested in the more human aspects of the Japanese idol scene for a long while now, with Satoshi Kon's profound and heartbreaking Perfect Blue being easily one of my favourite films. I felt compelled to write two songs centred around Japanese idols and the elusive culture that surrounds them, one more upbeat and the other much more melancholic. Idol Life was one of the first songs I'd written for the album, and allowed me to plot the mood of the entire piece from a very early point in its creation. I wanted to make something upbeat, but that hinted at a potential unsightly undertone, which only becomes apparent after the curtains are pulled back.

Idol Life contains samples from "Lazy Dance" by Yoko Oginome, and an interview with Momoe Yamaguchi from the TV series "Star Tanjō!".

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Idol Life

The announcement of Daft Punk's split in February 2021 couldn't have come at a worse time for me. I had only recently left a relationship, and just got word that a family member was gravely ill, unlikely to recover. I'd always felt a strong connection to, not only the music or visuals, but the members. Their story and humble nature inspired me, and their music had lifted me out of many a deep depression. I had previously played around with several names for the album, and my vision for what it was going to become still hadn't fully came together, though I feel the breakup had a profound effect on my motivation and the vibe I wanted to convey. I had sampled Daft Punk's music before, but decided I wanted to go a bit deeper, working their own music in a way that they did to forgotten funk and soul records of the 70s and 80s. I felt it would be an appropriate tribute, and it allowed me to weave even more elements of their music and ambience throughout the album.

Darlin' contains samples from "Face to Face", "Get Lucky" and "On/Off", by Daft Punk.

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Darlin'

As Discover neared completion, I felt the album was missing a key link between the two very different vibes and emotions portrayed throughout it. I had in my mind what the album needed, but had no real way of achieving it, until a sample fell straight into my lap. Using machine learning, I was able to strip the song down to its core instrumentals, and create an almost palate cleansing interlude, which allows the listener to unwind and more easily transition into the second half. The song is named after Kasai Seaside Park in Tokyo Bay, an area which made me feel a profound sense of calm and ease any time I've ever visited there.

Kasai contains a sample from "Mr Cool" by Amy.

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Kasai

I adore albums which have songs with runons to the next track, which is something I implemented throughout Discovery. Downtown Wednesdays makes up a trio of songs right at the core of the album, acting as a bridge between the album's more upbeat beginning and melancholic end. I wanted to evoke the feeling of wandering lost through the streets of Tokyo at night, something I found myself doing countless times over my year there. Its title is also a not so subtle reference to one of the TV shows that kept me sane during the lockdown, and allowed to me reconnect and reimmerse myself with my time in the east.

Downtown Wednesdays contains samples from "Explosion" by I.C Bell, and a segment from the TV series "Wednesday's Downtown".

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Downtown Wednesdays

Minato Beats is one of the more experimental tracks on the album, and marks a forte into inspirations from different genres of music. During the lockdown, I became deeply interested in early house and hip-hop tracks and song structures, doing a lot of research into the history of the two genres. Through the Daft Punk remix of Ian Pooley's "Chord Memory", I found a vocal sample from that era which really stood out to me, and decided to experiment with combining elements of early house and Japanese city pop, two musical genres which were flourishing at the same time in two completely opposite parts of the world.

Minato Beats contains samples from "Dear Breeze" by Kiyotaka Sugiyama & Omega Tribe, "Set It Off" by Big Daddy Kane and "Jump" by Kris Kross.



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Minato Beats

Although every song on Discovery corresponds to a distinctive area of Tokyo, AKB-K represents one of the clearest musical interpretations of a location or vibe I've ever created. The song's name is a pun on "Akiba-Kei", a term used to describe the distinctive culture and themes of the Akihabara region of central Tokyo, an area I spent a lot of time in and am incredibly fond of. The song harks back to the countless hours I spent hanging around the Electric Town Exit of Akihabara Station, soaking in the atmosphere and feeling the energy of the area. This is also where I spent my first and last evenings on my most recent trip to Tokyo in 2020, just weeks before the pandemic strengthened its grip.

AKB-K contains a sample from "Caribbean Blue" by Hiroko Moriguchi.

AKB-K

Takeshita was among the longest songs on the record to finish, owing primarily to an uncertainty over what direction to take it. I had the idea early on in its creation to pay homage to the eclectic and infamous Takeshita Street 
in Tokyo's Harajuku disctrict, and worked the sample into a more traditional house song early on. Midway through its production, with a number of demos under my belt, I decided to completely scrap the song and start right from the beginning, chopping the sample up more finely and playing around with the arrangement. I came up with the bassline live and played it along to one of the later demos, realising that the song I'd created was a much better representation of the area and vibe I was trying to emulate.

Takeshita contains a sample from "I'm in Love" by Tomoko Aran.

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Takeshita

When writing Discovery, I had the idea to make the album occur over the course of an imaginary evening in Tokyo. Welcome to the Weekend was inspired in part by Daft Punk's "Give Life Back to Music", the opener to the pair's seminal final album "Random Access Memories". As I wrote the song, I pictured an early evening house party just as the sun sets, a painful far cry from being under one of Europe's strictest lockdowns. This song is also my first instance of using machine learning to remove the vocals from a track, a technique I utilised at various other points throughout the album.

Welcome to the Weekend contains samples from "Fake Love" by Summer Dream and a segment of "New Plague Just Dropped Billions Of Insects Hatching Soon!" from the YouTube channel Internet Today.


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Welcome to the Weekend

I spent more than 2 months trying to figure out how to open this album, trawling through samples and trying to cultivate a vibe that I felt was appropriate. When I first started compiling Discovery, I was in a completely different mindset to where I was when I finished; I was upbeat, enthusiastic and hopeful for what tomorrow would bring. Although my outlook on life and the future has since improved, there was a large period of time in the middle of the album's creation where I had hit rock bottom and experiences several losses. I decided to keep the opening tracks on the album, and work on transforming it into a more comprehensive overview of my time over the past few months, whilst still maintaining that twinge of nostalgia which inspired me in the first place.

Hajime contains samples from "Hollywood Illusion" by Himiko Kikuchi, "A Hope from Sad Street" by Anri, and a segment from the TV series "Susunu! Denpa Shōnen".


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Hajime

Presenting Scandi-lous!, the first single from my upcoming Scandinavian EP! 

I wanted to work on a song, which encompassed the incredible energy and spontaneity of my life here in Sweden so far. I experimented with a wide variety of sounds, rhythms and samples, before settling on an arrangement and which I felt perfectly summed up the region's vibrancy, and envoked almost camp 80s dance party-esque vibes. While playing around with the pre-master, I also decided to put together a distinctively vaporwave style B-side, which I felt just sounded perfectly complimentary to the original. Shout out to Alex for the name suggestion, much appreciated bud!

Scandi - Lous! (Aesthetic Edit)

Scandi - Lous!

Snå represents my best attempt to capture the coldness and isolation of the long winters in Scandinavia, through a manner that remains positive and mostly upbeat. I wanted to employ a number of new techniques I'd picked up through the process of making my EP, whilst also trying to shape a distinctive sound which most accurately reflects my feelings of anxiety, but also cautious optimism, surrounding that time of my life. Working on the Scandinavian EP has proven to be an incredible challenge but also an incredibly fruitful experience, and I genuinely can't wait to see where it ends up!

Snå contains samples from "Gin Gin" by Asami Kado and "Santa Claus" by Le Knight Club

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Snå

I spent a significant amount of time working away in bustling and eccentric Copenhagen, each day chancing upon something weird and wonderful. From the quirky architecture and charming automated metro, to the strong sense of revolution and counter culture which wafts through the city's DNA. I became incredibly intimate with so much of what the city had to offer, and am eternally grateful for the opportunities it presented to me, no matter how arduous.

Last Dance in Copenhagen contains samples from "赤と黒" by Yoshimi Iwasaki  and "Barbie Girl" by Aqua. The title is heavily inspired by the song "Last Dance in Copacabana" by Superfunk.

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Last Dance in Copenhagen

For min Älskling <3

Although I had never even planned to visit other than an impromptu trip, Gothenburg on Sweden's beautiful west coast has become one of the most cherished and important parts of my Scandinavian journey. A bustling and vibrant city which doesn't take itself too seriously, I felt a strong sense of belonging and ease from my very first trip, something which has only grown stronger upon subsequent trips and stays. 

Älskling represents not just a journey into the unknown and completely unexpected, it represents unconditional love, which supersedes insecurity, grief, worry, and anxiety. It accepts the beauty of the unanticipated and an excitement for whatever beauty the future holds.  

Contains a sample from "Gårdakvarnar och skit" by Håkan Hellström

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Älskling

Kamppi is named after the vibrant commercial centre of the same name in Helsinki, a city which blew me away at every corner. Although I'd always been interested in going even further into the north, my trip to Helsinki was overshadowed by lingering feelings I'd harboured for over four years, and a question I'd always wanted to ask. Although things didn't go exactly the way I'd anticipated, the energy and cosiness of the Finnish capital left a significant impact on my confidence and the direction I knew I needed to take my life in.

Kamppi contains a sample from "Sunrise to Sunset" by Yui Asaka.

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Kamppi

I wanted to work on a song, which encompassed the incredible energy and spontaneity of my life here in Sweden so far. I experimented with a wide variety of sounds, rhythms and samples, before settling on an arrangement and which I felt perfectly summed up the region's vibrancy, and envoked almost camp 80s dance party-esque vibes. 

Scandi-lous contains samples from "Genie" by B.B. & Q. Band and "Om du var min" by Caramell. Shout out to Alex for the name suggestion, much appreciated bud!

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Scandi-lous!

For as long as I've been making music, I've always wanted to mix and perform a live set featuring works from my music heroes and inspirations. Inspired by the iconic essential mixes from the likes of Daft Punk and Justice, I present a long awaited personal snapshot of my own musical journey, featuring favourites, classics, and songs that have directly impacted my own works. Enjoy!

Set list ------

Acknowledgement - Modjo (2001)
Let's Get Slow - Aeroplane ft. Benjamin Diamond (2015)
Aogashima Island ! - Macross 82-99 (2017)
Idol Life - Yappari! (2021)
Music Box - The Buffalo Bunch (1999)
Make Luv - Room 5 ft. Oliver Cheatham (2003)
Music Sounds Better With You - Stardust (1998)
Dove (I’ll Be Loving You) - Moony (2003)
City Nightlife - Architecture In Tokyo (2014)
Take Your Love - Discover Pablo J & The Lobsterettes (2013)
Lover 4 Now - Groove Armada ft. Todd Edwards (Myd Remix) (2020)
Groovejet (If This Ain't Love) - Spiller ft. Sophie Ellis-Bextor (2000)
The Bomb! (These Sounds Fall Into My Mind) - Kenny Dope (1995)
Skylar Spence - Saint Pepsi (2013)
Everyone (interlude) - Duck Sauce (2014) 
Song Of The Sirens (Louis La Roche Remix) - Pierre De La Touche (2010)
50//50 - Vantage (2015)
Digital Love (Boris Dlugosch Remix) - Daft Punk (2001)
No Reason - The Chemical Brothers (2023)
Face to Face (Demon Remix) - Daft Punk (2003)
If I Ever Feel Better, I'll Go To The Disco (Said the Buffalo Bunch) - Phoenix (2000)
Complètement fou - Yelle (2014)
Getting Late (feat. Desired) - ev.exi (2019)
Flawless - The Ones (2001)
Da Hype - Junior Jack (2004)
Big Love - Pete Heller (1998)
Contact - Daft Punk (2013)


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The Essential Mix - Live from Lund

Inspired in part by modern future funk and house music of the 90s, "Rock the Best" makes my first major release as Yappari, and the beginning of a new chapter for my music and artistic careers. The song begins with a snippet from an interview with the late Romanthony, arguably the most voice of 90s house music.

Rock the Best

First released in February 2016, Tropikal is a really interesting song based off Guy-Manuel de Homem-Christo and Eric Chédeville's "Le Knight Club" project. The song was rewritten and restarted countless times over the course of 2 months.

Contains a sample of "Hit and Run (Walter Gibbons 12" Remix)" by Loleatta Holloway.

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Tropikal

Umi was first released in July 2015, and is heavily inspired by "Fresh" by Daft Punk, an interesting and quite hectic dance song backed by the calming sounds of the ocean. 


Contains samples from "Summer Groove" by The Joneses and "Born to Die" by Lana Del Rey.

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Samishikatta

間抜けの意見はめっちゃ怪しいだよー

The core message behind M.I.M.A is understanding toxic people or influence are mere inconveniences in our lives, not something that requires putting everything on hold, and that their often completely falsified and irrelevant opinions shouldn't be taken further than face value. M.I.M.A resonates heavily with a period of my life where the fear and worry around falsehoods and rumours became a daily source of anxiety and fear, however realising to simply not worry about them or their perpetrators became a crucial step towards moving on and becoming more upbeat. 

M.I.M.A contains samples from "Love Something Special" by Touch and "Perfect Blue" by Satoshi Kon.

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M.I.M.A

During these uncertain and unprecedented times, one of the only things keeping me sane has been listening to music that just sinks into the background and takes you to another place. I think it's important to relax and tune out of the incessant news which we're exposed to on an hourly basis, and think about times when things were better.  

With 9PM, I wanted to create an endless progressive house style song that would do exactly that, channelling the energy from a recent trip to Japan when things made a bit more sense.

"9PM @ Scramble Square" contains a sample from "Party Down" by The Exportations

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9PM @ Scramble Square

Oshichi

In the limited amount of spare time I've had recently, I've started becoming much more interested in Japanese folklore and mythology. One story which caught my attention over the last few weeks is that of Yaoya Oshichi, a serial arsonist from Edo (modern day Tokyo)in the 17th century, whose unusual and fascinating story has since been immortalised in many pieces of art and literature. I was introduced to the story by an incredible song by the absolutely amazing Wednesday Campanella, which I just felt compelled to remix!

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お七 (Yappari! remix)

Uchi is probably the most ambitious project I've worked on to date, and the cumulation of many months of experimentation. 

I decided to deviate from my typical house and future funk sound, to play around with more percussion heavy and trap-esque song, incorporating fast-paced Japanese vocals in a style inspired by the works of Wednesday Campanella and KKB. Choosing to have Miku sing in a much lower octave initially sounded extremely odd when contrasted with her usual pitch and tempo, but I worked hard to write lyrics which not only suited her voice and intonation, but also conveyed a deeply personal story. 

Uchi was a unique learning experience, written and produced during an exceptionally unique period, and I'm happy I got to tell my incredible story in a manner I feel really does it justice.

Uchi contains a sample of "Gala" by Wednesday Campanella.

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Lyrics:

Verse 1:

ついに、私よろしい？
幼少来た夢が叶い？Wow!
来た前にしたかったものの
リストを取り組んで始めよ！
アキバのいかがわしい店から
深く感動の場所まで、渋谷
メトロの地図よ、地図様
まだ発見しなかった地域くれるか？


冒険あと、友達と
夜に厚遇した駅は(千駄木)
起きて、食べて、不安を感じて
私の日常、チョー忙しいね？
いつも勉強してるけど
いつで流暢になるの？
だから時間が有限から
全て楽しむつもりやー!


Chorus:
総都市、ネオンで照ったみたいな
都会の隅に定着した
一瞬で目を閉じなら
多分再び経験するんだ

今に、生活しながら
まだその時点を返り見た
I-Houseの道化、懐かしいなー？
東京の家に帰りたいんだ


Verse 2:
そして、急に奪われた
万事を取り残させた
どうしての？圧倒だよー！
皆が私忘れてだろの？
しょうがない、乗り越えたい
もうバカみたいを感じたくない
自体にくよくよしやすいが、
もっと有利なものをしたいんだ！


卒業の後、
私絶好のチャンスを待ったないと
この次、前の短所の
ぶり返しを許さないだよー
すぐに返ってできるなら
まだまだの地方に行きたいが、
もっかの所、目標は
大事な家に帰りことだ！

Uchi (feat. Hatsune Miku)

Irish future funker and recovering weeb, blending French house grooves with the pastel-drenched nostalgia of Japan’s bubble era. Lost city-pop samples, Discovery-era beats, and nu-disco glitter, all played out of a PS1.

Took a hiatus working on an album that didn’t want to exist. Now I’m cracking open the vault: unreleased singles, forgotten demos, and the occasional emotional breakdown over 90s Japanese ads. New cuts coming soon(ish)!

Yappari!

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