Tweezy never left.
He’s been dropping, building, documenting the journey in real time.
But this time — it hits different.

This Time Itz Personal is more than a title — it’s a turning point.
After a breakup, a new city, and a deeper level of reflection, Tweezy delivers a 16-track album that feels like a journal cracked open at the most uncomfortable page — and then left on repeat.

Following years of releases — including the original Don’t Take It Personal (2019) — this is his most focused, vulnerable, and intentionally layered project to date.
No filters. No fake resilience. Just truth.

From the raw confessional “Delete the Message,” where he directly calls out past affairs, to the city-soaked inspiration of “Come to Boston,” each record builds on the theme of reflection and reclamation.
“Fatal Attraction” flips the blame.
“Playa’s Diary” confesses unlearned lessons.
And “Night in the City”, recorded a year ago, echoes differently now in the context of where he’s been — and who he’s become.

Blending R&B, Afro-fusion, Latin Trap, and elements of Hip-Hop, This Time It’s Personal doesn’t chase sound — it follows truth. There’s no filler. No reaching. Every track is a timestamp.

The rollout? Quietly brilliant.
No snippets. No gimmicks.
Just cryptic captions, emotion-heavy story posts, and a slow, strategic burn — creating curiosity without begging for attention.

This is the first album since the heartbreak.
The first since the move.
The first since ItzTweezy stopped making music for noise and started making it for closure.

It’s not about streams.
It’s not about sympathy.
This time — itz personal.

This Time Itz Personal

Lil Wayne - Ambitions As A Ridah

Yasss Bish!! (ft. Soulja Boy) - Nicki Minaj

Heart in a million

"That’s on Vinnie" is deeper than the name—it’s a declaration. This isn’t a diss, it’s a timestamp. I’m talking about being broke, hungry, and still clocking into work like everybody else, just to pay bills and stay afloat. The name "That’s on Vinnie" reflects loyalty—because if I say “that’s on me,” it’s personal, but if I say “that’s on Vinnie,” it’s stamped and solidified. It’s me owning who I am, where I’m at, and who I ride for.

They know Vinnie my mans, so if I’m putting that weight on him, they better take it serious.

That’s on Vinnie

Recorded in Boston, Come to Boston, is a smooth, rhythm-driven invitation to a city full of love, motion, and ambition. ItzTweezy blends his Afro-infused style with heartfelt lyricism and hypnotic melodies, creating an anthem that feels both intimate and universal. Whether you’re from Beantown or just passing through, this record speaks to anyone chasing connection and purpose in a new city.

Come to Boston

lil’ bitta luv

Fatal Attraction (feat. Nikael)

Originally featured on my album Eclipsed, this updated version breathes new life into one of my most vulnerable records.

With a fresh verse and a reimagined hook performed by the incredible Nikael—who brings a whole new energy—I revisit a story of temptation, miscommunication, and emotional risk.

I wrote the hook from a place of truth, and together, we shaped it into a blend of R&B and Afrobeat that hits just as hard emotionally as it does rhythmically.

This is heartbreak with rhythm.
This is Fatal Attraction.

Fatal Attraction

Night in the City (feat. Dreamer)
Originally titled The City, this Afrobeat-inspired track evolved into something bigger—named after the place we both call home. I met Dreamer through Legend Wingate (ironically, Legend and I have another record on this album called New York Rain).

I laid down two verses and a hook, sent it to Dreamer, and he snapped with a melodic, pop-leaning verse. It was so good, I scrapped my first verse and made room for his.

This track is about an affair in the city—waiting for shawty to throw on her makeup, her asking questions about my girl, me dodging them… just telling her to play her part. It’s a balance between raw emotion and smooth melodies. Classic NYC duality.

Grit meets gloss. The city never sleeps, and neither does temptation.

Night in the City

Time Zone

Said You Wouldn’t

No pen. No filter. One take. I had something to say and didn’t want to wait for the beat to catch up. Pressure made this one. That’s on me.

That’s on Me (freestyle)

I am so happy to release this song. Fun fact: this song was originally meant for Luna Azul… but I got frustrated with it. Irregardless, I came back to this one months later && I’m happy with how it turned out. I hope u like it :)

Another fun fact… this picture was taken on my last night in Puerto Rico… hours before I had to pack and get on a flight 🙃

culpa del mariii

The Leak

Gossip (Album Version (Edited))

I'm Me (Album Version (Edited))

Nicki Minaj- Getting Paid

ItzTweezy is a genre-bending artist from New York, now based in Boston, known for blending raw storytelling with Afro-infused rhythms, trap soul, and hard-hitting hip-hop. Since stepping onto the scene in 2008, he’s dropped over 26 projects—from mixtapes to EPs to five full-length albums—building a reputation for consistency, vulnerability, and melodic grit.

With over 1 million streams across platforms and a Top 40 spot on ReverbNation, Tweezy has quietly carved out a space where honesty meets ambition. His lyrics are sharp. His emotions stay close to the mic. And his sound shifts without ever losing focus.

Now, he returns with his 6th studio album, This Time It’s Personal—his most revealing and refined work to date. Written in the aftermath of heartbreak and self-reflection, the album is a 16-track deep-dive into passion, betrayal, ambition, and lust. From late-night freestyles to Afro-laced melodies, every song feels like a timestamp on the road to healing.

Records like “Delete the Message,” “Come to Boston,” and “Playa’s Diary” strip the mask off.
Others like “Fatal Attraction” and “Dimelo” show growth through chaos.

There’s no gimmick here. Just an artist who never stopped working—now stepping forward with something to say.

Tap in.
This time, it’s personal.

Fatal Attraction

ItzTweezy (BigTapia)

Recent comments

Peter's Graphics 4

Related tracks