Ни хера не решиться!!! Что за текст...инфальтийный)))

Бля , вот не ожидал . Дело в том, что привкус хотлайн майами остался , обе ранние версии очень заходят , а вот альбомная по пресней кажется .В общем и целом как музыкант ты просто растешь на глазах , и очень круто видеть как со временем твоя музыка меняется . Удачи тебе , Юрий Геннадьевич Каплан.

Спасибо! Побольше бы такого

Потрясающе!!! Благодарю 🙏🏼🤍 Эта печня заиграла в самый подзодящий момент 🌙⚡️

AUTUMN

Творожное озеро -  Aкварель

Ploho Дерево

Творожное Озеро - Гроза

SLEZY POP

Тень

🍂 “Autumn Sky (My Oh My)” drifts like the last warm breath of summer dissolving into cold air. A chillwave dream painted in fading colors, where heavy clouds roll slow and the glow of screens replaces the glow of sun.

Echoes of laughter fade into silence, leaves whisper on the ground, and every note feels like twilight stretching longer than it should.
It’s music for late-night headphones, empty streets, and windows fogged by thought.

Close your eyes and let the autumn sky carry you away — my oh my…

Lyrics:

Autumn sky… my oh my
Autumn sky… my oh my

The nights fall faster, the streets fall quiet
The glow of summer fades, can’t deny it
Clouds roll heavy, drifting slow
A colder rhythm takes control

Autumn sky, my oh my —
Colors fading, shadows sigh
Autumn sky, my oh my —
Warmth is gone, the days run dry 

Curtains drawn, the silence hums
Neighbourhood still, no footsteps come
Leaves like whispers on the ground
Echoes of laughter, lost in sound

Autumn sky, my oh my —
Colors fading, shadows sigh
Autumn sky, my oh my —
Warmth is gone, the days run dry 

Inside the glow of screens I hide
Waiting out the winter tide
Heavy thoughts, a frozen stream
Summer lives only in dreams

Autumn sky, my oh my… (my oh my, my oh my)
Autumn sky, my oh my… (drifting by, drifting by)
Autumn sky, my oh my…
The warmth is gone, the days run dry 

Autumn sky… my oh my…
Autumn sky… my oh my…
Autumn sky… my oh my…

Autumn Sky, My Oh My

吉村弘 (Hiroshi Yoshimura) Dance PM

Валентин Стрыкало - Решится само собой (RSAC Remix)

youtube.com/watch?v=oge4VxjAHqA

Hiroshi Yoshimura ~ Pier & Loft ** FULL ALBUM || 1983

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura's music remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura's debut Music for Nine Postcards for the first time outside Japan in collaboration with Hiroshi's widow Yoko Yoshimura, with more fully licensed reissues of Hiroshi's work to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura's artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Postcards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Postcards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building's architecture. This was not mere background music in the prior Japanese “BGM” sense of the word, but “environmental” music, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70's Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space, a new way of listening: sound not as an absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie's furniture music, R. Murray Schafer's concept of the soundscape and Eno’s ambience all greatly informed their work,  but the specific form of tranquil stasis presented on releases like Nine Postcards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of it's construction. This record offers the perfect introduction to Hiroshi's unique and beautiful worldview: it's one that can be listened to - and lived in - endlessly.

Валентин Стрыкало - Решится само собой (RSAC Remix)

Iurii Kaplan

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