Single from my industrial project cell:burn. Lot's of sci-fi sound design on this one, along with hardware synths (Waldorf Micro Q & Microwave XTk, Nord Lead, Korg MS-20) Vocoders and a ton of beats...

"Close your eyes. Now imagine, pushing through the atmosphere in a galactic starship, as you escape the last remnants of the post-apocalyptic "Wastelandscape" that was once known as Earth; destination, unknown. All you can do is wonder what could have been done to prevent this destruction as you drift towards the emptiness of space..." (a good pair of headphones highly recommended in order to hear all of the [sound design] details of this one.)

Wastelandscape

Buy on Bandcamp

Wastelandscape // by cell:burn

Hanuman, the monkey god, occasionally likes to chillout and play the hang.

Hanguman Sunrise (feat. Daniel Waples)

Kolibri

Water, the key to our survival…plentiful and clean for some, scarce and polluted for many others.  It flows freely in nature, carving paths through the landscape and soundscape, providing a life-line to those in its path.  Some allow it to flow freely in their homes, on their yards, or off their roofs…lost forever in a torrent of over consumption and waste.  

With FLOWING, we want to recognize the symbiotic relationship between humans and water.  One that is not harmful.  One that does not destroy the treasure we have at our disposal, in a land where we are not the owners.

Cesar Naves experimental video for this piece may be viewed at https://www.youtube.com/watch?v=ee3Arv6-nmw

Flowing

Release

Ling Ling at the bus stop, from the album Retromancer, by Per Bronco.

Retromancer

Ling Ling At the Bus Stop

Ling Ling at the bus stop

The Ocean. Mother of all life. End of the journey.
https://soundcloud.com/iv-steve/sets/digital-waters

Eternal Depth

Mensch oder Maschine

From Volume 8 (Part One) of the Ambient Online Compilation

https://ambientonline.bandcamp.com/album/ambient-online-compilation-volume-8-part-one

Collaboration between 3bc and Tetsuroh Konishi.

Eternal Depth

IV Steve

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