With this publication, I thank, with much gratitude and affection, the great person who guided me to create this album in the year 2021.

I hope to hear from you again.

Beginning piano improvisation and orchestration with MuseScore by Ivano Bersini.

I must also thank my city of birth (Brescia) and the place where I live (Manerba del Garda BS), rich in millenary history, for the inspiration I receive daily.

Thank you very much to Stefano Rossi:
Cover art by Stefano Rossi Wikingo in art
wikingo.it/
E-mail: wikingo@wikingo.it
All Rights Reserved Stefano Rossi 2021

Night fantasies

Echoes

Spotify

Azure Room (mirrors) - Fleursonseaux
All rights reserved - © Copyright

Azure Room (mirrors)

coffin

The Stone That Makes The Statue was inspired by the band flying into Keflavík and invokes the rocky, bleak landscape of Iceland.

Percussion driven, it is a return to the post rock roots of the 4 piece, melodic keyboards and harsh guitars, melody and intensity, booming bass and atmosphere.

Laxá are: 
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass/Vocals
Matthias Helguson - Drums
Mike Taylor - Keyboards

The Stone That Makes The Statue, new Post rock by Laxá

Sed Non Satiata

Production by Farlight Musis, Von Vuai, and Roze
Mixed & Mastered by Shadow
Cover Art by Jac

Take Care

Folk Tune (Percy Whitlock)

I just am really fond of this song, on an album that got no thanks at the time and didn't do well.  And I found it really weird that there are no other cover versions in 43 years or so.

It's in the 14 day holding period with Distro-Kid to formally become a cover song with a real license, while it's like that I have it on SoundCloud but non monetized so it earns zero until then.

Can't Turn My Heart Away (Art Garfunkel Cover)

This is a release that I am very happy with! It was the result a real fruitful collaboration with the great Ian Collins (UK), who did the production, percussion and additional vocals and instruments and Duncan Butler (brass section). This is the story about a girl who stopped living her dreams because they are too big. The song has a soft beginning, then more and more instruments and vocals are added. The brass band part, which adds a bit of irony to this sad story, sets the final.

Pot Barley

Hole In The Sky

Hole in the Sky - Pot Barley, Ian Collins, Duncan Butler

"FourThirtySeven" from Siegfried Jünger's album "A World That Turns Away" is cinematic background music. With a blend of piano and synth, it creates a mesmerizing atmosphere. The track's ethereal textures and rhythmic patterns guide listeners through mysterious landscapes, evoking introspection and exploration. Perfect for cinematic storytelling, it captures the beauty of introspective moments with its emotive depth.

FourThirtySeven - Siegfried Jünger - Cinematic Background Music

A lot of work went into this one and it was the second time that I used harmony against myself singing.  And the first time I really put different files from the synth together in the mixer in the -center- of a song.  I'd done intros and outros off a side-file before but this time I got really invasive.

Pamela (Toto Cover)

I was born in Brescia on the third of October, 1974.

I write and publish poems and piano music. I made all the published tracks myself.
(For poetry:
I have previously published: The Sunlight – Poetry in the Heart of the night/Playing in the Garden – Virginia and Me/A new Journey/Within ourselves, beyond the stars/Soul and Pleasure – Eros Poetry/Memories/Eyes Heart Soul/Metamorfosi Metamorfosis Metamorfoses Metamorphosis Метаморфоз/Fiabe incendiarie Cuentos incendiarios Зажигательные сказки Incendiary Tales/Lilith/Images/Light/Impressions/Carillon (Fable poems Favole poesie)/Visioni/Bagliori dorati/Resplandores dorados/Bellezza Belleza/Caterina/Anima/Soul/Poesie d'amore/Emozioni/Rose fiorite/Sensazioni/Viaggio onirico /Cerotti per l’anima/Poesie di ferro bruciato/The future does gymnastics.

“Between winter and paradise” was written by Fátima Rocío Peralta García. I also contributed to the creation of an Akkuaria anthology.

In particular, I was awarded third prize ex aequo at the first annual “Tribute to Emilio Greco” Literary Award on 18 December, 2010, in Catania and at the International Competition of Poetry, Prose, Figurative Arts La Finestra Eterea, I received 2nd place for both single poem of the 2015 edition and the 2017 Lilith edition, and 4th place in the 2019 edition for Carillon.

On 24 November 2018 in Forte dei Marmi, I received a diploma of honour with mention of commendation for Lilith and the single poem “Canzone” at the International “Buonarroti” Awards – 4th Edition; in the next edition, on November 30, 2019, I received the Poetry Prize for kids for Carillon.

For Carillon, again, on November 24, 2019, I received the Premio Leandro Polverini 1st place in the dream poetry category with the following reasons:

the entire collection is traversed by a happy tension towards the good, terrestrially consisting in the friction exerted by the living descending towards that ineluctable and always imminent future, which obeys entropic law. In the texts, phonic influences run and intertwine, the beyond-sky and beyond-time that offer us much more than an extraordinary expressive ability of the Brescian author and his evident predisposition in capturing dreamlike, subtle, and mysterious sensations.

(The president of the jury Luciano Catella).

In 2014, I conceived and organized the first annual International Literary Contest POESIE NEL PAGO DELLA MITRIA as a perfect way to rediscover the beauty inherent in every human heart by visiting a sacred place.

Poetry represents one of the ways of going deep into the very essence of ourselves while dwelling on everyday experience, and thanks as well to receiving daily feedback from other people.

Echoes

Ivano Bersini

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