Name: BirfDay Live by Ixindamix in 01
Duration: 2 h 17 min 38 s
Description: 2h 23 minutes - recorded on the 23rd 4 my 43rd !

Merci pour toutes les heures de détentes groovy que tu nous a fait passer. Spécial BIG Thanks to Ixindamix & Spiral Tribe!

"listen ...hello girls and boys! now you are going to hear some music, that is just the opposite of soft music...you guess what kind of music it will be? listen"

la nouvelle bombes des dz6tem!!! qu'est ce que vous voulez quand on écoute du bon son comme ca on a qu'une envie c'est de presser un vinyl!!! 

CHAPATI EXPRESS 33 - DZ 6TEM - Acid FLUSH (Extrait)

Mix Elektro Break Vol.6 (free download)

TRIBE FACTORY 02

TRIBE FACTORY 02 - PROMOMIX

2h 23 minutes - recorded on the 23rd 4 my 43rd !

BirfDay Live

Extrait mix Mobilis in Mobil

SMASH REPRESSION MODENA DJSET

MASKKLIVE@RADIO STUDIO SESSION

Damage Control = to take actions to minimize the negative effects of something.

Damage Kontrol by Don't Panik to be released shortly on Hydrophonic Records (No 23!)

In the continuing adventures of Don't Panik our intrepid adventurers kept running into trouble , everywhere they went their paths were crossed with death , disaster and grief - what could possibly be going wrong ?

It was time to apply some Damage Kontrol.

A.Damage Kontrol
B1.Ripitup
B2.The Key Master (Dedicated to Giampi)

Damage Kontrol - PromoMix

Banditos Live - LaRoboterie Italian Tour
Booking : allobanditos@gmail.com
Photo by Simone Bureca

LaRoboterie Italian Tour

ROCKNTROLL i don't speak any spanish (ORIGINAL)

SCHROOMP – Raveolution EP 🚨

It’s release day! SCHROOMP delivers two fierce, relentless and untamed hard techno weapons, forged straight for the dancefloor! 💥

Both clips feature the tracks from the new EP – which one is your favorite? ⚡️

Now available on Beatport & Spotify. 🔥


Artist: SCHROOMP 
Album: Raveolution 
Label: Definition Of Hard Techno 
Catalogue: DOHT055 
Format: Digital 
Genre: Electronic 
Style: #Techno #Hardtechno #Schranz #Industrialtechno



BEATPORT

SCHROOMP - Raveolution (Original Mix) DOHT055

B Next time (Astroboy 01)

Bazooka Joe + Z - Aires Akropolis 2014 part two

BazookaJoe FinalCAuntDown meetFactory 10.12.2011.djset

136 bpm
-if you like what you hear, share it so other tekno heads can enjoy it too! - 
back with a another remix! in a new style! a new obsession, elektro

remix of the track : toots and the maytals - funky kingston
produced on ableton, Fm synths made all with operator

(first free 100 downloads free )

funky kingston remix

Funky Kingston (SIN23 Remix)

Thanks to the meeting with an old friend, during a stop in Italy along the west coast, the collaboration was born for this piece whose trumpet was recorded in a van.
Trumpet Malinda
Editing Mixing & Mastering Alkaloids
credits
from Gipsy Road, released February 24, 2021
Thanks to Malinda for playing the trumpet
Graphics by Delirium Control www.instagram.com/deliriumcontrol/
GipsyTravellerProduction

Gipsy Road

Crazy Trumpet

support

Crazy Trumpet Feat. Malinda | Alkaloids432hz

Before meeting Spiral Tribe in 1991, Ixindamix lived on the road with a horse and cart and moved across the British countryside with the horse-drawn travellers. Whenever she found a good site for a party she’d give the Spirals a call and the sound system would be magically spirited in.

Ixindamix began her musical career in 1992 after leaving the horse-drawn and joining the Spiral’s convoy of matt black trucks. Collecting records with irrepressible energy, she quickly became one of the sound system’s central performers. With her DJ sets filling floors week after week, she began honing her synthesizer skills in the sound system’s mobile studio. The resulting livesets rapidly became popular in countries all over Europe, and she became well known for her tantalizing analog improvisation and twinkling frequency mischief.

Co-founding the Audiotrix record label in 2000, she has steered it to a position of respect and helped break a stream of new artists on the label. Adding an online digital and vinyl shop to Audiotrix in the last two years, she is a pivotal figure in the European scene.

Today, Ixindamix plays at international events every weekend while working in the studio throughout the week. Injecting charisma and sparkling personality into every set, her ability to whip a dancefloor into sheer euphoria has made her highly sought after across the continent.

The mid-1990s was an interesting period when the alternative scene was a sort of world open to new impulses from outside … from the West in particular – no matter it was alternative art, hardcore or for example graffiti. All and sundry had an urge to do something so they formed bands of various genres, created art projects, squats and all things around it. And when at that time travellers Spiral Tribe and MWC, Vox Populi, Bedlam, Plan B and other initiators of free parties came to the CZ we were lucky to witness it first-hand. Or maybe havin’ a little bit of bad luck … it depends;). Anyway, it definitely changed lives of some people more or less. Somehow naturally we with a bunch of friends wanted to create somethin’ similar, to start mixin’ vinyls with techno, dub, jungle and other styles, to make decorations, fireshows, to build sound systems, to make scrap metal sculptures, to live on wheels, to travel and to give people free music, dance, ritual and all the things around including the psychedelic trance. Everybody could take part in, use his/her piece of talent and to add somethin’ from him-/herself to the whole audio-visual show. It was somethin’ different than we were used to …. it had its – hidden for many until then – spiritual dimension. And also it was a possibility to define yourself against the majority style. And as the background of people around CA was rather squat and punk from the very beginning, it was also rebelling enough, independent and really very much wild. In summer CA organized free parties on meadows, during the rest of year in squats and alternative dens in Prague and around, at the first technivals in Hostomice etc. Notably collaboration with the old-hand DJs from UK and their Prague posse Technical Support contributed to the music development. Psychospores and their live act brought CA the own, unmistakable sound that keeps changin’ and developin’ until today. DJs went to Berlin, Holland and elsewhere for acid techno, hard trance and hard techno records which we couldn’t get here. There was usually a – often very wild – fireshow at the partieHowever, the best time was when we finally hit the road because that was what we generally wanted. And so we went by a yellow bus for horses and sometimes also by other cars from place to place in CZ and at the early of 2000 we went abroad – first to Berlin, then to France, Italy… It was fascinatin’ experience we tried to repeat in the following years. Later when I read books by Ken Keyse and Tom Wolf about Merry Pranksters I had to laugh what similar mad incidents had happened to us and what similar mad ideas had come to our mind.
“You’re either on the bus or off the bus,” that was Kesey’s motto often reminded by Luxz Psychospor, which was typical for that time. We spent several following years on the move and those who know what this is about certainly know how varied and adventurous life you can live in this way. However, of course, after some time everythin’ wasn’t as ideal as before no matter it was the decadence of the big French technivals we were at or the dark side of all sorts of the traveller sites. Anyway, we got to know a great lot of interesting people in the similar frame of mind … and what’s more an independent and free life on the move. That was the thing, that was what we looked for and found it … As time passed our tribe atomized into many different interests and personal priorities, we were no longer together on the same horse waggon but everybody had his/her ‘cubbyhole on wheels’ and was self-sufficient in a way. Besides the Ladronka squat – our long-time base – fell and there was no place to return. While one kept punkin’ rudely, the other found a job he enjoyed and the other started a family …. So naturally Cirkus Alien is different than in the past. However, the need to have friends and a common project keeps survivin’ somewhere and here and then it forces us to get our act together and do somethin’ that others, e.g. newcomers, follow.

BirfDay Live

Ixindamix

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