This song was written from the perspective of a friend watching their friend go through a toxic relationship. Unlike other songs where he would want to be with this person, all he wants to do is be there for them as a good friend.

Love Is Not A Game

“Chase The King” by Brinson featuring Sydney Wells is a Kingdom counter-culture anthem for a generation that’s tired of chasing hype and ready to chase holiness. Over cinematic Southern rap production, Brinson declares freedom from old temptations and celebrates the joy of fully pursuing Jesus. The track’s message of identity, purpose, and focus hits at a time when the world’s attention economy has left many spiritually empty. This is Brinson at his boldest—uncompromised, purpose-driven, and fully devoted to the King of Kings.

Brinson - Chase the King ft. Sydney Wells

“Price Been Paid” is a gritty, faith-filled declaration that reminds listeners their worth was sealed at Calvary. Lana D delivers raw bars and truth with East Coast energy, blending confident delivery and hopeful lyrics to celebrate redemption as a finished work. Produced by Derek Minor, the track combines hard-hitting beats with scriptural conviction, underscoring that grace is a gift — not a performance.

Culturally, the song lands at a moment when many believers wrestle with validation through likes, platforms, and perfection. Lana D speaks to a generation seeking authentic faith over facades, reminding us that the “price been paid.” With influences from female emcees like Anike, Childlike CiCi, Lanell Grant, and Tu Kool Tiff, she delivers a testimony of grace and growth that resonates across Christian Hip-Hop and Gospel spaces alike.

“Price Been Paid” is a reminder that believers serve from acceptance, not for it. It’s an anthem for every woman and man who knows they’ve been redeemed and now walk in purpose.


Price Been Paid

Where Do I Go? (Feat. Omen)

Same Shit

Built around the theme of rebirth, Lana D uses personal testimony to paint a journey from pain, stress, pride, and brokenness toward surrender, salvation, and purpose. Her verses speak to anyone who has struggled with identity, tried to numb their pain with the world, or worn a mask to hide what’s really going on. Each line is crafted to remind listeners that transformation is not only possible—it’s promised.

The song is inspired directly by 2 Corinthians 5:17, and its January 2nd release makes it a perfect anthem for individuals looking to reset their lives spiritually as a new year begins. The hook—“Old me had to R.I.P.”—is both memorable and ministry-focused, turning a catchy phrase into a deeply biblical message.

This single stands firmly within the lane of uplifting female Christian hip-hop, reminiscent of artists like Childlike CiCi and Lanell Grant who use hip-hop as a vessel for healing, empowerment, and faith.

 In a culture where people constantly reinvent themselves but struggle to sustain change, this song offers the true path: dying to the old self so God can make us new. It speaks directly into the moment—January is when millions seek transformation—and positions Christian Hip-Hop as a voice of hope, truth, and renewal.

Old me had to R.I.P.

“Bridges” is Lache’s most emotionally charged release yet—a record that captures the tension between deep personal loss and a renewed strength found only in God. With gritty delivery and heartfelt transparency, she walks listeners through a difficult year, emerging stronger, more grounded, and more determined to rise.

Across the record, Lache’ reflects on the weight of grief, the grind of rebuilding, and the revelation that God’s gift is always “enough” even when life feels empty. Lines like “I lost a lot in this year—but I’m grateful ’cause baby I’m making it up” immediately throw listeners into her reality, blending vulnerability with hope.

Her signature wit and confidence shine through—“They thinking it’s beef but it’s gravy”—while she also confronts spiritual warfare, trauma, and healing with unfiltered honesty.

Culturally, “Bridges” lands at a time when mental health, grief, and faith-based resilience dominate conversations both inside and outside the CHH space. Lache’s story resonates with a generation learning to stand firm while processing pain, and her delivery ensures the message cuts through.
The back half of the track moves from survival to spiritual anchoring, highlighting her late Gege’s impact, the heaviness she carries, and the comfort she finds in God’s palm as she reads the Psalms. It’s raw. It's real. It's relatable. And it’s the type of record that builds community through testimony.


FREEWAY

izreal graham

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