Groovey

Izzamuzzic - Jjuusstt Oonnee

Izzamuzzic - Nniigghhtt

Grabbed the Piano and vocal Samples From OutKast - Roses, added a small drum set a nasty basseline and a some tripy sounds into this! 
Enjoy!
instagram.com/jairbaleno

Roses ft. Outkast (Original mix)

lliinnee Izzamuzzic (slow)

Buy: https://www.beatport.com/release/white-sheets/1485177

Label: Lenient Tales, LTR002
Release: 31.3.2014 (digital), 3.5.2014 (vinyl)


"Melodic and driving, driven and melancholic - put into a nutshell its this dualistic groove that defines Jonas Woehl’s sound. Packed with impressions and directions, grounded by a firm but never overladen bass, its about finding a balance without taking sides. Not deciding between light and darkness, but rather dancing in the shadows and enjoying both. It’s in this concept that the young Dresdners sound design has put itself to the test, beginning with high-carat remixes for top-players such as Jay Haze and Fritz Kalkbrenner, he has developed and mastered stepping over the border of conventionalism and going towards his own interpretation of emotional dance music. EPs on german top-notch labels such as Get Physical and Solee’s Parquet Recordings have ultimately been a game changer for Woehl and his debut album on the young Berlin-based label Lenient Tales follows this path. Bringing out „White Sheets“ - a 10-track journey on the back of this nutshell - he follows the perception that there’s neither black nor white, but rather a hazy blend. 
Beginning the album with a beatless dark-ambient piece - shadows of voices running in the background - these voices become clearer in the vocals of colleague Locoto, parallel to the steady introduction of bass and percussion. Touches of post-rock industrial mist slowly creep their way through the beginning minutes - there’s no haste because Woehls sound stands where it does without having to go anywhere. Letting himself be inspired more by bands than by other electronic acts, its in the light-dark-analogy that the album gets its distinct ambivalenz between solid techno structures and unconventional shuffles and spheric approaches - nonetheless orientating itself on a live-performance programmatic with similar BPMs. Starting with a straight-forward minimalistic „Leaving Me“, the following track „Winter“ leaves the traditional 4/4-building blocks aside and creates a wonderful broken-beat Apparat-isch dream landscape, accompanied by crisp voice loops and soothing strings. Dark-fuzzy industrial stomper „Is This“ and hi-hat whirling „Stockholm“ flatten out the base from which the epic vocal-collaboration with Wyoming sets out from. A central clap and shuffled percussion give the broad placed synth of „You Want To“ the experimental framework as the emotional climax of the album. Continuing with the loop-swirling, ambient firmness of „November First“, the vocal collaboration of David Clement on „Not Looking At You“, Woehl finishes off his debut album with the name sharing „White Sheets“, spinning dizzy synths into a mediative trance state, bordered by a dub-staggered drum arrangement, which rounds off the hazy blend perspective of Woehls production. "

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Izzamuzzic

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