Taken from my debut album 'Yearling XL', out NOW on Ooh La La Records.

OFFICIAL MUSIC VIDEO: www.youtube.com/watch?v=U7RiCJL450E

Purchase 'Yearling XL' on iTunes: smarturl.it/YearlingXL-iTunes

www.yearling.fm
www.facebook.com/acereportermusic
www.twitter.com/myacereporter

Collected Works

A Thousand Shards of Heaven (Single Edit)

Blueneck - King Nine [CD|2xLP|DIGITAL]
Denovali Records · den212
available on all formats at [http://denovali.com/blueneck]

Hailing from North Somerset, UK post/prog-rock veterans BLUENECK have been at forefront of the European underground experimental scene since forming in 2000. They've released four critically-acclaimed albums; toured extensively across Europe with acts such as Cult of Luna and Mono; have soundtracked a number of independent films and had their work featured on NBC, HBO and SyFy channels; and are now mainstays of the European festival circuit (including a triumphant midnight set at Glastonbury 2014). However their most ambitious achievement – 3 years in the making – is new album KING NINE, released on Denovali Records in November.

Singer-songwriter Duncan Attwood's astonishingly affecting melancholy vocals have always been the chilly heart of Blueneck's music (2006's SCARS OF THE MIDWEST, 2009's THE FALLEN HOST, 2011's REPETITIONS), so fans were surprised when the band released the hushed, vocal-free soundtrack album EPILOGUE in 2012. However, work had begun by Attwood and fellow bandmembers Richard Sadler and Ben Paget on KING NINE in early 2011, in advance of the writing and recording of EPILOGUE. Continuing their ongoing relationship with Bristol UK producer/collaborator Mat Sampson, KING NINE has been a quiet labour of love – a deliberate, determined commitment to push Attwood's songcraft and singing to the fore. To make the most vibrant, accessible and exciting Blueneck record possible.

The band's three key musical influences go some way to explaining KING NINE's ambitious, expansive (but always accessible) scope: the electronica of Boards of Canada; the movie soundtracks of Ennio Morricone and John Carpenter; the melodicism and melancholia of Kid-A era Radiohead and Arcade Fire.

KING NINE's packaging arguably matches the ambition of the album itself. With new work from acclaimed artist and filmmaker Lasse Hoile (who previously worked with Porcupine Tree, Anathema and Opeth), KING NINE features unnerving scenes of Southern Gothic solitude from America's deep south, reminiscent of (oc)cult detective TV show ‘True Detective'.

Praise for Blueneck:

“Stunning” – Rock Sound
“Fantastic… An intoxicating all-consuming experience” – Classic Rock: Prog
“Beautiful… Creepy” - Vice
“Melds heavy alt-rock with gentle Amnesiac-era Radiohead fragility in impressive style” – Metal Hammer
“One of England's best kept secrets” – The Digital Fix

King Nine

Blueneck - Man Of Lies

When Hope and Permanence Exist in the Same Breath

I hope you wake up one day. Not for me, that door closed the day you blamed me for your lies. But for you, before you can't hide the gray, before you've lost too many people. For your sake, and for those still waiting for you.

When you finally do the work and see what I always saw, it'll already be years too late. Because this grief is mine to carry now, through fire and through ash. I love you still, and I always will. But I'm gone, so far down the road where my shadow isn't even a memory.

I don't remember your face anymore. Can't recall your voice. Barely remember how you smelled, how you tasted. This heart didn't mend right, and these tears still hit hard.

But I'm gone. So far gone.

This is what complicated grief sounds like—hoping for someone's awakening while accepting you'll never be there to see it. Love that persists without investment. Care without possibility. The weight of what remains when the door has already closed.

One Day

Dead Air for Radios is the first solo album of Kevin Moore, under the name Chroma Key. The album was released four years after Moore left the keyboardist seat of Dream Theater. It has since sold around 10,000 copies.

Personnal :

    Kevin Moore - vocals, keyboards, bass
    Mark Zonder - drums
    Jason Anderson - guitars
    Joey Vera - bass on tracks 3, 4, and 5

N° Album :    1 (Or second : "Music Meant To Be Heard" was the initial demo tape for Kevin Moore's work, published within certain Dream Theater fan clubs, and distributed by Kevin Moore himself. Very few copies of the original tapes exist. The tape was converted to CD at an unknown time, and is distributed as a CD-R in most bootleg distribution networks. All of the tape except for "Song For Eric" "Blanket" and "Space Dye Vest" would later be remastered and published on "This Is A Recording."

Released 	June 8, 1998
Recorded 	Bill's Place, North Hollywood, CA
Genre 	        Prog Rock
Length 	        44:04
Label 	        Fight Evil Records
Producer 	Kevin Moore, Steve Tushar

Chroma Key - 01 - Colorblind

JøhnDillinger

Recent comments

Andrew Raz 1

Aljoscha Crema & Band

Related tracks