Gary Moore - Still Got The Blues

My Way- Frank Sinatra

Watched You Walk Away
(c) J. Murdock McInnes Vasey

[instrumental]

We were strong, and in love
Saw the world, rose above
We were wrong, never knew
Went too far, 
are we through?

[bridge]
We thought that we could do it,
We thought we were ok
I  could not hold you tight
and watched you walk away

and watched you walk away

[instrumental] [1:28]

We were strong, and in love
Saw the world, rose above
We were wrong, never knew
Went too far, 
are we through?

[bridge]
We thought that we could do it,
We thought we were ok
I  could not hold you tight
and watched you walk away

and watched you walk away

[bridge]
I am trapped by silly thoughts
I don't know what to say
The words I have forgot
My feelings go astray

I don't know how to think
I stay awake all night
I never sleep a blink
You are always on my mind

[instrumental] [2:37]

We thought that we could do it,
We thought we were ok
I  could not hold you tight
and watched you walk away

and watched you walk away

[bridge]
I am trapped by silly thoughts
I don't know what to say
The words I have forgot
My feelings go astray

I don't know how to think
I stay awake all night
I never sleep a blink
You are always on my mind

[instrumental]

[outro]

We thought that we could do it,
We thought we were ok
I  could not hold you tight
and watched you walk away

and watched you walk away

and watched you walk away

[instrumental]

Watched You Walk Away (colder Moorish)

The Red Clover (C Side)

Not a Thing to Say (02)
(c) J. Murdock McInnes Vasey

[instrumental]

A life in this town
It has got me down
I drift all day
With not a thing to say

[bridge]

I did what I was told
Kept my head down
I came from that mold
No, don't you frown

It is the way it was
We had little choice
Tried to stay alive
Dared not raise our voice

[instrumental]

What can I do 
I would like to change
But I just don't know
I have no place to go

So I stay right here
Here I feel safe
I have you near
You calm my fears

I would say I love you
But I don't know
I need you so much
I can't let you go

[instrumental]

What you want
I will do for you
Don't make me cry
Don't say we're through

I want to feel love
I want to feel hate
But I don't feel a thing
I just stay and wait

So I stay right here
I stay next to you
I need you near
Don't say we're through

[outro]

[instrumental]

A life in this town
It has got me down
I drift all day
With not a thing to say

not a thing to say

not a thing to say

not a thing to say

not a thing to say

[instrumental]


Not a Thing to Say (08 reggae)

Steel and Glass
(c) J. Murdock McInnes Vasey

[00:00] 

To walk the streets alone
Surrounded by the crowds
Deep inside my smile
I know that they don't matter

To brush elbows in the bus
And bump into their backs
To be sorry without care
And never once step on a crack

I ride the cold with newborn zeal
I look into their eyes
They look back and then away
They never know what not to say

It may be that they see me
Maybe just a glimpse
It is more than they can stand
Sometimes I reach out for their hand

[01:10] [instrumental] [01:42]

They recoil and gather speed
They seem to sense my need
But fear makes them stumble 
And I lunge with no pre-amble

Once upon them I am all
My blade hidden in my grip
I am now in full control
and I am gone before they fall

[02:18] [instrumental] [02:38]

It is now time to sleep
To return to steel and glass
I live there beyond reach
And I wait the thrill to pass

To walk the streets alone
Surrounded by the crowds
Deep inside my smile
I know that they don't matter

To brush elbows in the bus
And bump into their backs
To be sorry without care
And never once step on a crack

It is now time to sleep
To return to steel and glass
I live there beyond reach
And I wait the thrill to pass

[03:48] [instrumental] [04:06]

Once upon them I am all

My blade hidden in my grip

I am now in full control

and I am gone before they fall

before they fall

[04:30]


Steel and Glass (02short)

There Is No Talking Anymore
(c) J. Murdock McInnes Vasey

[instrumental]

[verse]
There is no talking anymore
We've worn away the words
When lies drown out the truth
More sound is of no use

With every passing day,
hope quietly fades away
There are no choices left to choose
More sound is of no use

[verse]
I could sit and write a letter
Gather my thoughts and put them down
I could nail them on each lamppost
On every side of town
But people I thought friends
Will come and take them down

[chorus]
What a farse, when god is gone
And we are standing all alone
All that we can say, 
is pray

[bridge]

[instrumental]

[02:00]
[verse]
Why talk when there's no hope
I have nothing left to say
Every thing that could not be
Has now come here to stay

[verse]
I could call you and complain
I could say it all again
But what's the point
We both know well
It's only words I re-arrange
Nothing's going to change

[chorus]
What a farse, when god is gone
And we are standing all alone
All that we can say, 
is pray

[instrumental]

[03:10]
[verse]
There is no talking anymore
We've worn away the words
When lies drown out the truth
More sound is of no use

With every passing day,
hope quietly fades away
There are no choices left to choose
More sound is of no use

[outro]
What a farse, when god is gone
And we are standing all alone
All that we can say, 
is pray

[03:21]
[instrumental]





There Is No Talking Anymore (5b)

Cover de "El Amor", canción escrita por el cantautor español Julio José Iglesias de la Cueva, conocido artísticamente como Julio Iglesias; y que le dio titulo a su álbum grabado en el año 1975, el mismo que contiene hasta cinco canciones que llegaron a ser éxitos indiscutibles en la carrera musical divo español.
El álbum “El amor” se abre con ‘Abrázame’, una de las mejores canciones escritas en España en los últimos cuarenta años. Para ello se apoyó en la figura de Rafael Ferro como pilar esencial en su equipo de composición. Autor de canciones para Mocedades o Rocío Durcal, Ferro firmaría a medias hasta cuatro canciones del disco. 
La carrera artística de Julio está indudablemente unida a la de Ferro, responsable de los arreglos musicales de sus discos y también de los de la orquesta que dirigía personalmente en escena durante sus conciertos. 
La figura de Ferro es en “El amor” tan importante como la del propio Iglesias, un perfecto desconocido para el gran público, pero arreglista elegante y muy eficaz, especialmente a la hora de colocar la voz del solista bien visible en primer plano. ‘Abrázame’ es el perfecto ejemplo de esta técnica. 
Si Phil Spector inventó el muro de sonido, los productores españoles en los 70 patentaron las orquestaciones estroboscópicas y el protagonismo vocal ejemplificado en el que se llamaría “sonido Torrelaguna".
En el verano de 1977 el cantante alcanza la cifra de 35 millones de discos vendidos en todo el mundo, y su álbum "El amor" alcanzó las primeras posiciones en 44 países. Como forma de promocionar su concierto en el Estadio Nacional, el Departamento de Prensa de Televisión Nacional de Chile, invita al cantante a dar inicio al noticiero 60 Minutos, siendo nombrado por Raúl Matas locutor honorario de dicho informativo. Ese mismo año se divorcia de Isabel Preysler.
Grabado para el reto semanal del foro: "Sueños Mágicos".

Julio Iglesias - El Amor

Elton John - Sorry Seems To Be The Hardest Word

SoundCloud Question:
https://youtu.be/GSWHAf9Y56s

You're just too good to be true
I can't take my eyes off you
You'd be like heaven to touch
I wanna hold you so much
At long last love has arrived
And I thank God I'm alive
You're just too good to be true
Can't take my eyes off you
Pardon the way that I stare
There's nothing else to compare
The sight of you leaves me weak
There are no words left to speak
But if you feel like I feel
Please let me know that is real
You're just too good to be true
I can't take my eyes off you
I love you baby
And if it's quite all right
I need you baby
To warm the lonely nights
I love you baby
Trust in me when I say
Oh pretty baby
Don't bring me down I pray
Oh pretty baby
Now that I've found you stay
And let me love you, baby
Let me love you

You're Just Too Good To Be True

Hallelujah (Leonard Cohen)

I write lyrics and offer unwanted opinions. Mr. Suno composes and arranges.  Performed by the lovely Ms. Ai and her crowd.

There Is No Talking Anymore (5b)

I and Ai

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