Really cool buddy, thanks for the free DL

Sleep

This track was cut from "Obscura". You can download it if you want.

John Dwyer of OSEES and Castle Face Records comes back for the second time on frame.'s Mixtape Experience - this time with a murky and energetic mixtape of rare punk cuts, dirty bootlegs, and more. A moodboard for their upcoming record "A Foul Form", out 12/08. 

Tracklist:

The Sinyx - Deathmonger (third demo '85)
The Saints - (I'm) Stranded
Void - Who Are You?
Rudimentary Peni - Crazed Couplet
D.O.A. - Fucked Up Ronnie
Suicidal Tendencies - Parents for Adoption (Live from the "Surfpunks" documentary)
Pussy Galore - Nothing Can Bring Me Down (Live: in the Red)
Bad Brains - How Low can a Punk Get?
Dawn of Humans - Tort, Plode, Blurst.
United Mutation - Fugitive Family/Plain Truth
Mentally Ill - Gacy's Place
Dow Jones & the Industrials - Let's Go Steady
Abwärts - Maschinenland
Primitive Calculators - Glitter Kids
Metamatics - Are We There Yet?
Angel Face - 12 1/2
Liket Lever - Levande Begravd
Flux of Pink Indians - Tube Disaster
The Deep Throats - Scene Approval
The Screamers - I Want to Hurt (live)
Cortex - Warrior Night (live)
Samhain - All Murder, All Guts, All Fun (live at the Stardust Ballroom, Hollywood, 1984)
Pink Fairies - City Kids

OSEES II

last track from my set last night. collab with friends  jessie ware, tic  and a sprinkle of sampha from 2 years back! happy 2014.

r u n a w a y

Seenha

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker Jackson Conti.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

Vinyl / CD / Digital

Ivan 'Mamão' Conti - Poison Fruit (ALBUM TEASER)

Ghostride The Drift - B1

HGL - 001 - A1 BRUCE - Xull

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/bleep--warp-records--plaid--3rd-february-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. This mix from Plaid starts from the off at 100% and stays there till the end. From the first kickdrum to the final squelch, this is a constant roller bursting with heart palpitating energy.  60 minutes of pure vibrancy with a breakbeat or two thrown in for good measure - fitting for a final big blow out!

No frills or faff about this set, just banger after glorious banger from Warp kingpins.

@warp-records

Bleep × Warp Records - Plaid - 3rd February 2019

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine. 

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985. 

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’. 

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording. 

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with London based label Far Out Recordings, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica. 

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019 on Far Out Recordings, and Marcos Valle and band will be touring Europe in May /June.

Sempre

Vinyl / CD / Digi

Marcos Valle - Alma

Available from 27 June 2019 on vinyl & digital formats
www.westmineral.ltd
www.boomkat.com

The Jibaro philosophy and way-of-___ing, life from land, music from hand, tension and release, hard work and nothing to show.

"The music is calling the shots to me & I just listen." - John McLaughlin

Music for spiritual rituals: can I reach Pedro Albizu Campos?
Music for the bosque - music made by hand from trash and dust, ground relics and artefacts connect the past present and future.

The Rhythm may not include drums, but it should reference the ocean and the mountains - spoken in storms.

The pile may not add value to its individual layers, but there was never time to second guess this attempt at cobble-and-collage.  No Kopyright Infringement intended under fair use of a mortar and pestle.

Buy the farm and bury yourself in mud.

"Yo, múltiple, como en contradicción" - Julia de Borgos

**RIYL**
Eddie Palmieri, Herbie Hancock, Airto, Terje Rypdal, MF Doom, Bill Laswell, Ray Barretto, Eberhard Weber, RZA, Nana Vasconcelos, Lol Coxhill, Fred Frith, Brian Eno, Mongo Santamaria, Art Ensemble of Chicago, Andreas Vollenweider, Varese, Wendy Carlos, Wally Badarou, Irakere, Sakamoto, Bill Vermette, Jack DeJohnette, & countless more.

Bought The Farm (OUEST095)

Mister Water Wet – Bought The Farm (OUEST095 preview)

I got dat woda.

Tracklist:
小久保隆 - 01 [00:00 - 04:06]
Susumu Yokota - Hagoromo [04:06 - 7:52]
Marc Cary - Rhodes Ahead Intro [07:52 - 10:07]
Autechre - Altibzz [10:07 - 13:41]
Jonny Nash & Suzanne Kraft- Beluga’s Song [13:41 - 18:04]
Aphex Twin - Untitled [18:04 - 21:12]
Oneohtrix Point Never - Physical Memory [21:12 - 23:22]
Kareem Lotfy - FR3SH [23:22 - 26:55]
Biosphere - Chukhung [26:55 - 28:34]
Leila - Underwaters [28:34 - 31:28]
OCA - Heaven Cent [31:28 - 34:49]
Visible Cloaks - Screen [34:49 - 38:03]
Jaco Pastorius solo (live w/ Joni Mitchell, 1977) [38:03 - 41:10]
Iury Lech - Barreras [41:10 - 46:45]
Cliffdiver - Digital Dreams [46:45 - 51:30]

AQUAPHORIA

From Flume's debut album. You can download the Deluxe Edition on iTunes here:
http://smarturl.it/flume_deluxe

www.facebook.com/flumemusic
www.flumemusic.com
www.facebook.com/futureclassic
www.futureclassic.com.au
www.facebook.com/transgressiverecords
www.transgressive.co.uk

Star Eyes

A vivacious club workout from @deejayflorentino

Tracklist: https://mixmag.net/feature/in-session-florentino

Seenha

JOHNBEAR

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