Name: Obelisk - "Passing Afternoons" feat. Sierra Elizabeth Ferrell by J.R. Clark
Duration: 3 min 58 s
Description: Iron and Wine cover. Produced by J.R.Clark.

@midland

>> https://buymusic.club/list/midland-hnypot-400

Honey Soundsystem Potcast

HNYPOT 400: Midland's Everything Comes Back To You Mix

Latest WOLF Music radio for your listening pleasure. The Hoagie Don & Hot Mass resident, Jarrett Tebbets swung by the studio to deliver a guest mix in the second hour. It's a hot juan.

WOLF Music Balamii Radio Mar 22 with Jarrett Tebbets - Hoagie Jams

Iron and Wine cover. Produced by J.R.Clark.

Obelisk - "Passing Afternoons" feat. Sierra Elizabeth Ferrell

Coloring Lessons Mix Series 068 is from the legendary Maurice Fulton, enjoy!

Follow Maurice on Instagram:

https://www.instagram.com/mauricefulton/?hl=en

Coloring Lessons Mix Series 068: Maurice Fulton

Ending the WOLF Music Takeover, we have Hoagie dreams, giving us an all vinyl mix of funk, disco and more to close out the Takeover in style! Tune in on the website until 11pm for smooth grooves and feel-good energy!🪩🌃

Hoagie Dreams: WOLF Music Takeover - 29/03/25 - [Voices Radio]

DJ Porkchop / SSPS / Jon Winfield Nicholson classic mix circa 2003(?) Chicago meets New York New Wave Italo Disco Vampire sounds. Posted with permission. 

Le Disk Jox Porkchop

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For floating away on a cloud of synths and staccato beats. For lovers of Pampa, 1080p, Rhythm Section, Chaos in the CBD and other weirdo house. For you. Mixed live in one take all on vinyl if you give a shit about that sort of thing :)

Hello. Goodbye.

Sade feat. Zoogma - Cherish The Day (J.Diesel Remix)

Free Download

JAGUAR JAGUAR - You Got Me (Marcel Vogel Remix)

** 12" Vinyl Available For Pre-Order - https://octoocta.bandcamp.com/album/shes-calling-ep **

For our forth release, T4T LUV NRG present an e.p. of two beautiful songs and one evocation by label co-founder, DJ, and producer Octo Octa (Maya Bouldry-Morrison). “She’s Calling” is the third piece in Octo Octa’s two-year exploration of the connection between music and ritual, closing the loop on themes explored on her “For Lovers” ep (Technicolour, 2019) and full-length album “Resonant Body” (T4T LUV NRG, 2019). 

While many describe dance music in terms of escape, for Octo Octa and many others like her, dance music is about connection. The connections we feel on a dancefloor are transformative, but in time spent alone, dance music remains a powerful tool for connection with nature, with ourselves, and with something ineffable that feels like magic. The title track, “Goddess Calling,” captures a moment of such revelry, a result of the union of sound and ritual.  

Maya wrote the second song, “Find Your Way Home,” in early 2020, a few weeks before she cancelled her tour and headed back to the States because of the pandemic. She originally intended the title as a metaphor, the journey being internal, but the title would prove to be prescient. She made the song in order to take a trip into herself, to bring herself peace during an intense time.

Many religious and mystery traditions employ the use of uttered word formulas as a way to bring something into your life. “Spell for Nature” is Octo Octa asking in her own voice to connect with nature personified in the form of a goddess. The recording is about the moment when she saw something she knew was there all along. When she peaked behind the curtain and found something enveloping and eternal. 

Poem:
There’s a light in the center of the woods
A bright fire seen through the trees
We’re around it gazing into the flames
She’s brought us here
A bell chimes
She’s asking you to come as well
We’ve heard her voice since the beginning
And You’ve been listening your entire life
She’s calling

50% of the profits from the album will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.

Octo Octa - Find Your Way Home (from She's Calling EP - T4T004)

Old man with a distinct need to boogie. www.grownassfolks.com 
Come party with me.

Obelisk - "Passing Afternoons" feat. Sierra Elizabeth Ferrell

J.R. Clark

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