Oldies-Classical-Ghazals

Main Vi Jana Jhok Ranjhan Di by Sher Ali Mehr Ali

Main Jana Jogi De Naal Naal (Rare) - TheLegend.NFAK

Roz-e-Awwal Se Hai Meri Zindagani Aapki - Faiz Ali Faiz

May Khataen Gin Ke Bataoon Kiya - Ustad Nusrat Fateh Ali Khan.flv

sindhi poetry & songs lover 
sn.soomro@hotmail.com

Moon De Nain Na Khan Ustad Bukhari Manzoor Sakhirani

Mil Gaya Inka Dar Aur Kiya Chahiye (Live 1992) - TheLegend.NFAK

Hairat - e-Ishq nahin - Ustad Bahauddin Khan Qawwal & Party.mp3

Chasm-e-Karam Ho Data Ho (Live in 1981)- TheLegend.NFAK

Jagjit Singh- Main Nashe Main Hoon

laaf-e-nabard, sibt-e-payambar ke samne
qatray ki kya bisaat , samundar ke samne

munh dekhte hi dekhte sooraj ka phir gaya
thera na un ke ruway munawar ke samnay

dekha hussain ko to yeh Zahra pukaar uthein
kante bichay hue hein, gul-e-tar ke samne

abbas bole , koi sakeena se ja kahay
chalti nahin kisi ki muqaddar ke samne

martay hein log is tarah zahra ke chaand par
dikhla diya io Hur ne , Wohin Mar ke samne

baiyat talab hussain se yoon thay yazid-0-shimar
muflis kharay hon jaisay , tawangar ke samnay

woh khulbali machi ko muattal hue hawaas
sithiya gayi thi fouj , bahatar ke samne

khalid dar-e-Hussain se jaata nahin koi
bethe raho Naseer isi dar ke samne


Poet: Peer Syed Naseer ud Din Naseer Shah Gillani
Voice: Imran Sherazi

Khaali Dar-e-Hussain Se Jaata Nahin Koi (Peer Naseer ud Din Naseer) - Poetry by RJ Imran Sherazi

https://www.facebook.com/TheLegend.NFAKOffical

Mehshar Mein Magfirat Ka Barha Aasra Mila - TheLegend.NFAKOffical

Dhoondo Ge Agar Mulkon Mulkon
Milne Ke Nahin Nayaab Hain Hum
Tabeer Hai Jiski Hasrat-0-Gham 
Aye Humnafaso Woh Khwaab Hain Hum

Aye Dard Bata Kuch Tu Hi Pata
Ab Tak Yeh Mu’ammya Hal Na Hua
Hum Mein Hain Dil-E-Betaab Nihan
Yah Aap Dil-E-Betaab Hain Hum

Main Hairat-O-Hasrat Ka Maara
Khamosh Khada Hoon Sahil Par
Dariya-E-Mohabbat Kehta Hai
“Aa Kuch Bhi Nahin Payaab Hain Hum”

Lakhon Hi Musafir Chalte Hain
Manzil pohunchte Hain Do Ik
Aye Ahl-E-Zamana Qadr Karo
Nayaab Na Hon Kamyaab Hain Hum

Murghan-E-Qafas Ko Phoolon Ne 
Aye Shaad Ye Kahla Bheja Hai
Aa Jao Jo Tum Ko Aana Ho 
Aise Mein Abhi Shadaab Hain Hum
The poetry requires AARKAYNE standard translation, but the English lyrics below may suffice for now.
Even if you search from nation to nation
You won’t find me, for I’m an extinct rarity.
O friend! I am that dream which can only be 
Interpreted through your desires and grief.

O grief! Now you give me some clue
For this puzzle isn’t solved yet,
Whether a restless heart is concealed within me
Or I myself is a restless heart

I, in a state of awe and regret
Stand quietly at the shore,
The river of love expresses
"come, I'm only a shallow” [rivulet]

Thousand of travellers embark on journey
But only a few of them reach the destination.
O my contemporaries! Revere me for I'm,
If not extinct, a rare [kind of] being.

O Shaad! The flowers have dispatched 
This message to the captive birds,
"Come if you so desire 
For, at the moment, we're very fresh.

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Dhondo Ge Agar Mulko Mulko-Abida Parveen

Mehdi Hassan - Mohabbat Karne Wale

1.	Sufi poetry is sung in multiple ways in India and the Sufi Kalam is one of the most common renditions as compared to the rare genres of Bheth and Waai that have very few living exponents. Also this style is less fervent than the Qawwali and can be sung in both classical Ragas or to folk rhythms. There are Sindhi and Muslim variants to the style that also acquires typical traits from region to region and in terms of the instruments employed in each case. The genre is thus identified more by the poetry that is sung and less by any particular style of music integral to its character.  ‘Kalam’ is a term for poetry and etymologically derives from the Arabic word for conversation. A poet gets into a communion with a muse and slowly unearths its character and the statement of this exchange is a work of poetry. The Sindhi and Mehar Sindhi communities that inhabit the extremities of the Barmer and Jaisalmer regions of Rajasthan on the border of India and Pakistan, are one of the many exponents of the Sufi Kalam style of music. Deriving from the words of Sufi poets like Shah Latif, Bulleh Shah and SachalSarmast, this music explores the meanings and modes of spirituality. Algoza, Kamyacha, Khartal, Dholak and Sindhi Sarangi are used in the performances that are conducted either on significant festive occasions or even upon invitations by patrons. 

Saleh Mohammad - Ratadli

“Thou art all in recognition of thyself!” ― Jamil Hussain

Roz-e-Awwal Se Hai Meri Zindagani Aapki - Faiz Ali Faiz

Jamil H

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