Collab EP with @The City at Night
Hope you enjoy 🖤


Listen to The City at Night: 
https://open.spotify.com/artist/0WJ943ZzQ64RpxsEvmuikx?si=NzT9aGOQQeucdSTAhAad9A

https://www.youtube.com/@TheCityatNight995/featured

Silent Currents

Silent Currents (w/ The City at Night)

meltone // the way i see you — slowed version by weareflorence.

follow playlist for more
https://comfyambient.sbmt.to/

playlist

the way i see you by meltone — but it's a + slowed version.

prophet 08 -> lofi junky -> el capistan -> big sky -> ears

P-006_slow

Cover art by Anna Dzērve
Mastered by Fanu

wishful outcomes

May Sleep

now, i rest

Tender Melodies

Journey to Tomorrow

Where Blue Meets Gold

Broken pieces of darkness shimmer with light, “shards of the night” by https://instagram.com/asterionsound blends cinematic tension with fragile beauty. A nocturnal journey.

other platforms: https://go.ambiqo.nl/k9gwore

Asteriøn - shards of the night - slowed + reverb

Underground Coda – Chillwave & Vaporwave by Nexus

Underground Coda is a hypnotic blend of chillwave and vaporwave, echoing through neon tunnels and lost memories. 🌐📼 With lush synth layers, detuned textures, and slowed-down grooves, Nexus creates a soundscape that feels like a forgotten signal from a digital dream.

Each track moves like a final thought in a vapor-lit world — nostalgic, ambient, and slightly surreal. 🎛️🕶️ Perfect for introspective nights, headphone escapes, or drifting into the analog unknown, Underground Coda is where the past and future blur into one shimmering fade-out. 💿🌌🔮

Data Warp

'Place Language' is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of  new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

Musical artists: Aaron Martin (USA), Anthéne (Canada), Benoît Pioulard (USA), Bethan Kellough (UK), Celer (Japan), Dalot (Greece), Federico Durand (Argentina), Hakobune (Japan), Hammock (USA), Hotel Neon (USA), Ian Hawgood (UK), Kate Carr (UK), Lawrence English (Australia), Lowercase Noises (USA), Marcus Fischer (USA), Melissa Pons (Sweden), Poemme (USA), Porya Hatami (Iran), Richard Skelton aka The Inward Circles (UK), Siavash Amini (Iran), Simon Scott (UK), Sound Awakener (Vietnam),  The Green Kingdom (USA), Tobias Hellkvist (Sweden), Warmth (Spain), Wil Bolton (UK), and Yann Novak (USA).

Release Date: 30.09.19
Record Label: Fluid Audio
Mastering: Ian Hawgood
Artwork: Gregory Euclide
Words: Robert Macfarlane
Design: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Place Language

Taylor Deupree - Feorainn

contact email: aureliuscircle1@gmail.com

Jack Montgomery

now, i rest

jmontt

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