GUZMAN FRAIRE, Omar Ernesto. Disertacion (2005) para violin, clarinete bajo, violochelo y piano.

Work for wind band and solo voice.
Banda de música del Estado de Oaxaca y Benito Navarro.
Teatro Macedonio Alcalá, Oaxaca 2013.
Text from Hesiod´s Cosmogony .

Ouranos

Liam Hockley, clarinets

World premiere performance. Roy Barnett Recital Hall. The University of British Columbia (Vancouver, Canada). September 27th, 2016.

...es kömmt drauf an, sie zu verändern. (2015) [Distribution by Liam Hockley]

The perception of continuity between two articulated points in time and space, monophony in electronic music, creating containers for sounds that become their own composite sounds, the grackles of North Texas, the garden of Eden from the snake’s point of view, the serpent as wisdom in Nietzsche’s Thus Spake Zarathustra, dreams of snakes appearing from the ground,  snakes eating birds, birds eating snakes, and the musical representation of spirituality in 1960’s psychedelic culture; these were all things I thought about while writing this piece.

The Curved Line in the Garden

WORLDEATER [2016]
for two trombonists
commissioned by RAGE Thormbones (Weston Olencki & Matt Barbier)

Recorded at the HUSEAC Studios at Harvard University
Performed by Weston Olencki & Matt Barbier
Recorded by Timothy McCormack
Mixed/mastered by Weston Olencki
Assistance given by Seth Torres

More info here: www.timothy-mccormack.com/worldeater

http://www.westonolencki.com/
https://soundcloud.com/wolencki
http://www.mattbarbier.com/
https://soundcloud.com/mattbarbier-1

WORLDEATER [2016]

It's Gonna Snow

Megaphone, Violoncello, Two Snares and Live Electronics.
2016

From October 2nd of 1968 up to now there have been several massacres in México. Each of these precise days a particular pop song was a number one hit in the US. 
Whether this entanglement of events can converge in a realm were a hit could signify a semiotically abject abyss, it is in the territory of historical time where its truly abjection is deployed with a contemptuous innocence.

Written for Pamplemousse Ensemble
2016
New England

Score: https://www.scribd.com/document/335896732/abyeccion-Memory-topographies
Live: https://www.youtube.com/watch?v=o0oHUmAUu64&t=185s

Abjeccion|memory_topographies

Abjeccion | memory topographies

Liberty

Edited recording of reading session by Wet Ink: Erin Lesser, Liam Kinson, Alex Mincek, Rachel Drehmann, Weston Olencki, Ian Antonio, Laura Barger, Josh Modney, Marina Kifferstein, Carrie Frey, Mariel Roberts, Tristan Krause, with Eric Wubbels, conductor and Sam Pluta, recording engineer. St. Peter's Church, Chelsea, New York, NY. 2017.

I watched her smile her hand

Track 1 from Lea Bertucci 'Metal Aether' [NNA108]
Available February 9th, 2018 on Vinyl, CD & Digital formats.
Order: http://nnatapes.com/available-releases/lea-bertucci-metal-aether

Metal Aether

Lea Bertucci "Patterns For Alto"

ARTIST: Andrew Bernstein
ALBUM: An Exploded View of Time
RELEASE DATE: 9/28/18
FORMAT: LP / CD / DIG
CAT#: HAUSMO74

pre-order:
http://hausumountain.com/?page_id=4036

more info:
http://hausumountain.com/?page_id=3892

Liberty

J. R.

Related tracks