Aphex Stuff and more

18 With My Family

vinyl+digi via @gatedrecordings https://gatedrecordings.bandcamp.com/album/passive-pleasure-ep

Shaces Lou Shaces
Like george bush; highly invasive
will take command of your house
but in a way thats creative
erecting new fences and making it gated
so he can live inside
and get very wide
eating all the food you have so kindly supplied
to him as part of his deal
futile to appeal
to his better nature
or even his pet creature
a young macaw
with a beautiful waist coat
woven silk
and who speaks a tongue of Carribbean ilk
so he sits inside
eats all your pies
and chats to his bird
which will occasionally take to the sky
and frighten off any thieving magpie
cheeky enough to go for the gold
which soon becomes boring & old
and with that the bird is told
‘lets take our leave’
and so they exit
the house all wasted
without even packing their cases
such is life on the road
with Shaces Lou Shaces




Don't get it twisted baby

Passive Pleasure

Acquire

Radon

Pre-order here: https://Disciples.lnk.to/RaveTillYouCry
From  the forthcoming 2LP Rave 'Till You Cry on Disicples - unreleased tracks and versions culled from the Bogdan rave archives.

Bogdan Raczynski - 306 24n812

@rolando-simmons
Taken from: 'Future Massive: Volume 1'
http://futuremassive.bandcamp.com

Ltd edition yellow vinyl.
Released worldwide, 12th April 2019.

Rolando Simmons - Volca Ballad

anoyo

tim hecker 'that world'

https://planetmu.bleepstores.com/release/124719-basic-rhythm-on-the-threshold
http://basicrhythm.bandcamp.com/album/on-the-threshold

Anthoney Hart (who last appeared on Planet Mu as East Man) now returns under his Basic Rhythm alias with a new album 'On The Threshold'.

Recorded primarily with the DJ in mind, these tracks are colourful, brutalist and adventurous. Contemporary hybrids constructed from blocks of sound, their angular rhythms draw on Britain's dance music past, but with an eye firmly on the present.

The album starts with 'St. Fabian Tower', named after the now demolished tower block in Chingford where Anthoney used to DJ for Rude FM. The track's lush detuned synths and syncopated drums are girded by stern low end frequencies. Drum and bass, jungle and hardcore are the touchstones here, but the forms he creates make no attempt to imitate the music of those eras. Take the rolling, bubbling, almost jazz-drummer patterns of 'Yeah, I Like It' and 'I Want You' where strange pops and bubbles seem to be forced through the grid almost like they're an effect of pressure. It's an odd juxtaposition next to the soulful vocals but an effective one. 'Edge Of Darkness' meanwhile, is an intense, rough ride of sliding rhythms and elephantine bass. Elsewhere, like on 'A New Consciousness', things are tempered into a more streamlined techno-like hybrid. He lets loose in the claps and kicks banger of 'Fi Di Gyal', but even here there are neat sonic tricks that sound like nods to minimalist composition.

On The Threshold is a balance of smart and energetic, non linear thoughtfulness and makeshift experimentalism that does away with boundaries, but is very much its own self contained world.

On The Threshold

Basic Rhythm - Edge Of Darkness

More infos - http://loose-lips.co.uk/blog/pera-sta-ori-gone-beautiful-scanone-version-yellow-machines
@yellow-machines @pera-sta-ori @scanone

Iskios EP

Gone Beautiful (ScanOne Version)

Available 06.04

PREMIERE: ΠΕΡΑ ΣΤΑ ΟΡΗ - Gone Beautiful (ScanOne Version) (Yellow Machines)

Shiny Zero is an annual report compiling works from collaborators and allied facilities. It is both a reflection of our current state and an indicator for prospective projects. 

To ensure maximum accessibility, Shiny Zero will be available free of charge.

Mathis Ruffing - Sacred Club Of Ghosts

Digital release:
https://rosszrecords.bandcamp.com/album/1

Rolando Simmons - Magic Crystal Pt. 2

4.5G

SYGMATURE 1 is a compilation of modern atmospheric music, a milestone of radio.syg.ma’s year of existence. Twenty two international artists, musicians and producers who contributed to the radio took part in this release.

Featured artists present different styles and approaches to recording soundscapes, inspired by experimental ambient, field recordings, electroacoustic, musique concrète and low-fi electronics. Sounds and atmospheres they create range from futuristic, distorted or high-pitched to more meditative and somewhat esoteric.

This is the first release in series of compilations curated by radio.syg.ma and made possible due to contributions and donations. High-quality audio downloads and donation links are available at: https://radiosygma.bandcamp.com/album/sygmature-1

Credits:
Artwork by Art Crime 
Perila — Internal Shift mastered by Perila 
Naemi — Amber Floe (part 2) mastered by Naemi 
Dmitri Børn — Wary Rider mastered by Ilya Bitekhtin 
Other tracks mastered by Alexandr Pustynskiy

BANDCAMP

Ultrafog — Allegori

B3 from MW005, 'Dismeteo' by OL

Format: 12" / Digital
Release Date: 10 May 2019
Distribution: Rubadub
Artwork: Shy (uon)

https://soundcloud.com/olegbuyanov

Preorder:
https://motionward.bandcamp.com/album/ol-dismeteo
https://www.rubadub.co.uk/records/dismeteo
+ plenty of other online shops!

OL, 'Shatter Dub'

Pelican Company
'Lowlife/Hi-Tech/Occult'

'Let me introduce you to a local legend, Johan Antoni. He has been running the influential synth and music store Jam in Stockholm since the late nineties. Together with Henrik Johansson aka Smyglyssna they call themselves ”Pelican Company”. 

Their first release ”Lowlife/Hi-Tech/Occult” is a distillation of every synth that has passed through Johan's hands, like a microcosmos of genres that weave in to each other and begins to tell a story that will be bigger than the sum of its parts.'

Peder Mannerfelt

----
Cat #: PMPC001
Label: Peder Mannerfelt Produktion
Format: Digital

Release date: May 3rd

PMPC001 - Pelican Company - Lowlife - Hi-Tech - Occult

Hallo Androiden

Fernweh

BUY / STREAM hndsth.lnk.to/SLF

Pantone outer sleeve / neon orange vinyl

Announced today and due for release on July 5th, ’S.L.F.' sees exogenous pop alchemist Aïsha Devi expand on the experiments into metaphysics and rave music found in her acclaimed 2018 album ‘DNA Feelings.’ 

Defining a contemporary ritual practice through binaural, healing frequencies and club impact, she coalesces the sacred and the virtual, the subliminal and the cognitive in a syncretic vision. 

Aïsha Devi crystalizes her approach in a mesh of trap, trance and computer music woven with sonic references in flux between metal subterrain and ambient dimensions. Dreampop drift and drill rhythms signify an existence in omni-realities in new single ‘I’m Not Always Where My Body Is,’ the first encoded rallying signal from an illuminated hijacking of collective hypnosis

Limited Edition Pantone outer / neon orange 12" vinyl

01 - I’m Not Always Where My Body Is
02 - Two Serpents
03 - Uupar-Theory
04 - Teta 7hz (Tool) feat. DeForrest Brown Jr. 
05 - The Favor Of Fire

S.L.F.

I’m Not Always Where My Body Is

BUY / STREAM

Aïsha Devi - I’m Not Always Where My Body Is

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: bit.ly/2Uxqs9z / bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers 

HELM - Body Rushes (PAN 99)

early demo mix

sh101, Casio FZ20m, modulars, cs80,727, most of this track is an Sh101 programmed&flexxed to fuk.
4x musicaid claptraps

syro

CIRCLONT12A Syro[ace].WAV

Hey Folks!
This SoundCloud page is a place to hear some of my work as an engineer and producer. I'll try to keep it up to date so you can check out the newest of the new. Click on the song titles to find out more about the bands performing the songs. If you want to get in touch with me, hit me up on facebook.
Cheers!
Josh Achziger

P=produced
E=engineered
M=mixed
