One Synth Challenge #174: InfernalSynth by sjoerdvankreel

This track made for the One Synth Challenge #174 using only sounds from the VSTi Infernal. Only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
7 * Infernal
7 * ReaEQ
5 * Oril River
2 * LFX-1310
2 * Bass Professor
1 * STFU
1 * Pecheneg Tremolo
Master Details:
TDR VOS SlickEQ
Voxengo MSED
LoudMax 64
Metering:
SPAN
Youlean Loudness Meter
Stats:
LUFS: 16.5
DR: 12

Ambient Inferno - OSC #174 - Infernal

My entry for KVR OSC #174

Jay suggested a minor key at 90bpm.  In fact I haven't knowingly used a major chord at all!

11 Instances of Infernal Synth - all designed from scratch.
DAW: Reaper
Dead Duck: Filter, Compressor, Limiter, Delay, TiltEQ
OrilRiver Reverb
Reaper: ReaEQ, ReaXComp
Limiter No6, Khs Gain.  SPAN, YouLean Loudness Meter.

A Minor Deviation

This is my submission for this month's One Synth Challenge (OSC #174). I have used 7 instances of Infernal Synth VST to produce this track. Details of the plugins used are given in KVR Forum's OSC thread.

Stardust Serenade

YouTube version has better streaming quality: https://youtu.be/bLeZQ7Nh1Qg

"Since Humanity has gone into space we have discovered hundreds of new worlds. Most of them are lifeless wastelands of dust, ice, volcanic lava and all sorts of things. There were no signs of life in the universe, even the simplest one, not to mention any kind of "organized civilizations"...
And now we stumble upon this strange desolated world full of ancient ruins. God only knows what we would find here..."

Submission for One Synth Challenge #174 featuring "Infernal Synth" by sjoerdvankreel.

This synth reminds me a bit of 90's rackmount synths with a small display and several buttons to edit the sound. Those instruments were pretty feature packed, but their interfaces were usually described as "operating system from hell". I think I could guess why this synth is called "Infernal".

Unfortunately, my CPU isn't capable enough to handle at least two or three instances of this synth, so I decided to make a one instance entry this time. 

I made different sounds for all four oscillators with filters and shapers. Than I used audio routing mixer to bring sounds in and out through-out the track. This synth has a potential to become fully multitimbral (but sending audio to individual output is not possible with VST3 I guess).

1 instance of "Infernal synth" used to create a track.

Contest thread: https://www.kvraudio.com/forum/viewtopic.php?t=599859

***Additionally, you can find download links on my Patreon page https://www.patreon.com/infravolt. The links for this track will be available for public till the end of September. After that, they will be available only for patrons.***

What Lurks On Planet X?

What Lurks On Planet X? (OSC#174)

This was made using version 5.0.4 of Bitwig Studio.

It uses 14 instances of InfernalSynth, 8 of which are contained in Bitwig's Drum machine for percussive use. 

Bitwig FX: Arpeggiator, EQ+ x2, Reverb, Delay-1, Delay-2, EQ-2, EQ-5 x2
3rd Party FX: Spaceship Delay, Surge XT Effects (Delay)

Tested with headphones and speakers. Enjoy!

Image source: https://commons.wikimedia.org/wiki/File:Hanukkah_candles_2015_(60).JPG

Korg Supporter - Flaming Musings (OSC #174 InfernalSynth)

In Your Face【peter:H】【OSC186】

Vital and 3x Osc
Vital: 16
3x Osc: 1

FX:
Fruity Parametric EQ 2
Fruity Limiter
Fruity Delay 3
Maximus

Project File: https://drive.google.com/drive/folders/1Yx1IOiDWdVTlMbAbvrFMpAs0InoNFayj?usp=sharing

Legendary - Futura Is A Bad Font

Created for OSC #186 = Any Two Synths using Odin2 and Vital.
Genre: Synth orchestral / trailer music / cinematic

Our brave heroes wait behind the castle walls as the enemy approaches. First the horns sound in the distance, and then slowly approach. Some notes ring familiar, while others are strangely alien. Three final eerie blasts as the ram begins its foul work upon the gate. When the enemy finally breaks through, not only men but twisted creatures with robotic voices join in the battle. As the fighting gets more and more chaotic, our protectors make a final stand. Can they prevail?

Enemy At The Gates - OSC 186 Odin2 and Vital

My entry for the KVR Audio One Synth Challenge #186. Made in Bitwig with Geonkick, SurgeXT, and Kilohearts Essentials Gain & EQ plugins.

robelanator - Dust Off [OSC186]

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Join the challenge by going here: https://shorturl.at/bhBFQ

Always trying to make the best of everything and everywhere I go!

Korg Supporter - Flaming Musings (OSC #174 InfernalSynth)

Jack Frost

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