Always love rediscovering this song 🙌🏼

'Phase' is available now:
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Store: http://jackgarra.tt/JGStore



Remnants

Worry

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Lyrics:

Verse (1)

She loves the sunlight
how it paints on her soft skin
takes care of those tan line
scar tissue from the morphine

Hook

Baby don't you know you are stardust
and you're a long long way from home, way from home
(So) Baby brush it off like it's sawdust
or you'll spend the California days alone, days alone.

those California Girls got me outside all night

this is the last straw
take it off
this is the last straw
why don't you take it all

Verse (2)

She ain't never seen the zoo
with the monkey on her back
they'd arrest her at the booth
and then sell her to the lab
put a label on the box that says
treat is like it's glas
if she gets one scratch her parents
never take her back
to be honest
she's a liar full of promise
she thinks her Rolex makes her timeless.
her famous friends think she's harmless
I'd burn the bridge with her on it.

(California girls got me outside all night)

Pinned down, pinnacle
she looks like a centerfold sinner, cynical (baby)
Oh my, make her moan, amateur, barritone
sex drive, like animals (baby)

Outro

Ooh how I like the smell of west coast pheromones (2x)
she smells like west coast pheromones (2x)

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California Girls

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Out now on Best Laid Plans

Fuel To The Fire

Fuel to the Fire

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Lyrics:
Hook
My baby is a Freak Like Me and she knows just what I like
she carries all the keys to the places that no-one dares to find
she won't tell nobody, what goes on within these walls
if they talked they'd probably tell you all about love 

Verse (1)
my queen got machine gun hips better duck once they go off
takes aim no intentions to miss, oh my so help us all
and its close to a flight in midst of neon lights
and my neighbors they greet me with bags under their eyes
and they know why 

Hook/Pre-Chorus
My baby is a freak like me and she knows just what I like
she carries all the keys to the places that no-one dares to find
she won't tell nobody, what goes on within these walls
if they talked they'd probably tell you all about love 

Verse (2)
oh concubine what are you made of
no resource on this earth it that soft
I swear by god you are an angel
ironic how you help me raise hell 

Bridge
I let it go, surrender control
as she takes me for a ride
hands in the air we offer our souls
it's easy when she's on my mind

Outro

Spotify

Freak Like Me

Vice

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Lyrics
(Hook)
Summer's gone, but you can be my winter lovin 
summer's gone, but you can be mine
the world stops spinning when you open you're eyes my darlin
what a beautiful soul, you deserve your own island
 
Verse (Thutmose)
So Trust me,
I'll give you that,
Heartbeat,
Moving fast,
The only way I know is the only 
Way you're heading 
come near me 
Don't fear me
That's why I'm running, running just looking for ya
All I wanted 
Was a morning 
With u honey 
You see I'm drowning 
Tryna make your love surround me
Hoping u never look down on me 
Just waiting for the summer to end
 
(Hook)
Summer's gone, but you can be my winter lovin 
summer's gone, but you can be mine
the world stops spinning when you open you're eyes my darlin
what a beautiful soul, you deserve your own island
 
Verse (NoMBe)
Won't you love me? i'll be 
the only one, gods speed
holy grail and i know if our time was up tomorrow 
I'd pull you near me, now that's real heat 
and spin you like a bottle baby spin you like serato 
let me walk you through the golden age, diamond days, purple haze 
and show you as the summer fades the difference between night and day
and don't you worry bout time and a place
it's a matter of finding the present and livin and guessin the crescent has risen for Oliver Twist in a matter of days. 
 
Hook/Bridge (Thutmose)
Summer's gone, but you can be my winter lovin 
summer's gone, but you can be the angel that fell from the sky when I saw you at first
And it wasn't a dream, and I knew it was you that I saw when I saw what I saw and I conquer my fears 
And I'm running for joy 
And you begging for mercy and I'm begging for more
 
Hook
Summer's gone, but you can be my winter lovin 
summer's gone, but you can be mine
the world stops spinning when you open you're eyes my darlin
what a beautiful soul, you deserve your own island
 
Outro
everything you want over everything you need (4x)

Summer's Gone ft. Thutmose

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

Beverly Blues

Let Go

Let Go (feat. Filous)

Love, Death & Dancing

Time

New single 'Catherine Wheel' out now, album ‘Pillars’ out 15.08.25

Multi-award winner Jack Garratt makes his very welcomed return with the announcement of third album ‘Pillars’. Marking his first full-length project in five years, ‘Pillars’ is vibrant, emotionally-charged and a celebration of love, community, and self-discovery.

The album’s journey begins with explosive first single ‘Catherine Wheel’. More than just a comeback single - the track is a statement of intent for Pillars and emerged from a period of self-doubt and creative rebirth. “I was fully ready to quit music,” Garratt admits. “But Catherine Wheel became my true north - it reignited my love for creating and set the tone for the entire album.”

Since winning the Brits’ Critics’ Choice Award and the BBC Sound Of poll in 2016, Jack Garratt has released two critically acclaimed, Top 10 albums, Phase (2016) and Love, Death & Dancing (2020). Known for electrifying live performances and a genre-defying sound, Jack continues to push boundaries with his deeply personal and sonically adventurous music, with ‘Pillars’ being no exception.

Worry

Jack Garratt

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