Yaup Cali loves u jack.  Whatupsup tho? How much for a feature

Gangster production.    Satin flow from jack.  I love this sound! Lme lease a beat and I'll pay for a verse from jack

The official first single from the upcoming album End Of The Future by Jack Preston, produced by Jon Bom. 

Additional Vocals: MICAHteer
Scratches: Yamin Semali
Recorded by: John Flores at SQ Studios 
and Kyle Dreaden at The Wolves Den Studios
Mastered by  Brody Bergholz


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MISSING LINKS preorders now available at https://yaminsemali.bandcamp.com/album/missing-links

outtakes from the Phantom Feeling sessions, produced by Dublohskytzo!

Cool Out (alternate intro)

A taste of the 1st single '86' from Miranda Nicole's forthcoming - Independent project 'GINGER' 
Produced by Lance Powlis
GLAMSOUL, 2017

86 (Snippet)

Crunk hood track! Meaning out in the world searching for better. Make the best out of any situation

Caught Up

Brei ft Jack Pres - Tic Toc

Produced by Dalvin @dalvinbeats
Mixed and Mastered: @dopenorteria
Artwork by James Lewis

James Lewis 
www.instagram.com/iamjameslewis/
www.facebook.com/iamjameslewis/

Werc Crew
www.facebook.com/WercATL/
@werc_crew

Full Album

James Lewis - She Wanna Know (Ft. Thrice Groove)

Passion vs Priorities.  On this, I document the thoughts running through my mind the day I quit my 9-5; One full year ago. This one is for the courageous folks who took that leap of faith...
Bills.... lol

Music video: https://youtu.be/LehERBDRTJk

Produced by Dre Phantom
Mixed & Mastered by JR Prods

Got Bills - Single

Lyric Jones - Got Bills (Prod. By Dre Phantom)

Artists:
Farrah Mechael - https://soundcloud.com/farrahmechael
Young L3X - https://soundcloud.com/youngl3x
Taywill - https://soundcloud.com/taywill-1

Produced by :@jean-kengz
Mixed by : @mayeut-billy

Cover art by :@lilrozzy

Jean Kengz - Last Chance feat Farrah Mechael, Young L3X and Taywill

Bamanadia

Atlanta-based rapper, producer and multimedia artist Jack Preston exudes the inventive ethos of Hip-Hop’s alternate world. The voices and sounds of music’s past innovators such as Outkast, George Clinton, Prince, among many others, have strong imprints in Preston’s music. Equally inspired and informed by J Dilla, Miles Davis, Herbie Hancock, David Bowie, Pablo Picasso, and Salvador Dali, Preston’s work carries a thread of awareness of the commonality between worlds, and propels us forward into the new and unknown. He balances street adjacent knowledge with social/community ambitions. 

His delivery is rooted in southern dialect, wrapped in a bed of time-warped soundscapes and textures. Live, Preston translates his studio work into electrifying, mind-bending shows like none other.

A military child raised between North Carolina, California, and Georgia, Preston’s surroundings have influenced both his art and unique approach to life. Following in the footsteps of musical family members, he began his personal journey in music as a drummer in marching and Jazz band in grade school. He later picked up guitar and keys in college, where he studied audio production and music performance and delved deeper into music history. Preston spent the immediate years following his graduation developing his craft, soon becoming completely immersed in crate-digging and experimenting with samples and interjecting them with live instrumentation.

Much of Preston’s growth as a person inspired his multiple solo and instrumental projects, as well as a jazz fusion/alt-rock album with Preston’s band The Dojo called In the Land Of Wanderers.  Preston’s solo and instrumental projects include Pickled Beets, The Language of Anguish, untitled#7, The Sonikah Project, and Trouble. Since the release of his 2015 album End of The Future, Preston’s music has landed in TV and film. His latest single “Joyride” became the theme song for 2021’s indie film titled Joyriders. Preston has collaborated with the likes of SMKA, Aleon Craft, Spree Wilson, Sa Roc, Yamin Semali, and Yani.

Outside of music, Preston is one-third of Grassroots tech empowerment collective and media company Digital Good Times, which has been the leading voice of important cultural conversations around people of color in tech and its social impact. Since 2014 Digital Good Times has worked to bridge the gap between disconnected communities by spotlighting compelling stories, producing engaging content and hosting collaborative events. The River, Preston’s third collaborative project with California producer Jon Bom and his first full-length album in six years, is set to release in Jan 2022.

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