🙂 j muse peachy keen . So many people are just trying to be funny but others just can’t get it together. It’s just the same as when I have to go too be careful with, I’m not sure that’s for the same person who has been misunderstood and misunderstood and misinterpreted by others but hey 👋 we are all different people who don’t know the difference between us 🙂 exactly.

America's Greatest Hits - History

Sister Golden Hair

The Very Best Of Jackson Browne

Doctor My Eyes

All Things Must Pass

What Is Life (2014 Remaster)

Willy And The Poor Boys

Down On The Corner

Let It Bleed

You Can't Always Get What You Want

Running on Empty

20th Century Masters: The Millennium Collection: The Best Of The Allman Brothers

Ramblin' Man

Photographs & Memories: His Greatest Hits

Operator (That's Not The Way It Feels)

Lola vs. Powerman and the Moneygoround, Pt. One + Percy

Lola (Mono Single Version "Cherry Cola") [2014 Remastered Version]

The Allman Brothers Band

Whipping Post

Life & Times

Bad, Bad Leroy Brown

Jackson Browne is not only a pivotal figure in the artistic history of Elektra/Asylum – remaining with the label for a remarkable 30 years – but the very existence of Asylum Records was a direct result of his exceptional talent. When artist manager David Geffen was initially unsuccessful in securing a recording deal for the L.A.-based singer/songwriter, he turned to his mentor, Atlantic Records founder Ahmet Ertegun – who suggested that if he truly believed in Browne, he should start his own label as a joint venture with Atlantic. Founded in 1971, Asylum’s earliest releases included Browne’s self-titled debut (1972), followed by For Everyman (1973) and Late For The Sky (1974).
Meanwhile, at the urging of Elektra’s departing founder Jac Holzman, Warner Communications turned to Geffen to lead Elektra, and Browne – along with his friends the Eagles and Linda Ronstadt – became part of the newly merged Elektra/Asylum. It was a fitting turn of events, since Browne’s links with Elektra went back half a dozen years. In 1967, he had signed a publishing deal with Nina Music, a division of Elektra named after Holzman’s then-wife. Browne’s songs were recorded by such artists as Tom Rush and then-girlfriend Nico, and during a brief stint in New York he played in Tim Buckley’s backing band.

Although Browne’s first three albums had been critically acclaimed and commercially successful, he was still not selling as many records as Elektra thought he could. In 1976, it was The Pretender that finally brought Jackson to a wider, deeper audience, with the title track and “Here Come Those Tears Again” among the highlights. Jackson’s introspective examinations of life “caught between the longing for love and the struggle for the legal tender” resonated everywhere. His next release, the 7-times platinum Running on Empty (1977) became his best-selling album, and his role as an iconic artist of his generation was forever cemented. Browne remained with the label until 2002, having charted a rare three-decade career with the first label that had signed him.

Running on Empty

Jackson Browne

Recent comments

BIG COUNTRY

TheFungusAmongstDust

TheFungusAmongstDust

World Beatnik

Related tracks