🙂 j muse peachy keen . So many people are just trying to be funny but others just can’t get it together. It’s just the same as when I have to go too be careful with, I’m not sure that’s for the same person who has been misunderstood and misunderstood and misinterpreted by others but hey 👋 we are all different people who don’t know the difference between us 🙂 exactly.

Gondola (Good Vibes)

Daft Punk - Horizon

Nightcall

Shadows on the Turnpike

The Very Best Of Jackson Browne

Doctor My Eyes

Made In California

California Feelin'

Pinball Wizard: The Collection

Who Are You

The Rolling Stones Singles Box Set (1971-2006)

Beast Of Burden

Let It Bleed

You Can't Always Get What You Want

Running on Empty

20th Century Masters: The Millennium Collection: The Best Of The Allman Brothers

Ramblin' Man

Into The Great Wide Open

Photographs & Memories: His Greatest Hits

Operator (That's Not The Way It Feels)

The Essential Van Morrison

Wild Night

The Allman Brothers Band

Whipping Post

Beautiful subtle vibes by Flitz&Suppe painting a picture of a foggy autumn morning.

Download Track » https://chillhop.bandcamp.com/track/odetoyou
Listen on Spotify (Coming Soon!) » http://goo.gl/Onaczk
Support on iTunes » https://goo.gl/1AEIAM
Using music in your videos » http://chillhoprecords.com/license

Flitz&Suppe: https://soundcloud.com/flitzsuppe
https://www.facebook.com/FlitzSuppe-1400150516875810/
https://flitzsuppe.bandcamp.com/

Download

Flitz&Suppe - OdeToYou [Chillhop Records]

- No copyright infringement intended.
I just love this game, and the music. It's wonderful, and I just wanted to share since I didn't see the original music uploaded to Soundcloud anywhere.

Enjoy.

Newgrounds Audio Portal - http://www.newgrounds.com/audio

I'm Feeling Lovely - stackz989 (from the flash game Flight)

Jackson Browne is not only a pivotal figure in the artistic history of Elektra/Asylum – remaining with the label for a remarkable 30 years – but the very existence of Asylum Records was a direct result of his exceptional talent. When artist manager David Geffen was initially unsuccessful in securing a recording deal for the L.A.-based singer/songwriter, he turned to his mentor, Atlantic Records founder Ahmet Ertegun – who suggested that if he truly believed in Browne, he should start his own label as a joint venture with Atlantic. Founded in 1971, Asylum’s earliest releases included Browne’s self-titled debut (1972), followed by For Everyman (1973) and Late For The Sky (1974).
Meanwhile, at the urging of Elektra’s departing founder Jac Holzman, Warner Communications turned to Geffen to lead Elektra, and Browne – along with his friends the Eagles and Linda Ronstadt – became part of the newly merged Elektra/Asylum. It was a fitting turn of events, since Browne’s links with Elektra went back half a dozen years. In 1967, he had signed a publishing deal with Nina Music, a division of Elektra named after Holzman’s then-wife. Browne’s songs were recorded by such artists as Tom Rush and then-girlfriend Nico, and during a brief stint in New York he played in Tim Buckley’s backing band.

Although Browne’s first three albums had been critically acclaimed and commercially successful, he was still not selling as many records as Elektra thought he could. In 1976, it was The Pretender that finally brought Jackson to a wider, deeper audience, with the title track and “Here Come Those Tears Again” among the highlights. Jackson’s introspective examinations of life “caught between the longing for love and the struggle for the legal tender” resonated everywhere. His next release, the 7-times platinum Running on Empty (1977) became his best-selling album, and his role as an iconic artist of his generation was forever cemented. Browne remained with the label until 2002, having charted a rare three-decade career with the first label that had signed him.

This is my ALT account now. A past that I wish never to return to.
Time is a flat circle

Running on Empty

Jackson Browne

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