Name: PARTY DAMAGE by jackson from
Duration: 3 min 25 s
Description: play it loud and cause some DAMAGE to the PARTY 🎉💥

Credits 

Music by @a1ko1
Remixes by @cassius-select  @broosnica & Simulation Sound
Mastered by @sim_mtl
Album cover art by @lcl_stream @melon.cauliflower
Text by Clevelan Cummings

303 bassline programming - glidelas
soundcloud.com/glidelas

a1ko - 800 State

11xxx27 & Mystics delivery the first release on their new platform
Repulse Xplosif.

Paradise Collapse is a state of limbo of profound uncertainty in which beliefs and assumptions break down.

The paradisiacal bubble we once inhabited bursts, leaving us exposed to the little fundamental things we had previously ignored or taken for granted. As the certainties we were once attached to crumble around us, we can rebuild our lives on a foundation rooted in authenticity and self-awareness.
Mirroring the constant changes we face, the music evolves, taking us on an emotional journey as we navigate an ever-changing landscape.

It is important to recognise that changes is an ongoing process, not an endpoint.

Credits: Written and Produced by Davide Di Bernardo (Mystics) and Erminio Granata (11xxx27)

Artwork by Atra Bilis

@mysticsmystics
@11xxx27
@repulsexplosif

Paradise Collapse

11xxx27 & Mystics - Paradise Collapse [RX001]

watch the music video here
https://www.youtube.com/watch?v=MKVl7Q91rH8

##~~

taken from "concertina"
https://bffmusicbffmusic.bandcamp.com/album/concertina

—

its Wednesday evening, im sitting alone getting tipsy just by listening to jhl from MacBook Pro 14’ 2023 Apple M2 Pro speakers.
this is what i call A Sweet Melancholy.

♦

they say you can get addicted to a certain kind of sadness and it has to be true because i’ve been struggling with taking my ears of “concertina” - a blissful, dreamful, beautiful, meaningful, peaceful, cheerful, eventful marathon of ballads about all the tastes of Longing.

you see, usually, A Song is an empty shell to fill with one's soul. the fundament of this album is a collection of The-Ultimate-Poppiest-Pop-Songs that have been heard and (over)used so many times they are not (and they can’t be [and maybe they should not be]) shells anymore - they became sonic monuments appropriated by Those Who Own.
[don’t get me wrong - part of the pop’s charm is the fact that it is not emotionally owned by you]
jhl builds their own story on this fucked up fundament and it’s a story so intimate and so earnest that listening through these covers feels like reading an autobiography or screaming the deepest of your lungs out into the sky. it feels deeply Real. it feels cathartic.

the sparkling piled up granuling granular granules of vibrant sound design, the scintillating symphonies, the tight punchy crunchy crispy drums, the biosphere of OSCs, the tender angelic cherubic smooth vocals, The Infatuations.

♦

as you grow old, you change! your music taste changes, your eyesight gets worse, your back starts aching and memories collected through the years change too! jhl covers transcend the originals. they give them a new meaning. they let you merge with civilizational memories embedded in them.
Beautiful, Powerful and Magical - that’s what that album is
🥀

ps Owl City had a nice track with Carly Rea Jepson for ‘Wreck It Ralph’ - that album brought it back to my queue 

〉music and artwork by jhl
https://www.instagram.com/jhlofficixl
https://soundcloud.com/jhlofficixl

〉"Heaven" master by jhl

〉master by Fausto Mercier
https://linktr.ee/faustomercier

〉photo edit by Julek ploski
https://www.instagram.com/julekploski/

♫°009

「Buy/Support」

Lovefool

FX vs. SentryTV for Wikileaks (inquired by ☁) - 19/06/2025

Buy * Support :
bffmusicbffmusic.bandcamp.com/album/trik-2-3

— 

☞ i’ve been talking with P. Wojtaszek* about this note for quite a while. P. Wojtaszek has been hesitant about me speaking on their behalf. P. Wojtaszek said they'd rather let the music speak for itself.
and i get that. i really do. so here’s a Fact:
this Album is an Epos.

i say that because i really want 'Trik 2​→​3'** to be a Story, and stories are the only certain thing we REALLY have. I'm not even being sentimental here. This is Science, Man.


::

* P. Wojtaszek (FKA Faxada) — a producer, a persona.
Their 2016 and 2018 albums, released via Darling Recordings, are my personal cult classics. Crispy sparkling, paranoidly dazzling, bubbly stretching, texturally textured, and most of all: sonically prophetic. 

** Trik 2​→​3 — an album, an epos. Conceived between 2018 and 2025, later released by BFF Music.
The tension only growing, the narrative never looking back, the angelic noisiness transmitting comforting anxiety. With it's noisy, piling guitars, sweet indie crumbling drums, and innocently splayed-out vocals - It’s the kind of thing I'd swear ants made

::

🦇  🪨  2️⃣  ➡️  3️⃣

::

〉directed by P. Wojtaszek
https://linktr.ee/wojtaszek

〉artwork by Jędrzej Sierpiński
https://www.instagram.com/jedrzejsierpinski/

♫°010

— Additional Credits —

Tracks 1, 5, 6, 7, 8, 9, 10, 11, 12 written and produced by P. Wojtaszek
Tracks 2, 3, 4 written and produced by P. Wojtaszek and Typol
Track 13 originally written by Eugeniusz Nowik

P. Wojtaszek : work, composition (1-12), arrangements, production, mixing, mastering, lyrics (1, 3-5, 8-12), recordings, vocals, objects, woodwinds (1-4, 7, 10, 12, 13), acoustic guitar (4, 6, 11), electric guitar (5, 12), streamer manipulation (9), drums (10-12), singing saw (13)

Typol : composition (2-4), production (2-4), mixing assistance (3, 12)

Filip Wajszczuk : electric guitar (5, 10, 11), acoustic guitar (13), vocals (13)

Mikołaj Janeczko : recordings (7), vocals (13)

Piotr Chęcki : baritone saxophone (8)

David Garczynski : cymbals (8)

Marek Pospieszalski : tenor saxophone (8)

Jeremy Jones : viola (12)

Kacper Wiśny : electric guitar (12), bass (12)

Eugeniusz Nowik : original composition (13)

#Buy * Support

Gargulce w Airbnb

Bios Contrast & Nilotpal Das - SSAC42
Label: Infinite Machine
CAT#: IM120
Format: Digital
Release Date: June 27th, 2025

Tracklist: 

1. everyth1ng 1n l1fe (feat. K_anti)
2. EXT10 (feat. K_anti)
3. dysph0r1a (feat. K_anti)
4. XSCX
5. N0R
6. ap0calypse 42
7. espress0
8. Blue Box Recovery

Listening to Bios Contrast–aka Nilotpal Das’--SSAC42 for the first time might be likened to the experience of watching sunlight shimmering on the surface of a body of water. There is an effortless spontaneity, a mesmerizing ebb and flow. There is a movement which continually reminds us of itself. We are drawn in without needing to understand why. Curiosity takes hold—not a ‘question-driven’ curiosity–but a quiet immersion in the unfolding moment. It feels familiar, but distant; intimate, yet undeniably alien–the more we surrender to it, the more it transforms. We do not give our attention so much as we permit ourselves to drift along. With each passing moment, we are captivated anew, drawn into the throes of unexpected emotion.

The sonic world of SSAC42 seems to pull influence from various forms of electronic music on the fringes. We hear rapid, intricate drum patterns. We feel the warmth of synth textures, the soft glow of ambient pads collapsing gracefully into themselves. The airy vocals of K_anti play a significant role–gliding in over arrangements at unforeseen moments, bringing us closer to something vast and luminous. We never quite arrive, but feel as though we’re always approaching. The tracks are melodic without being grounded in melody. They coalesce, fracture, and reform. A pattern begins, and vanishes, swiftly replaced by something else entirely. Time loses shape; moments of breathtaking stillness recline over fierce drum sequences.

This warping of time is notable in the first track “everyth1ng 1n l1fe”, where soft atmospheric elements churn slowly above chaotic jittering drums. The juxtaposition stirs, generating an ongoing tension that is never resolved. Ethereal, washed out vocals pull us further into weightless expanse. Lush moments build up and transfigure, revealing new forms with each phrase. The second track “EXT10” takes us further into moments of unanticipated wonder. Through the turbulence, shifting elements are not mourned as they pass, but welcomed; we do not question their departure—we move forward with them.

The third composition, “dysph0r1a” opens with a clear vocal presence.  K_anti’s tender delivery occasionally rises above the evolving terrain of synths—fleeting, decipherable, then submerged once again. Later on, the sixth track “ap0calypse 42” carries us through a striking arc: from softness to percussive fury, and back into calm. The transformation is tumultuous, but also cyclical—destructive and restorative in turn.

The shapeshifting quality of the album can feel disorienting. Just as we find comfort and predictability, it dissolves. Familiarity is teased, and withdrawn. Perhaps it is in this instability that the core of SSAC42’s potential lies. As the unending search for meaning in our human lives is consistently upended and reimagined, SSAC42 seems to quietly posit that moments of solace will reveal themselves amid the chaos; wonder and enchantment persist if we are willing to stay open.

Words by M. Elijah Sueuga



Bios Contrast & Nilotpal Das - dysph0r1a (feat. K_anti)

Bios Contrast & Nilotpal Das - XSCX


play it loud and cause some DAMAGE to the PARTY 🎉💥

PARTY DAMAGE

https://giantclaw.bandcamp.com/album/soft-channel
orangemilkrecords.bandcamp.com/album/soft-channel

Music by Keith Rankin
Visual art by Ellen Thomas and Keith Rankin

Soft Channel

Soft Channel 004

https://soundcloud.com/sampledeliveryrecords

Guchon - Night Cube [Urwaxx]

fka jackson from online

HIGH ENERGY FORWARD THINKING EMOTIONAL DANCE MUSIC
#hardcore #trance #hardhouse #speedgarage #eurodance

⚠ MIDWEEK MASSIVE ⚠ wednesdays at 5PM PST bi-weekly on datafruits.fm
 🔊🔊🔊

PARTY DAMAGE

jackson from

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