Name: Tween 801 (2000) by Jacques Soddell
Duration: 8 min 17 s
Description: Track from album neon fog (2000). Beginnings of my experiments with "wall of sound".

some not -quite haiku to describe how I found and
developed the process.


the haiku is
a fascinating creative discipline
a structure for images


a plastic bag
an old piano sound board
apreggiators,processing, sequencing

three scenes
merge into each other
icy is the season


More on this 117th Disquiet Junto project — “Compose an original piece of music in response to a haiku” — at:

http://disquiet.com/2014/03/27/disquiet0117-naviarjunto/
More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
Join the Naviar Haiku Project at:

https://soundcloud.com/groups/naviar-laboratory
More on Naviar at:

http://naviarlab.tumblr.com/
Haiku by Nite Rote, more from whom at:

http://niterote.com/

IceCathedralAtTheEndOfTheWorld_ “Naviarhaiku012 – They encounter” _“disquiet0117-naviarjunto″

Track from album neon fog (2000). Beginnings of my experiments with "wall of sound".

Tween 801 (2000)

This piece is designed to be experienced in conjunction with the 'On Foot' exhibition at Lot19 Artspace and Studios Castlemaine, opening on 10/11/18 at 2pm and open weekends until 25/11/18.

Goldfields Elevation

This is the piece heard outdoors on 20 July 2012 at The Pines, at Twig 4 in the 2012 ACRE / Twig event series in Victoria and New South Wales, Australia (http://acreart.wordpress.com). It started life a day earlier as a response to Trevor Flinn and Marian and Rod Caccianiga's preparations for the night and it was looping around the farm as the attendees enjoyed the Twig's labyrinth, the fires and the whole sensory adventure.

Horizon, Labyrinth And Fire (The Pines)

Bendigo-based sound & video artist (live performance and installation). I work mainly with field recordings which I sometimes manipulate beyond recognition and layer them to create electroacoustic compositions, and similarly manipulate images. I also design sounds for theatre (eg for Punctum and others). Recent projects include Precipice, Pandemonium Pavillions, The River, Memory Fragment #1, Museum of Lost Sounds (with Paul Fletcher) and I'm Dreaming of a French Meadow (with Jude Anderson, Tara Gilbee & Cedric Peyronnet). I curate experimental music series Undue Noise, help run sound art label cajid media and present Possible Musics, an experimental music program on local community radio (since 1983). I was an environmental microbiologist in a former life, and retain an interest in sonification of scientific data, and creation of art based on water themes. Recently released a mini-cdr Frozen Moment on French label Kaon.

Tween 801 (2000)

Jacques Soddell

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