Siggu don't want no one dancin above him ok?

Dancin Above Me (ft. Siggu)

Nicolas Jaar feat Gisela João and Dave Harrington - Os Vampiros (live at Lux)

Yoon

"El disco que hicimos, fue un trabajo de casi 2 años... y quise darle una cierta cohesión literaria, algo que me parece no pude lograr, pero tiene el motivo. Se trata de dos canciones, que en realidad es una, se llama "Un breve Fragmento" mismo título del disco, y "Preludio A", siendo ésta, como su nombre lo dice: Un "Preludio A, Un breve fragmento".​

Un Breve Fragmento Feat. Marcela Manzanilla

En 1965, Steve Reich réalise une avancée formelle majeure dans son travail de composition avec It's Gonna Rain qui fut cependant en partie le fruit du hasard. 
Exploitant dès lors volontairement le principe de phasage/déphasage des bandes magnétiques, il décide de raffiner le procédé. Il compose, sur commande, une pièce en soutien aux « Harlem Six », un groupe de six jeunes afro-américains arrêtés et inculpés collectivement pour un meurtre commis lors des émeutes de Harlem de 1964. 

L'ensemble du groupe fut jugé coupable et battu par la police, alors que seul l'un d'entre eux était l'auteur du crime. Truman Nelson, un militant du mouvement des droits civiques, confie à Steve Reich dix heures d'enregistrements des témoignages de jeunes gens, le laissant libre de les utiliser à sa guise comme source de création musicale primaire.

La pièce est ainsi basée sur la phrase « I had to, like, open the bruise up and let some of the bruise blood come out to show them ». 

Cette phrase prononcée par Daniel Hamm, un des garçons impliqués dans les violences mais innocent du meurtre dont il était accusé fait référence au fait qu'il ait dû faire saigner ses bleus pour convaincre de l'importance de ses blessures.

Steve Reich x Nicolas Jaar - Come Out (Athori Remix)

ISAAC SOTO:
https://www.facebook.com/nombrepersona

Portada: Miguel Camacho

<a href='https://theartistunion.com/tracks/d644ba'>Download for free on The Artist Union</a>

Free Download

Isaac Soto - Bleu

Welten

Finally, Nheengatu is the last track and tells a bit of the history of that dead Brazilian language, which brought aspects of all the languages ​​spoken during the colonial period, Portuguese, Tupi and other native dialects and African dialects that came with the black people during slavery in Brazil.

Minguante is the Brazilian Portuguese for the “waning moon” - the most introspective and reserved phase of the moon. Inspired by the mysterious attraction of the this moment, Brazilian producer Kurup´s latest EP invites us into his world with four fairytale tracks, rich in sculpted electronic sound, exquisitely chosen percussion and flourishes of the musical traditions of his Brazilian background.

Born in Cerrado, the vast tropical savannah of Brazil´s Goiás state, Renato Rocha, AKA Kurup describes his music as ´selva elettrica´ (Electric Forest) and listening to Minguante, it is as if his deep, electronic productions were filtered through the natural world - plants, insects, the dry wind, the moon. This EP was produced especially for Shika Shika and features remix from fellow Brazilian Pigmalião and Shika Shika founders History of Colour AKA El Búho & Barrio Lindo.

Kurup is currently a resident DJ in Sonido Trópico and part of Frente Bolivarista, Tropical Twista and Shika Shika family.

Download: https://shikashika.bandcamp.com/album/minguante-ep
Kurup: https://soundcloud.com/ku_rup

Download

Nheengatu

TamponTango I

La Creatura de la Notte Oscura - DIEDERDAS

Ein Lee *Dub

Boundary-pushing composer and sound designer Andi Otto returns with his new album ‘Rwandance’, which sees live instruments, studio recordings and sampled archival material melded together as part of an electrifying reimagining of the musical traditions of Rwanda.

‘Rwandance’ is a collaboration between Rwandan dancer and musician Evariste Karinganire and cello player and electronic music producer Andi Otto, brought together by a chance connection. Inspired by Steve Reich, Mark Pritchard’s Harmonic 313 and Otto’s mesmerising musical experiences touring India, Otto built software to translate the intensity of Karinganire’s hand claps into different synth notes - the structure and time signature of traditional Rwandan music providing the framework for Otto’s creations, new instruments and sounds incorporated into its parameters.

Otto follows a path similar to many producers from Latin America’s burgeoning electronic music scene but instead of using Andean folk music as a starting point, he reappraises Rwandan music mirroring traditional sounds but similarly, reimagined through a contemporary lens. ‘Rwandance’ follows Otto’s 2016 link-up with Indian singer and actress M.D. Pallavi and underground hit ‘Bangalore Whispers’, a showcase for his original approach to cross-cultural musical dialogue. He has since cemented that reputation with subsequent albums “Via” and “Bow Wave”, weaving global sounds into his distinct sonic approach.

Shika Shika is a home for music that combines organic and electronic sounds, a meeting place between the past and the future. (They also put an emphasis on supporting artists, splitting profits in their favour.) This chimes exactly with what Otto wanted to achieve in his collaboration with Karinganire, taking deeply-rooted traditions and giving them a new sonic make-up.

Nicolas Jaar feat Gisela João and Dave Harrington - Os Vampiros (live at Lux)

Joo Ferenc

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