This sound at 4:08 sounds like some kind of notification. Like it's not even part of the music.

🎼KLASİKLERİM 🎶

As the saying goes: nothing ever ends well, otherwise it would not end. And yet large parts of us still wish things would not end, even after we convince ourselves it is for the best. Is it an act of grace to accept fate and slowly fade away without a fight, or does the universe want to test our resolve and see just how far we are willing to go to obtain, and more importantly perhaps to keep, the object of our desires? It is human not to know; it is human to exist in bewilderment regarding such matters. Being aware of this, however, never makes it any easier. Endings always bring an emptiness in a person's heart and soul. No one ever wants to fail, but sometimes we wait too long to really try in the right ways to truly succeed. The eleventh hour concession is always the hardest case to handle. It leaves one with many doubts. It leaves a person with the hope that things would be, could be, should be, better if only... In such cases the weather can be forever raining in one's heart. 

ALBUM INFO:

"The Idea Of You" is the first of a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This Andrew's most personal and intimate music. It is quite literally a love project. We hope it may it help you on your journey, as it has us...

The Idea Of You Cover Art "The Idea Of You" is music inspired by the spirit of Eros and all of its blessings as well as its tribulations. It explores the vicissitudes of romantic love, the delicate seasons and contour of life, and all the lessons learned along the way. Themes of desire, passion, limerence, romantic love, idolatry, jealousy, envy, loss, regret, forgiveness, acknowledgment, appreciation, acceptance, and eventually glimpses of true understanding permeate the work. It attempts to communicate that which so many of us can never quite communicate properly with words. It is an open apology for the clumsy mistakes we all make when coming to maturity in learning how to care selflessly for another human being. It is a gentle reminder as to what is most important in life, as well as an invocation to continuously seek self-improvement regarding our understanding of such matters.

Andrew Souter -- Still Raining There

Bach Cello Suite No.1 - Prelude (Tina Guo)

I know I should not even watch to this huge  masterpiece being only at my second year of piano; but I could not resist.  I tried  and I don't completely dislike what I hear. So decided to put it  here hoping Chopin will forgive me. This is probably the most known of Chopin's production, I can really undesrtand why! Although  most known pieces of an author often are not my preferred,  I cannot deny this is absolutely awesome, irresisteable in playing : charming, poetry, italian belcanto, eveything is here. So deep, joyfully and lovely at the same time. Thank you for listening

Fryderyk Chopin - Notturno Op.9 N.2

<I>"And some there be who no memorial have;
Who perished are as though they’d never been.
For our tomorrows their today they gave,
And simply asked that in our hearts they'd live.
We heed their call and pledge ourselves again,
At dusk and dawn - we will remember them!"</I>

- extract from A Poem for Remembrance Day by Charles Henrywood

<B>Please email me at mail@oliversad.ie for licensing enquiries.</B>

Composed, performed and produced by Oliver Sadie.

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War Farewell

Life itself is a piano theme composed by Mario Viñuela. 

Listen to my music on Spotify / Escucha toda mi música en: https://open.spotify.com/artist/4hAdpygElM5qnAI534XVRp

Life itself

Life Itself

Neoclassical piano album in collaboration with pianist Milana Zilnik (https://soundcloud.com/milanazilnik) and Artyom Tchebotaryov (artwork and mixing) from Canada: 
"24 Petits Rêves bizarres" with all 24 pieces - these are the "pure" versions without Milana´s improvisational part 
The album is available on iTunes, AmazonMP3, GooglePlay and many other platforms:
https://itunes.apple.com/album/24-petits-reves-bizarres-no./id906726760
It is also part of this 8 hour (!!) spotify playlist with all my 15 albums here:
https://open.spotify.com/user/1155850710/playlist/754hMzwRzbXaVixnFYdcO1
The scores / sheet music of this series you find for free download here:
http://www.beneking.com/prb
There are 2 separate albums available with 12 pieces each including a fantastic jazzy improvisation by Milana:
https://soundcloud.com/stephan-beneking/sets/petits-r-ves-bizarres

All Albums on Spotify

Petit Reve Bizarre 20 - Played By Milana - Album With All 24 Pieces On ITunes - Follow Us On Spotify

Black Swan - The Swan Lake- By Tchakovski

LISTEN ON SPOTIFY >>>> https://spoti.fi/2Ae7T0g

"An intimate journey led by a minimalistic piano, looking for something that went missing."

Grab your copy of the Digital Deluxe Edition of The Last Days of Winter. The digital download includes:

▶ The official video of "Missing"
▶ "The Ordeal" - Bonus track
▶ High resolution version of the official and the alternate cd cover
▶ PDF with the liner notes of the album

:: credits ::

Composed, recorded and mastered by Francesco Berta.

Piano, celesta, guitars and programming: Francesco Berta 
Cello: Aríanna Hönnudóttir

► For the last news and exclusive downloads, make sure to subscribe to Francesco's newsletter here ▶ eepurl.com/baSn-T

►►► More Links ◄◄◄

Soundcloud ▶ @francescoberta 
Facebook ▶ facebook.com/francescobertaofficial 
Twitter ▶ twitter.com/francescoberta 
YouTube ▶ www.youtube.com/user/francescobertaYT

Stream on Spotify

Missing

When Sparks Begin

It wasn’t planned, the sudden flare
A glance too long, electric air
The forest paused, the silence broke
As if the trees themselves awoke

No vows were made, no names were cried
But something ancient turned inside
A hand not touched, a breath not caught
And yet the world was set alight

Their words, once calm, began to burn
Each phrase a flame, each pause a turn
Not lust, not need, but something more
A door unlatched, a trembling floor

And in that spark, not loud, but true
The forest knew what they now knew
That love begins not with a kiss
But with the fire beneath the bliss

Toen vonken sprongen

Het was niet gepland, die plotselinge gloed,
Een blik te lang, geladen zoet
Het bos hield stil, de stilte brak
Alsof de bomen riepen: “wak”

Geen woorden groot, geen naam geroepen
Maar iets ouds begon te spoelen
Geen hand geraakt, geen zucht gehoord
Toch stond de wereld in akkoord

Hun zinnen, ooit zo kalm en rond
Werden vlammen, vonkend blond
Geen hunkering, geen driftig spel
Maar iets dat trilde, onuitspreekbaar fel

En in die vonk, niet luid, maar waar
Wist het woud wat zij verklaart
Liefde begint niet met een kus
Maar met het vuur dat stilte kust

Be my love 251120

wolfgang amadeus mozart - requiem es una pista La Misa de Réquiem en re menor, K. 626, es una obra de Wolfgang Amadeus Mozart basada en los textos latinos para el Réquiem, es decir, el acto litúrgico católico celebrado tras el fallecimiento de una persona; se trata de la decimonovena y última misa escrita por Mozart. Mozart murió antes de terminarla, en 1791. En junio de 1791, Mozart ofreció en Viena uno de sus últimos conciertos públicos; tocó el Concierto para piano n.º 27 (KV 595). Su último hijo, Franz Xaver Wolfgang, nació el 26 de julio.
Pocos días antes se presentó en su casa un desconocido, vestido de gris, que rehusó identificarse y que encargó a Mozart la composición de un réquiem. Le dio un adelanto y quedaron en que regresaría en un mes. Pero el compositor fue llamado desde Praga para escribir la ópera La clemencia de Tito, para festejar la coronación de Leopoldo II.
Cuando subía con su esposa al carruaje que los llevaría a esa ciudad, el desconocido se presentó otra vez, preguntando por su encargo. Esto sobrecogió al compositor.
Más tarde se supo que aquel sombrío personaje (al parecer, llamado Franz Anton Leitgeb) era un enviado del conde Franz von Walsegg, músico aficionado cuya esposa había fallecido. El viudo deseaba que Mozart compusiese la misa de réquiem para los funerales de su mujer, pero quería hacer creer a los demás que la obra era suya y por eso permanecía en el anonimato.
Según la leyenda, Mozart, obsesionado con la idea de la muerte, desde la de su padre, debilitado por la fatiga y la enfermedad, muy sensible a lo sobrenatural por su vinculación con la francmasonería[cita requerida] e impresionado por el aspecto del enviado, terminó por creer que éste era un mensajero del Destino y que el réquiem que iba a componer sería para su propio funeral.
Mozart, al morir, consiguió terminar tan solo tres secciones con el coro y órgano completo: Introitus, Kyrie y Dies Irae. Del resto de la Secuencia dejó las partes instrumentales, el coro, voces solistas y el cifrado del bajo y órgano incompletos, además de anotaciones para su discípulo Franz Xaver Süssmayr. También había indicaciones instrumentales y corales en el Domine Jesu y en el Agnus Dei. No había dejado nada escrito para el Sanctus ni el Communio. Aunque en un principio Constanze, su viuda, pidió al músico de la Corte Joseph Leopold Eybler que terminase el Réquiem, fue su discípulo Süssmayer quien lo acabó (siguiendo las directrices de Mozart), completando las partes faltantes de la instrumentación, agregando música en donde faltaba y componiendo íntegramente el Sanctus. Para el Communio, simplemente utilizó los temas del Introito y el Kyrie, a manera de reexposición, para darle cierta coherencia a la obra.
Una de las principales influencias de esta obra puede hallarse en el Réquiem de Michael Haydn compuesto en el año 1771 para la muerte del arzobispo de Salzburgo S. C. Schrattenbach.
Aunque al parecer se interpretaron extractos del Réquiem en una misa en memoria de Mozart celebrada el 10 de diciembre de 1791, el estreno de la obra completa se produjo en Viena el 2 de enero de 1793 en un concierto en beneficio de la viuda del músico austríaco, (Constanze Weber). Fue interpretado de nuevo el 14 de diciembre de 1793, durante la misa que conmemoraba la muerte de la esposa del conde Walsegg y bajo la dirección del propio conde.
Después de esta interpretación, el conde Walsseg realizó una reducción para quinteto de cuerda, pero la obra no volvió a interpretarse bajo su patrocinio.

Wolfgang Amadeus Mozart - Requiem

Available on main music platforms here:
http://hyperurl.co/td5a51

Sunrise EP

Sunrise

One of my favourite Chopin's Masterpiece.

Fryderyk Chopin - Nocturne No. 20 in C# Minor Op. Posthume

Carly Comando - Every Day

This reflective, tuneful album is a collection of beautiful piano music written and performed by Ola Gjeilo. His music is a blend of jazz, classical and popular music influences, married in a unique and passionate style. The evocative melodies and harmonies of Stone Rose are sure to captivate listeners from the first hearing.

Many of the tracks are expressions of Ola's deep love for New York City, where he lives and maintains his highly successful career as a composer and pianist. Also featured on the album are elite American and Norwegian musicians Johannes Martens (cello), Tom Barber (flugelhorn) and David Coucheron (violin).

Stone Rose is Ola's first solo album, eagerly awaited across the world by audiences who have fallen in love with his expressive compositions and serenely beautiful playing.

http://www.2L.no

Buy SACD and HiRes aud

Ola Gjeilo's MADISON from the Stone Rose album

Originally by Giovanni Allevi, played by Donald Chen.

Check out this arrangement of "Aria" that I recorded with the Mozaic Project!
https://www.youtube.com/watch?v=BJbfZzOTyRk

Carly Comando - Every Day

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