The latest in a string of superb releases from Charlotte’s Lord Jah-Monte Ogbon, Too Little, Too Late captures the rapper in top form once again. Sporting production from an ensemble cast (Mike Digi and Flls being two of the top performers), the album is a more relaxing listen than many of the rapper’s past works. The beats are far from one note however, as the sonic diversity on offer here is easily on par with any of his past releases. The raps are impeccable once again, with single ‘He For the Streets’ being a major highlight. This track’s title is an interesting play on words that captures the wider appeal of the Charlotte MC’s music eloquently. Although it holds within its tracklist the same brilliance as his other 2021 releases, I strongly feel that this is the beginning of a new era for Jah-Monte. He may still have plenty of time for naysayers, but with greater blessings in his life than ever it’s only right that the rapper celebrates them with more triumphant, luxurious lyrical content. He more than deserves his place in the rap hall of fame, and it’s clearer than ever on this release that he isn’t going anywhere but up from here. The album’s title adopts a double meaning in this sense, it is aimed not only at those who may have doubted Jah-Monte’s rise to the top, but also towards those who think he may one day fall from his position (it’s far ‘Too Late’ for that).
credits

Where Are You? Prod By Mike Digi

STRIVE FOR THE GREATEST
https://soundcloud.com/esteenack
https://soundcloud.com/flyanakin

ESTEE NACK / FLY ANAKIN - ESCAPE TO NEW YORK

Wait, I Still Function 

https://itunes.apple.com/us/album/wait-i-still-function/1435575315

Megatrons Theme Feat GRT SCTT!!

KNOWLEDGE (EP) @SHAAPRECORDS

I had a dream short music film - https://www.youtube.com/watch?v=rJ-hosVPgwQ

Bandcamp - https://rahiemsupreme.bandcamp.com/track/had-a-dream-ft-ankhlejohn-prod-historian-crank

Black Seed Oil

I had a dream ft. Ankhlejohn (Prod. The Historian/Crank)[Visual in description]

Mach-Hommy x Earl Sweatshirt Type Beat
#Machhommy #hiphop #rap #loops #culture

Lost.Time

"Lapriyè"

Raps by Mach-Hommy
Beats by Nicholas Craven

Mach-Hommy "Lapriyè" (beats by Nicholas Craven)

1st installment of the "THOT RAP" series, by Koncept Jack$on.

Written, Executive Produced by Koncept Jack$on. 

Featuring: Monday Night, Mach-Hommy, Quadry 

Production: Koncept Jack$on, Dibia$e, August Fanon, Ohbliv, Theravada, Foisey, & Suprchnk 

Mastering: Gabriel Ente 

Artwork by Alfredo Hernandez.

7. Lies U Tell [feat. Mach-Hommy] (prod. Suprchnk)

JASON MASK (PROD. GRAYMATTER)

Kill Em All

Lady Justice

Jordan Demar's Album

Jewelry Rap is a product of two things: it’s definitely the result of a talented MC’s love and appreciation for hip-hop and all things to do with it, and it’s indisputably the culmination of amazing chemistry between the rapper Jah-Monte and the producer Lavonte Hines aka FLLS. The eight new collaborations the duo lay down here are astonishingly varied in style, sound and delivery, and each is an invaluable musical addition to a constantly growing discography. ‘Holistic Sebi Life Style’ sees Jah-Monte attack the mic with incredible tenacity. ‘Having festivals in Charlotte without me included me included? That’s why them shits never work’ he sneers on the verse. ‘I ain’t tryna work, these n***** be trash, like Keith Sweat let’s make the memory last’ he implores on the hook. The beat has a winding, hypnotic nature to it that allows for the rapper’s stinging bars to engrain themselves remarkably fast.

By contrast, ‘Fenty & Prada Mama’ is smooth and soulful, a joyful sample looping under the snappy drums. The rapper’s snarl is still as well utilised as ever, however: ‘The game ain’t changed, there’s just no real n***** left, I can read her body language like a n**** deaf.’ For a lot of the song, FLLS’s production rides out solo, proving that Jah-Monte is well aware of the importance of crafting an atmosphere in his songs, and allowing the beats to act as far more than a backdrop. There is real, genuine love for the art to be found here, and it’s one that continues on tracks like the jazzy ‘Creative Loathing FOH’ in wildly different ways. With minimal pianos and drums backing him, the rapper delivers lyrical hell: ‘Fuck a bitch you won’t catch me in no detective mode, by the time the pound drop I had 10 extra O’s’. Few are blessed with the skill for rapping that Jah-Monte possesses, and he doesn’t waste a second of any of these songs to exercise it.

Another attribute that the rapper frequently displays is his ability to write a fantastic hook. ‘Rip Swindle’ is the best example, his delivery transforms into a hoarse holler that conveys the passion in the music better than ever. ‘Light your shit up like a candlelight, better show some fucking manners like’. As I’ve mentioned before when covering his music, you can really hear the pain and anguish when you put on one of Jah-Monte’s songs. In my eyes though, no track on Jewelry Rap does this better than the proper closer ‘I Miss You Tae Tae’. The production here is something special, FLLS conjures a palpably mournful mood as the rapper pains a grim picture of his upbringing, including the death of his loved ones. 

It is clear from the first moment of this project to the last that as a rapper Jah-Monte is an almost unmatched talent, and as a songwriter he is truly flourishing. Working with FLLS, he has crafted an early contender for AOTY and made something truly magical out of the experiences he knows all too well. He has something for all here, appealing to long time fans with the latest, greatest installment of the ‘Best Rapper In Charlotte’ series and drawing in an array of new listeners with diverse production choices, intimate lyrical moments and increasingly brilliant mic performances. Definitely one of the hottest releases out right now, you’d be doing yourself a disservice by not listening to it.

Where Are You? Prod By Mike Digi

LORD JAH-MONTE OGBON

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