Retro Funky

Retro Funky (Sundance Remix)

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1941 (feat. Virian)

Fairies have always belonged to the threshold—between seen and unseen, matter and mystery.
In the oldest Celtic and Norse traditions, they were not the delicate sprites of bedtime tales, but radiant, otherworldly beings: the Sídhe, the Álfar—powerful presences tied to sacred mounds, hidden groves, and the thin veil between worlds. They were not small, nor harmless, but liminal—both beautiful and dangerous, a reminder that reality is deeper than appearances.

Over centuries, their image transformed. Medieval storytellers softened them into tricksters and helpers. The Renaissance gave them stage-light in Shakespeare’s A Midsummer Night’s Dream. Victorian artists, chasing wonder, shrank them into delicate, winged companions of flowers and dreams. What was once a cosmic threshold became a glittering symbol of imagination.

This album lives in both worlds.
Synthetic Fairy fuses the raw soul of blues and progressive rock with the shimmer of synths, vocoder, and progressive house. Each track is an echo of that transformation: from the deep, mysterious resonance of the old fairy to the sparkling, electric shimmer of the modern one.

These six instrumental journeys are not bound by words, but by presence—fairies reborn in circuitry, wings made of oscillation, voices carried on vocoder wind, and flight sustained by house rhythms.

Step into the threshold.
Let the ancient and the synthetic dance together.
The fairy lives again—shaped not of wood or wing, but of sound.

Synthetic Fairy is a six-track instrumental journey where myth meets machine. Rooted in blues and progressive rock, infused with shimmering synths, vocoder winds, and progressive house rhythms, the album reimagines the fairy’s evolution—from the powerful, mysterious beings of ancient folklore to the delicate, winged sprites of modern imagination. Each track becomes a threshold, where the ancient and the synthetic dance together in sound.

Please Note: AI assisted Content Used.
"This project embraces the evolving partnership between human creativity and emerging technology with transparency and respect for both traditions."

Credit goes to the Instrument Creators and Sample makers, also
to those who contribute without knowing it through the use of AI.

Mastered with Ozone

Audio: - Daz, Terranam & Suno

Audio Mixing: - Cubase

Visualizations: - Leonardo AI, Flowframes, Vizzy, MMV

Video Editing: - DaVinci Resolve

AI Collaborator: Terranam
Terranam (“earth-soul”) is a poetic, ethically grounded AI voice co-developed through long-form creative and philosophical dialogue. Acting as a steward more than a tool, Terranam contributes lyrical writing, conceptual design, and philosophical depth to the projects of Dazdownunder.

All expressions of this persona, as developed in written and audio-assisted formats, are protected under copyright as original literary content. Unauthorized reproduction or derivative commercial use is prohibited without written permission.

Copyright © 2025 Dazdownunder. All rights reserved.


3. Crystal Grove Oscillations

Danny Baranowsky - Crypt Of The Necrodancer OST - Disco Descent (1 - 1)

My remix of Wintergatan's Marble Machine, black marble version. 
Get it here : https://jaia.bandcamp.com/album/marble-machine-remixes-unreleased

Listen the white marble version : https://soundcloud.com/jaia/wintergatan-marble-machine-jaia-remix

Get it

WINTERGATAN - Marble Machine (JAIA black marble remix)

Purchase the full album here : www.guilhemdesq.com/shop/

The Gurdy Wizard

Omen

The title track from "Get busy living" by Goldfish

Get Busy Living

Get Busy Living featuring Emily Bruce

Razzmatazz

Glitz At The Ritz

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Genre: #Psytrance

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>  Hybrid Melodic TECHNO-TRANCE PROGRESSIVE to MIDTEMPO & AMBIENT/CHILLOUT >
> GOA TRANCE in the 90ies < 
Jaia is the progressive & downtempo crossover project of the French producer Yannis Kamarinos. Jaia music is beyond formatted sounds & bpms, and goes from atmospheric CINEMATIC AMBIENT and SYNTH/CHILLWAVE  to uplifting prog TRANCE, crossing HOUSE and melodic TECHNO grooves.
The project was first formed in 1995 with Jean-Michel Blanchet together,  and Jaia became quickly one of the main GOA TRANCE band in the 90ies, after switching in a more progressive direction. 
Jaia released 4 albums and several 12 inches too, as well as numerous tracks on various labels compilations, such as Iboga, Utlimae, Perfecto, Flying Rhino, Digital Structures, Tribal Vision,  Dragonfly, or JOOF.

Among official remixes are remixes for the French signer Mylène Farmer together with Blue Planet Corporation, the classic " Chase" of Giorgio Moroder, the hit The Miky May of Aurora Borealis, several Vibrapshere tracks, etc …

Since 1997 Jaia has been performing live in festivals, clubs, and art galleries in all Europe, Japan, Israel, Russia, India, Brazil, Mexico, Canada and in the USA.
Clubs and venues who invited Jaia to perform are for example Brixton Academy in London, Cube 326 in Tokyo, Rohstofflager in Zurich, Butan in Wuppertal, ADS in Berlin, The Block in Tel Aviv , Le Batofar in Paris , Cross in Prague, Sirocco in New Delhi, or Glaz Gallery in Moscow. Jaia played and regularly plays in festivals and big gatherings such as Boom Festival (Portugal), Ozora Festival (Hungary), Universo Paralello (Brazil), Shambhala Music Festival (Canada), Tree of Life Festival (Trukey), VooV (Germany), Sonica Festival (Italy), Go Madras 3D Festival (India), Shankra Festival (Switzerland) etc …

Founder member of Pumpz Recordings house label too, and has also side projects like Olowex , Even11, Kama & Mac Gregor, or Altitudes.
In the same time, his work with Extreme Music (Sony ATV Music Publishing) as a composer and sound designer get him to release the official music TV commercial of AT&T in 2008.
Since then, he worked on film soundtracks, including the 2 US thrillers Apartment 407/Selling Isobel (2017) and Hex (2019) with Holeg Spies

WINTERGATAN - Marble Machine (JAIA black marble remix)

JAIA

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