Nice intro! Really great rhythm and brilliant work on those synths! Live too. I'm very impressed!

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My Song 44

isn't he horrible

A Cry From The Forest

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

Invitation is a dark, intoxicating pulse — a sonic whisper that pulls you closer into shadow. Tense low frequencies meet drifting textures; minimal but haunting melodies linger in the space between beats. Let this track be the doorway.  LISTEN ON YOUTUBE: https://www.youtube.com/watch?v=WDrYUqtlWdE

INVITATION

Thank you for listening.
a quiet walk through the universe within.

Space Walk

Happy Halloween.... the song is actually a tribute to Ian Hunter and Mott the Hoople ..one of the best bands of the 70s....Ian is still rocking into his mid 80s..so I am the one with the rigor mortis clearly..go Ian go...
sound clips from 1931 Frankenstein movie
There are at least 8 Mott the Hoople Song titles in the lyrics


Rock N Roll Rigor Mortis

Roll Away The Stone                                        
God is calling, he's on the phone
He's got a glambam plan, one last stand        
Before they take you home                               

Spotlight shines in your face
You better put on a pair of Ian Hunter shades
I Wish I Was Your Mother, wish I was your father
Never could put you in your place

Hey, old man
What don't you understand?
Know your rights
Plead that Habeas Corpus
Hey, old man 
The music makes demands
Shake off your rock n roll rigor mortis

Move your hips to the beat
Take a deep breath, unstick yourself from that seat
Shine a light through your pupil, of pure Mott the Hoople
To energise those ancient feet

Time to rise again
Like Lazarus, a comeback, this ain’t the end
You're one wild stiff, rockin all my riffs
Be careful how your body bends 

Hey old man
What don't you understand?
Know your rights
Plead that Habeas Corpus
Hey old man 
The music makes demands
Shake off your rock n roll rigor mortis

All The Way From Memphis               
The Golden Age Of Rock N Roll    
Elvis and the Whizz Kids                 
Ain’t no peace in the valley for the last patrol 

Drivin’ Sister, Jerkin’ Crocus
Help me When My Mind Is Gone
Do the shimmy shake, bring it into focus
Sing it loud this victory song

Chorus

It's alive!!! It's alive!!! It's alive!!!

lyrics HotR/ Ian Hunter & co
music HotR





Rock N Roll Rigor Mortis

Pastors & Priests (The Missing)

Wow, this is it, the final song I will be posting for the untitled album Stricknice, Bitzone, Wou-Wou & the Wormling and I have been working on! We posted the first song, “Ghosting Out,” from this set on January 4, 2021. I started this set of 12 songs in 2020, during the pandemic, using demo tracks that Wou-Wou graciously allowed me to use. I can’t, yet totally can, believe that it took 5 years to finish and finally post all the songs. I am still not sure if all 12 songs will be included in the album since the total run time is about 43 minutes and I like albums to be a little closer to 30 minutes. We still also need to decide on the track sequence. Eventually the album will be posted the album on Bandcamp for free. 

I have written it many times before and I will write it again, it has been an immense pleasure and honor and blast to work with Sticknice, Bitzone, and Wou-Wou on this set of songs. I feel so lucky to have had this opportunity.  

Track Credits:
Heartscore: Violin
https://soundcloud.com/heartscore/tracks
https://heartscore.bandcamp.com/album/the-edge-of-times
https://www.youtube.com/dirkradloff
Stricknice: Guitar
https://soundcloud.com/j-nice-6
Bitzone: Additional Drums and Bass, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net
Wou-Wou & the Wormling: Synth, Synth Bass, Drums, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
https://www.instagram.com/wouwouandthewormling
the Couch King: Lyrics, Vocals, Samples, Production
https://musiciselation.bandcamp.com

Lyrics:

I don’t wanna have to do this
But I would be terribly remiss
If I just pretended to shoot and miss 
Maybe I could find somebody nobody’ll reminisce 
Maybe I could find somebody deserving the abyss 
The kiss of deaths sweet lips 
The heat of cold bullets
Rationally tearing you from the grips 
Of life meaningless in this soulless culture gone amiss 
I’ve been hunting these woods since my childhood 
Living as any self respecting and god fearing man should
sovereign and secured in responsibility for one’s own livelihood  
The devil wants you to believe in falsehoods 
and city life leads to no good
The heathens all had me misunderstood 
I wouldn’t want to be with them if I could

It feels like its been me and the bird forever now 
And i can’t allow myself to let him down 
I have him in my sight 
But there is two of ‘em 
Damn it 
What am I going to do with ‘em 
I’m going to have shoot both of ‘em 
I can’t leave a witness
Gotta move with swiftness 
At least this 
male’s a total stud 
and bird will pleased 
As he falls with a thud as his chest spews out blood 
and soil turns to mud
This is the right thing to do, isn’t it
After all I made an agreement 
I can’t permit 
Bird to throw a fit
or It’ll be me my head 
that sits on that wall 
And I really wouldn’t want him to leave me 
and be alone again

The Shrike Pt. 4

Heartscore, Stricknice, Bitzone, Wou-Wou & The Wormling, and the Couch King - The Shrike Pt. 4

Badlands

Jakestation4 (JS4)
Live Electronic Keyboard / Synth Jams
#keyboard #synth #improv #electronic

⸻

About:
I create live, improvised electronic jams using keyboards, synths, and a range of digital tools. Every track captures a raw, in-the-moment energy—no edits, just pure performance.

⸻

Albums / Playlists:

🎛 Vintage JS4
All tracks on Vintage JS4 were created using an iPad 12, Korg Gadget 3, and a single MIDI keyboard controller.

🎚 Alive When Live
Every track on Alive When Live is a real-time improv session recorded live at home using an iPad 12, three MIDI controllers (M-Wave SMK25, Korg MicroKey2-25, and Korg NanoKontrol2), and a powerful combo of Audiobus + AUM.
The sessions run through Korg Gadget 3, Groovebox, Launchpad, Blocs Wave, Fugue Machine, RD/FD drum machines, and multiple synth and keyboard apps.

⸻

🎧 Support:
I truly appreciate any likes, follows, comments, critiques, or advice—they mean a lot.
Thank you so much for listening and being part of the journey.

— Jake D
Jakestation4 / JS4

Your mom takes classes?.live recording

Jakestation 4

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