Sound like The Pharcyde! Such a great band when hip hop used to be great. And this track is dope as it was the hiphop back then. 

10.13.18 Square One - Until Then (L One Remix)

An instrumental cut off the DXA Self Titled album released on Blunted Astronaut Records.  

DXA - Ice's Jazz [Produced By IceRocks]

Sinks & Mol One - Life is easy (prod. B-Side; Cuts by CMY.Flow)

warp

HDWAV 5.1 - SW33TT 3V1L DRR11LLL 0FF1C14L R3M1X - C.R.E.A.M.

Premier extrait de l'Album "IL" | Sortie 16/06/16 en Vinyle, CD, Digital et Cassette. 
Disponible ici :
https://supafuh.bandcamp.com/album/supafuh-il-vinyl-cd-digital-lp

"IL", mon second album vocal, se veut sobre et élégant...à l'image de son titre.
Afin de me concentrer pleinement sur mon interprétation, j'ai confié sa production et sa réalisation à DandyTeru (Ubiquity Records), qui a su lui insuffler une atmosphère hivernale et une couleur néo-classique intemporels. Mes sources d'inspiration demeurent immuables : MC Solaar, Fabe, IAM mais aussi les scènes Trip-Hop de Bristol et HipHop de New York.
J'ai également eu l'immense honneur de travailler avec de talenteux artistes issus de la scène indépendante française : Pumpkin, Trublion, Barrio, Quiet Dawn... et internationale : CL Smooth, Edo G ,Moka Only ou Eternia.
Leur engagement sincère et leur sensibilité transportent l'album vers plus de gravité, sans sacrifier ni fluidité du phrasé, ni limpidité du propos.
Direct et minimaliste, "IL" est à ce jour mon album le plus personnel, celui d'un homme approchant la quarantaine, désireux de s'affranchir de tout code ou posture artificiels.

Supafuh

En Face

Supafuh Feat Edo G - En Face [Prod Dandy Teru]

Perfect World Remix/Nicobox/Star Wax X Diggersfactory Remix contest

Dont Drop Out of Art School

Off "Gardens" available here: https://jakeghnm.bandcamp.com/album/gardens
Longitude latitude, kill the attitude.... ;)
w/https://soundcloud.com/corccey

JakeGHNM X CORC - Longitude Latitude

A brand new instrumental I made recently. 
Let me know what you think :)

wake'n'bake

part 2 of 4 of some of my unreleased beats all made in 2017. :)
check part 1 here: https://soundcloud.com/snares1998/short-stories-part-1-tape

Spotify: https://spoti.fi/2BDBjpf
Apple Music: https://apple.co/2o6KXXZ
iTunes: https://apple.co/2P2kar7
Amazon: https://amzn.to/2wlSUvR
Bandcamp: https://bit.ly/2N0B1Nt

0:00 - 1:00 recollected
1:00 - 2:00 round a bout
2:00 - 3:00 quotas
3:00 - 4:00 pakett
4:00 - 5:00 regenschirm
5:00 - 6:00 recognize
6:00 - 7:00 sanft
7:00 - 8:00 mpcforum #2

Short Stories part #2 [tape] :)

Impressions Vol.2 on Bandcamp:
https://flameakaspainsfinest.bandcamp.com/album/impressions-vol-2-beat-tape

Tracklist:
1.Being With FLAME
2.Break 4 My Blunt
3.Arco Iris
4.Just Do it
5.Native Flava
6.Meditation
7.Fenders Part.2
8.Cheatin(Cuernos)
9.Afro-Samurai
10.Vibraphone´s Relief
11.Sonar Despierto(Daydreaming)
12.Portrait(Retrato)
13.Lost & Found
14.Findin Part.2
15.Next One
16.Escapin
17.Angeles
18.Retraso(Delay)
19.Love That
20.Wonderland
21.Good Intentions

<a href='https://theartistunion.com/tracks/af6aab'>Download for free on The Artist Union</a>

Impressions Vol.2

Impressions Vol.2 Snippet (Full Album Available on Bandcamp) "BONUS TRACK ON BANDCAMP"

Instrumental EP now available via Chill Children:

https://sptfy.com/diTL

VL:

https://youtu.be/00yoJ4uawfo

Video 📼

higher heights

pre-order limited edition cassette, poster + digital: kadv.bandcamp.com/album/prospective-cuts

"dedicated to all boombap heads around the world" - mvnitou

all beats produced, mixed and mastered: mvnitou
soundcloud.com/mvnitou

kick a dope verse! © 2020

prospective cuts

mvnitou - prospective cuts [snippet mix] [limited edition cassette pre-order now]

Instrumental: https://soundcloud.com/tapeheadloops/lifetime-impression-instrumental

Beat, scratches, cuts, mixing and mastering by Tapehead
Visuals: https://youtu.be/zPoxbmlxVGA
Free Instrumental Download: https://tapehead.bandcamp.com/track/lifetime-impression-instrumental

All We Got Iz Us is probably my favourite Onyx album, it doesn’t have a single weak track imo, the album is just mad motivating. I think its mad underrated too, obviously its fairly well known, but cause it came out in ’94 it’s definitely been a bit overshadowed by the insane amount of classic albums that came out that year. To me this album is a classic, one of my favourites from ’94 for sure. The singles are decently known for sure, Last Dayz being the most recognizable, but the whole album doesn’t seem to get as much love as the singles, and the whole project is a must listen to me. Putting the Evil Streets acapella over this beat was one of the best decisions I’ve ever made. I fully can’t believe how well the Onyx acapella fits, its truly nuts to me, and pretty rare that something comes together this well. I’m pretty sure the hook is ‘sung’ in the same key as the sample I flipped, and all the verses fit ridiculously well, but not just the flows, the voices sound right over the beat too. 

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums a punch which definitely matches Onyx’s style. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. Normally I don’t like how censored acapellas sound over beats, but I think with this one it works, because of all of the scratches and cuts that play in the beat, it sort of makes the gaps in the verses make more sense as if the record was being cut up, and then sometimes the scratch/break fills up a gap left by a word being censored, it was definitely a part of what made this acapella work so well over the beat. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

This is by far the happiest I’ve been with a remix in time, and it’s all positive, because making this has given me an unbelievable boost in energy music wise, and I’m mad excited to make the next beat, and now for the first time I’m equally as excited about mixing and mastering, because of what I was able to achieve with this one. 
Peace.

Lifetime Impression

Your favorite rapper's, Favorite rapper's, favorite rapper... Producer’s producer… alla dat, Above the clouds

JakeGHNM X CORC - Longitude Latitude

J∆KEGHNM

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