Golden Child

Mayberry

Til The Last One Dies

About A Woman

Old Tricks (feat. Blake Shelton)

By My Side

Long Time Lovin' You

Stay Country or Die Tryin'

Stay Country or Die Tryin' (Single Version)

“I Walk This Road Alone” is a gritty, confessional country-pop ballad about the quiet strength of choosing solitude over compromise. The song unfolds like a twilight drive through memory — steady, cinematic, and unflinchingly honest.
The verses trace the emotional terrain of past relationships: promises that faded, faces that turned away, and the kind of silence that teaches you who you really are. The chorus doesn’t plead — it declares. This is a man who’s been burned but still believes in something real, even if he has to walk toward it alone.
With sparse acoustic guitar, brushed snare, and a moody electric tremolo, the arrangement leaves space for the story to breathe. The vocal delivery is raw and grounded, more truth than polish — like boots on wet pavement, steady and unafraid.
“I Walk This Road Alone” is a song for anyone who’s ever chosen dignity over illusion. It’s not about heartbreak — it’s about resilience. And in that resilience, a kind of grace.

I Walk This Road Alone

None

Big John

MOM & DAD

There’s a burning truth that we all understand
Like when kids hold onto their parent’s hand
And that family home that we’ve always had

Everybody Loves Their Mom And Dad
Ever Since The World Began
Every Woman And Every Man
Everybody Loves Their Mom And Dad

We fly home to see them, cause we miss them bad
When we walk through the door, it’s like it’s always been

Everybody Loves Their Mom And Dad
Ever Since The World Began
Every Woman And Every Man
Everybody Loves Their Mom And Dad

When you’re a son, you wanna play catch with your father
When you’re a daughter, you want to cook with your mother
It has to be with them, and no other

Ever Since The World Began
Everybody Loves Their Mom And Dad
And When They Pass Away 
The Feeling Grows Till We See Them Again
Everybody Loves Their Mom And Dad
Every Woman And Every Man
We’ll Be Parents Ourselves, And Enjoy It First Hand
Everybody Loves Their Mom And Dad…


MOM AND DAD

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

Long Time Lovin' You

Jake Owen

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