...her er det virkelig nat på en god måde :)

Donni So_La Pagliarella (Ulrich Schnauss Rmx)

Nat Rework (Den Sorte Skole)

NEW ZION TRIO- SLOW DOWN FURRY

One year on from their debut, Rainer Veil explore deep, brittle rave variants on their 2nd EP for Modern Love. The five tracks of 'New Brutalism' are a product of their Northern environment, making pointed reference to the kind of deep-rooted rave heritage documented in Mark Leckey's 'Fiorucci Made Me Hardcore' soundtrack through a prism of angular, vulnerable club music. Conceptually, It adopts a similar perspective on British nightlife to Burial or Lee Gamble, surveying the 'floor as if during an out-of-body experience or through closed eyes from a corner of the club at 5am. Opening track, 'UK Will Not Survive' captures that sensation beautifully with its tape-saturated layers of wistful vocal, woody 2-step and daubs of Reese bass, whilst 'Three Day Jag' isolates that curious blend of hedonism and introspection innate to early UK 'ardcore, albeit without the narco-sweats. Closing number 'Run Out' doffs a cap to grey building sites and strobe-lit clubs alike, channelling diffuse field recordings and half-heard breakbeats with a bleary-eyed, tired and emotional quality.

Negative Space

Now Available:

http://hushhushrecords.bandcamp.com/album/presents-vol-1

When It Fades

Download: http://www.xlr8r.com/mp3/2014/06/lowdown

Download

Luka - Lowdown

Deep Feelings (PHONK)

Fading City Lights

Nils Frahm & Olafur Arnalds : An excerpt from Trance Frendz 3

Kema (aka Giulia Alessandroni) 
Alle Sorgenti Delle Civilta
19CACK (10"/MP3)

The first-ever dedicated album release by pioneering female Italian film music composer/arranger/multi-instrumentalist Giulia De Muittis (aka Mrs. Alessandro Alessandroni). Rare undercover pseudo-ethnological studio sessions made under her experimental alter ego Kema (The Pawnshop/Abnormal Sensations) combining the ethos of Can’s Ethnological Forgery Series (EFS) with the studio trickery of Delia Derbyshire and unshakable credentials as one of the founding figures of Giallo film music and Italian psych soundtracks.

Perhaps best known amongst fans of Italian production music and Giallo movie soundtracks as the wife of the legendary Alessandro Alessandroni, composer, vocalist and multi-instrumentalist Giulia De Muittis was an equally formidable force who emerged from the formative years of the aforementioned anti-genres and rose to a monarchic status within the country’s vibrant, and seldom rivalled musical secret society. The cliché “behind every successful man, there is a strong woman” might not do Alessandro and Giulia’s long-running creative unison justice but one thing that rings true that in the shadows of Senor Alessandroni’s limelight (illuminated by his work with Ennio Morricone for the films of Sergio Leone and Dario Argento) remained a darker musical feminine force which in time has come to represent the duo’s finest and most sought after sonic artifacts. In a career that spanned four decades until her untimely death in 1984 Giulia’s collaborative work as a reliable creative all-rounder and pop polymath has stood the unshakable test of time like few other musicians resulting in projects like The Pawnshop, Femina Ridens, Revolver, Questo Sporco Mondo Meraviglioso, The Night Evelyn Came Out Of The Tomb, Angoscia, Inchiesta Giudiziaria and Witchcraft ‘70 (Angeli bianchi Angeli neri) earning increasing “Most Wanted” status on the collectors’ market. It is of no coincidence that Giulia’s nom de plumes, Kema and De Muittis, have in recent, more educated years, become trusted seals of approval which connect top choice composers such as Raskovich (aka Sorgini), Stelvio Cipriani, Morricone, Braen (aka Alessandroni) Amedeo Tomassi, Piero Umiliani and Bruno Nicolai amongst select others. It is, however, De Muittis’ seldom heard self-initiated solo work for small independent Italian library music imprints that reveal a unique multi-instrumentalist female composer working at her most intimate and uncompromised best.

www.finderskeepersrecords.com

Alle Sorgenti Delle Civilta

Soledad

Kema (aka Giulia Alessandroni) - Soledad

We invite Elina & Lukas in our Kasheme for a special Livingroom Session.

duyaka presents Kasheme's Livingroom Session with Elina Duni (ECM / CH) & Lukas Traxel

live recorded at Kasheme / 15.04.17

www.facebook.com/kashemezurich/
http://elinaduni.com/de
https://soundcloud.com/elina-duni

Kasheme's Livingroom "Live" Session with Elina Duni & Lukas Traxel

Arve Henriksen - Blue Silk

Artist: Nick Zammuto
Title: Tonight We'll Go For A Ride
Album: We The Animals: An Original Motion Picture Soundtrack
Release Date: November 9, 2018 Digital / February 8, 2019 Physical

Pre-Order: www.temporaryresidence.com/products/trr308

We The Animals is the award-winning new film from Jeremiah Zagar (In A Dream). Based on the best-selling novel by Justin Torres, We The Animals is Zagar’s first narrative feature. It reunites Zagar with Nick Zammuto, the renowned composer and co-founder of beloved collage-pop pioneers, the Books. Inspired by the film’s setting in rural upstate New York – and influenced by the early ambient electronic music that galvanized the Books two decades ago – Zammuto pairs that earthen, wooded isolation with dynamic pulses of customized electronics and sparse, crystalline layers of melodic soft synths. The juxtaposition is arresting, and gives the soundtrack a unique heft befitting of its subject matter – and betraying of its minimal instrumentation. Beautifully edited and sequenced to act as both a companion to the film and a standalone album, We The Animals: An Original Motion Picture Soundtrack is as subtle as it is startling, and succeeds in making even the heaviest emotions feel momentarily weightless.

We The Animals: An Official Motion Picture Soundtrack

Nick Zammuto - Tonight We'll Go For A Ride

From Berlin, to Beirut, to the rest of the world [and/or vice versa]
July 30, 2020

Carnevale Della Disillusione - by @sami-khatib
The postcoronial apocalypse is not the exception but the rule; it does not reveal anything. Its flashlights cannot illuminate the darkness of a present whose future is already past before it was born. For the future to which this present is indebted is not a real future. The future of current capitalism is already consumed, devalorized, darkened by a future past that will never arrive in the present. The future of this present is an illusion beyond illusion. “I can make light of myself and of others in that darkness: all the real is valueless, every value unreal! Whence that facility and that fatality of equivocations, where I don’t know if I am lying or if I am mad. Night’s necessity springs from that unhappy situation. The night could only proceed by way of a detour. The questioning of all things resulted from the exasperation of a desire, which could not come to bear on the void! The object of my desire was illusion first of all and could be the void of disillusion only in the second instance.” (G. B.) In this void of disillusion our night will fall.

Featuring //
Depassée par le fantasme  - Essaie Pas 
Fyei  - Naum Gabo 
Render 2 (Magazine Edit)  - Cologne Tape
Krautkamerad  - Stabil Elite 
Behind You  - Autumn 
Plastik (C’est Chic)  - Keine Ahnung
All That Is My Own  - Throbbing Gristle 
In Violet  - HEALTH 
Bombs Away  - John Maus 
Shoulder  - Black Marble 
Dreiklangsdimensionen  - Rheingold 
Carnevale Della Disillusione 
Sketch For Dawn  - The Durutti Column 
Venise - Martin Rev 
Regiment  - Brian Eno & David Byrne 
Hemşerim Memleket Nire  - Gaye Su Akyol

Nat Rework (Den Sorte Skole)

jakobbro

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