Name: Nocturne No.4 by Kiryl
Duration: 3 min 25 s
Description: Small album containing my four nocturnes which I wrote long time ago.

[ENG]
"The Truth on Sendai City" is an animated film directed by Marco Bolognesi, known for his distinctive style that blends both traditional and digital techniques. The plot revolves around Sendai, a city ruled by a creature called Big Brain, which feeds on the emotions of its inhabitants. A group of mutants resists the power of cybernation, a process that erases individuality in favor of the collective.
The music helps to create the unique atmosphere of the film, perfectly integrating with the animation and narrative. The composer's experience in combining diverse musical elements enhances the visual experience, emphasizing the themes of resistance and individuality present in the story.

[ITA]
"The Truth on Sendai City" è un film d'animazione diretto da Marco Bolognesi, noto per il suo stile distintivo che fonde tecniche artigianali e digitali. La trama ruota attorno a Sendai, una città governata da una creatura chiamata Big Brain, che si nutre delle emozioni degli abitanti. Un gruppo di mutanti resiste al potere della cybernazione, un processo che annulla l'individualità in favore della massa.
La musica contribuisce a creare l'atmosfera unica del film, integrandosi perfettamente con l'animazione e la narrazione. La sua esperienza nel combinare elementi musicali diversi arricchisce l'esperienza visiva, enfatizzando i temi di resistenza e individualità presenti nella trama.

The truth on Sendai City

10 - Sendai Nocturne

*innenleben

Glasscherbenviertel

"Jewel" is the 1st movement of a 2 movement piece called "J" which was written to celebrate the 1st birthday of my son.

J-Jewel

my love (piano Version).mp3

Immerse yourself in the gentle sorrow and beauty of Melancholic Adagio Piano — a deeply emotional journey through slow, ambient piano compositions. These melancholic melodies are crafted to soothe the soul, support emotional healing, and bring calm during moments of reflection, solitude, or silent nights.

Whether you're seeking comfort during a quiet evening, a soundtrack for emotional writing, or a space for meditation and deep healing, this music offers a sanctuary of peace and introspection.

🕯️ Let each note guide you through forgotten memories, soft sadness, and inner peace.

Shadows Over the Moon

An album to indulge thoughts about how you can grow to become your best you.

Count To Ten

Small album containing my four nocturnes which I wrote long time ago.

Nocturne No.4

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

Les airs faciles

Started in early 2024, the album was supposed to be an EP consisting of several tracks, but after going through multiple transformations, during which original piano pieces were turning into crossover electronic versions with full arrangement and back, spinning in interrupted rehearsal cycles, becoming closer to recording and then drifting away from it as Jan was moving between continents, countries and towns and the world was precipitating toward the disaster to then shy away from it.

While the left-hand figures and time signatures, as well as the task of finding a tittle for every piece, were getting ever more intricate, the choice of the instrument that could convey at least the unwordable part was, on the contrary, getting increasingly clear.

Et voilà, here it is: a perfectionist's take on imperfection, a long-exposure shot of a world pulling itself out of the catastrophe, graffiti on a Berlin subway wall, grand piano take B, an apartment in the centre of Madrid with a view on the sea of chimneys and antennas, the desperate lack of words somehow masked with the noise of the Pacific.

All songs composed, played and mixed by Jan Vaschuk
Recorded at the Black Hole Piano Studio in 2025 

Nocturne No.4

Kiryl

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