Wow, this is awesome, should have way more likes!

Best of SoundCloud

One drop to the steppa with wobble sauce , a recipe to the chill zone . Enjoi  this track dedicated to Chad Owen and the red sled 

To the steppa

Used Instruments:
Drums: Roland 606, Cr 8000
Arpeggio: Roland Jupiter 4
Synths: Korg Lambda, Korg 900PS (Bass, Melody)
FX: Roland Space Echo & Spring Reverb

formAnt B - The Return Of Jupiter

A song inspired by people and places from my past (picture is related, it's of the town I was born and grew up in, Magog, Quebec). Thank you for listening!

Not A Day Goes By

Serenade Espagnole

Lapis Lazuli (KORG Gadget)

DaDaDu Dance

A prog-style keyboard-dominated piece. It's called 22nd Place because I've come 22nd in the Korg Gadget charts for the last 3 weeks. 

If you can guess the different time signatures, you'll win a prize!

*Please, like, leave a comment and share!*

Thanks for listening

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Website: http://www.keil.life

Spotify/Apple Music

22nd Place

Kinetic

Trapped in darkness

2016-05-11 18:15:13 +0000

-Distant Music-

unsympathetic pressure man

JOURNEY TO THE CENTER OF THE ARCADE

808's In Space yo!  Kind of like Pigs in Space but with an 808 drum machine instead of muppet pigs.

808's In Space

Novabrass

Darkness Of The Night Part 4

I'm a media composer with a passion for telling stories through sound. Specialising in music for film, television, games, and digital media, I create immersive scores that elevate narrative, deepen emotion, and bring visuals to life. Whether it's a sweeping orchestral theme, a subtle ambient texture, or a hybrid of electronic and acoustic elements, my work is always grounded in storytelling and emotional impact.

With a background in both classical composition and contemporary music production, I blend traditional techniques with modern tools to deliver bespoke music that aligns with each project's unique vision. I’ve worked on everything from independent short films and documentaries to interactive media and YouTube content, adapting my style to suit diverse genres and formats.
My studio setup includes industry-standard sample libraries and virtual instruments, allowing me to produce broadcast-quality music remotely and efficiently. I also collaborate with live performers where possible to add authenticity and depth to my scores.
Above all, I believe that great media music should serve the story first—enhancing, not overpowering. I'm always open to new creative collaborations, so feel free to get in touch if you're looking for music that moves, drives, or inspires.

Kinetic

Jimihock

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Matt Keil

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