Name: Sydney rainy day mix by James-horse-meat-disco
Duration: 59 min 50 s
Description: A mix to cheer everyone up on a rainy sydney summer day... and just as i finished the sun came out... aaaaand is probably going back in... yup there it goes :-(

offft - a bit of a rare gem here:-)...enjoyed this mix a lot, thanks for sharing

Can some one please tell me what's this beautiful track called? 

hey james, top mix; this track is so nice, what is it ,please?

The first Dance of the Clones mixtape, compiled and mixed by me. Featuring music from Queen Samantha, Bohannon, France Joli, Midnight Powers, Tantra, Double Exposure, and lots more.

Huge thank you and love to Teddy for asking and having me!

https://www.instagram.com/danceoftheclones/
https://www.instagram.com/jordan__hearns/

Dance of the Clones Mixtape 

“Homecoming” is another of the few nights that Roy named. Recorded on the 28th of July at the Ice Palace Disco in Cherry Grove, it commemorates Roy's return to his Fire Island DJ booth after an unfortunate accident landed Roy in the hospital the night before the iconic Beach '79 party in the Pines, which he was scheduled to share the DJing responsibilities for with Howard Merritt and Jim Burgess. I offer this musical journey as a companion to Episode 10 of my The Heartbeat Of The Dance Floor podcast as we delve into this story and many others with a very special panel assembled to Remember Roy Thode on the 40th anniversary of his passing, May 21st 1982.

Roy Thode "Homecoming" Ice Palace Fire Island, Cherry Grove NY July 28, 1979; companion to HBOTDF episode # 10

Roy Thode "Homecoming" Ice Palace Fire Island, Cherry Grove NY July 28, 1979

A reinvention of a disco/ sleaze set mixed by The Patchouli Brothers.

The Patchouli Brothers' White Party NYC Hype Mix

Gay Marvine - Bath House Etiquette mix

A mix to cheer everyone up on a rainy sydney summer day... and just as i finished the sun came out... aaaaand is probably going back in... yup there it goes :-(

Sydney rainy day mix

+++ posted with kind permission of Marsha Stern (copyright holder) +++
...an epic 6.5 hour DJ set by legendary DJ Roy Thode at the even more legendary night club "The Saint" where dance music history was written. This is a special, so-called "morning music" set.

Quote from Tim Lawrence about this:
Robbie Leslie: "At around 6:00 AM, in a ritual that was not replicated in other venues, the DJ would let the final record of the peak set fade, accept applause from the crowd and acknowledge the work of the lighting person and the generosity of the crowd (if indeed the applause was enthusiastic, which wasn’t always the case). After that, the DJ would take the tempo right down and play a set that was commonly referred to as “sleaze” or “morning music”."
[taken from "The Forging of a White Gay Aesthetic at the Saint, 1980-84"]
http://www.timlawrence.info/articles2/2013/7/2/the-forging-of-a-white-gay-aesthetic-at-the-saint-1980-84-dancecult

...and Barry Walters on RBMA:
"As the night progressed, the tempo and intensity increased by tiny, nearly imperceptible increments until climaxing around 6 AM, when the DJ would stop the music and the still-sizeable crowd would applaud as if giving a Broadway cast their standing ovation.

Then the DJ would resume, but at a somewhat slower tempo, and in a more lyrical and romantic style known as “morning music.” In a morning music set, the tempo of the tracks might build again, but typically not their intensity. Instead, DJs programed morning sets to ease dancers off stimulants and take them down an ethereal, more relaxing and soulful path for several more hours. Then the jock would usually take another encore, henceforth playing what many call “sleaze.” Sleaze might be overtly sexual, like Skatt Bros.’ “Walk the Night,” but usually not; its foundation was openhearted R&B; songs of longing, or regret, or sorrow or unmitigated joy.

This misnomer – Leslie emphatically objects to it – was especially deceptive because quintessential “sleaze” selections like Sharon Ridley’s “Changin’” or Viola Wills’ “Somebody’s Eyes” ranked among the evening’s most sensitively arranged tracks. Even when club music lost much of its compositional sophistication as the decade progressed, a “sleaze” set always radiated class. "
[taken from: "Nightclubbing: New York City’s The Saint"]
http://daily.redbullmusicacademy.com/2015/07/nightclubbing-the-saint

Roy Thode - Morning Music at The Saint (6.5 hours!) NYE 1981/82

Back in October 2019 we took over Oval Space for a mammoth 10 hours with our good friends Little Gay Brother. Finally we have the recording of the whole night which we would love to share with all of you who were there that night and those who were not! Here is part 2 from the night!

We have lots planned for 2020 so watch this space for news very soon.

Hope you all enjoy

x

Horse Meat Disco || Marathon @ Oval Space - London <> Part 2

NASHOM/MONA FOOT Tribute Mix

Here'z a very rare mix of my brotha Junior Vasquez live at The Sound Factory in NYC. I was blessed with this tape by 1 of my dj students who wuz actually there at the Sound Factory when this wuz recorded.
Enjoy tha journey... I alwayz do when I listen to it!!")

Manny Cuevas
aka
Thee House Music Educator

Psalms 150

Junior Vasquez 'Live' @ The Sound Factory, NYC 1994' (Manny'z Tapez)

James Hillard (horse meat disco) November Mix

Mix by Butch Le Butch for HONCHO DISKO 

Footage from HONCHO DISKO at Tropical Fruits New Years Eve 2019 

Footage shot by: Telepathic - Photo Video Design 
Video Editing by - Grimmer @ggrimmerr 

HONCHO DISKO - Tropical Fruits performers: 
Callan 
Twiggy Styx
Canoe
Aaron Manhattan
Joe Pol
Sarah Jessica Carpark
Lesbian Moon Lobster

Hosted by: 
Dandrogyny 

DJ's: 
Sweaty Baby
Butch Le Butch 
Wheat

Sydney rainy day mix

James-horse-meat-disco

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