James, isn't this the most brilliant song ? Lennon again .. a man so supremely gifted there are no words ...

superb interpretation of this great song! excellent mix of instruments and a lovely voice ;) )

@denis-lt: Thank you Denis my friend!!  I always enjoy your comments.  😊

@phoebeelena: Thank you very much, Amanda. I appreciate your comment.

Covered Favorites

Pete Seeger wrote this song based on a 1938 poem by the Welsh poet Idris Davies, who lived in the town of Rhymney, Wales. The poem was written in protest of a pay cut the British government imposed on the coal industry as an austerity measure after WW I. Pete turned it into a protest about mine safety as is evidenced by his changing the line "who robbed the miner" to "who killed the miner". The Byrds then turned it into one of the most quintessential (and best) folk rock songs ever recorded, releasing it on their 1965 debut album "Mr. Tambourine Man".
------------------------------------------------------------

"The Bells Of Rhymney" (Seeger/Davies)

Oh what will you give me 
say the sad bells of Rhymney
Is there hope for the future 
say the brown bells of Merthyr

Who made the mine owner 
say the black bells of Rhondda
And who killed the miner 
say the grim bells of Blaina

Throw the vandals in court 
say the bells of Newport
All would be well if, if, if, if, if 
say the green bells of Cardiff

Why so worried sisters why 
say the silver bells of Wye
And what will you give me 
say the sad bells of Rhymney

Oh what will you give me 
say the sad bells of Rhymney
Is there hope for the future 
say the brown bells of Merthyr

Who made the mine owner 
say the black bells of Rhondda
And who killed the miner 
say the grim bells of Blaina

The Byrds "Mr. Tambourine Man" Columbia Records 1965

“The Bells Of Rhymney” (Byrds cover)

Sean Nerney:  Strings & Synths
Ben Juul:  Drums, Mix & Master at Tone Hill Studios, NY
Dirk Taubenheim:  Guitars, Bass, Vocals at Vestervang, DK

This is a true story about a beautiful lady from the north. A million thanks to Sean for his magical strings and synths and to my friend and band mate Ben who worked very hard on this song.

Beautiful Helen from the north    you brightened up my dark phase like a torch, scared to ask you but I did      and I was happy like a kid.

You accepted my enquiry      a collaboration of you and me,
such an unexpected pleasure,      what a musical treasure!

I' d never heard a song of you before   when I saw your poster on a wooden door, your beautiful face just caught my eyes   -   I got kind of hypnotised.

You are also on SC      like many others and like me,
your music is stunning,      your voice is so enchanting.

Then I saw your video      of a song that' s called Ayo,
such a beauty, such a grace      in your lovely smiling face.

Oh Helen,      tears are wellin'      because of happiness      that' s how it is
I don' t wanna stress you  -  or possess you - it' s just about a song - why should that be wrong?

It took you ten months to drop a line      writing "sorry, I' ve got no time,
there are so many other things      and every minute my mobile rings".


1/2 VERSE   instr.

Beautiful Helen from the north      you brightened up my dark phase like a torch  and whatever you choose to do      I' ll be waiting for you.

CHORUS

CHORUS  instr. / FINALE

Beautiful Helen  ft. SEAN NERNEY

Long  time no see everyone on SC.
Time flies. It’s already mid February.
Most of the snow has started to disappear. Soon spring will come. In Japan March is the end of the fiscal year, when we meet newcomers and leave the old behind. I get somewhat sentimental.
I hope you enjoy this ballad.

I Don't Wanna Leave You

Lyrics:
Oh my days
When will we begin
To see that change
Has started
Started from within

The human race
Is so divided now
What will it take
To bring us
Bring us back to base

Into the future
Into the time of love
Into the future
Bring us all back to love
Into the future

It never ends
The governments that war
Whereas the people 
Don't want it
Don't want it anymore

Who are they
To say that we should fight
Those powerful leaders
Betray us
Betray us day and night

Into the future
Into the time of love
Into the future
Bring us all back to love
Into the future


winkandwoo 2024

The Future

version2:
https://soundcloud.com/fuwatt/supercell-is-approaching-version2

Supercell Is Approaching (version1)

Pleased to present the final track from our latest album, 'Squaring The Circle,' the fourth solo album by Amanda, music by Verulium, full album available on Bandcamp, we hope you’ll enjoy!

https://amandasanderson.bandcamp.com/album/squaring-the-circle

Squaring The Circle

Golden Fleece

I've just about finished the Foundation project now. In the far future, humanity has forgotten the location of the "home" planet. Asimov cleverly weaves intrigue and danger into the search for an almost mythological planet.
The guitar parts were played on a Gibson Memphis 335.

(In Search of) The Lost Earth

version1:
https://soundcloud.com/fuwatt/supercell-is-approaching-version1

Supercell Is Approaching (version2)

This interlude is for the Foundation soundtrack album. I'm a bit obsessed with the very small (subatomic) and the very big (the universe) and time (the great yawning vastness of it); not to mention how it all started (the big bang) and how it might end. Doesn't our galaxy look like soap froth spiralling in a basin before it disappears down the plug hole?

Endless

This is not a question, it is just another song.

Here are the lyrics:

Do you miss him?
Well, that's how i missed you
Do you need him?
This is how i needed you

Did you meet him?
Walking down the road with someone else
Did you try girl
to turn your head away?

Well, i know i tried my best
there was a weight upon my chest
But i felt i had to stare
it was a pain i could not share

Did you cry girl?
Well, i did not cry at all
Did you smoke too much?
I was always on the run 

Did you kill him?
And i mean inside your head
Guess he's still around (like a zombie)
half alive and half dead

It's so hard when summer's gone
and they're leaving you alone
There is nothing you can do
with a zombie after you

Pic is taken from: https://unsplash.com/


Do You Miss Him?

A cover of The Cars' biggest hit.  From 1984, I believe.

"Drive"  (Cars cover)

This song was on the first Beatles album I ever got.  My cover features an Epiphone EJ-160e and an Epiphone Viola Bass, both recent acquisitions, both of them used, and both of them with flat-wound strings.

"This Boy" (Beatles cover)

One of my favorite Beatles songs.  Epiphone Casino (2016) and Epiphone Viola Bass.  Virtual drums, but with a real tambourine.

"And Your Bird Can Sing" (Beatles cover)

A Beatles classic with Lennon & McCartney providing a bit of genius melody writing on this one.  Much more than a lead vocal with a harmonized descant, rather there are two counter melodies that create an ever shifting set of intervals making the harmony seem much richer than one might expect from a two-part vocal.  I put a 15 ips tape echo on the vocal intro at the last minute. 

I had posted an earlier version of this cover a few years ago.  This one has been re-mixed and also had a number of errors corrected.

"If I Fell"  (Beatles cover)

Although I love just about all types of music, the biggest influence on what I write and record is the pop, rock, folk, and country music of the 60s, 70s, and 80s.  All vocals and instruments are performed and recorded by me and, except where otherwise noted, all songs are original compositions.  I often post the lyrics to my compositions as an aid to listeners who do not have English as their first language.  Thanks to all who stop by and listen to any of my songs.  I appreciate your time and attention, and I hope you enjoy listening.

"And Your Bird Can Sing" (Beatles cover)

James (Lawrence) Nesser

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