Ask Me Nothing

Too Far

The Last Overdue Ep

Into You

Salvador - Into You (Original Mix)

KHABEZHELA EP

Pando G & Nastic Groove  - My Pain

DHSA PREMIERE  : Pando G &  Nastic Groove  - My Pain

Time

Solstice

Before Ntokozo became Ntokozo, we had an edit that was very simple; it lacked the energy we both saw in the record's potential at the time. The thing is, all music is subjective, and with time you realise that high energy isn't everything. 

We have many records that began this way, and with the launch of Crazy White Boy Records, we are toying with the idea of releasing these to the world. What better way to get some perspective than stealth-dropping the edits on SoundCloud to let the music lovers decide if they get an official release?

Crazy White Boy - Ntokozo (Sketch 2011)

Groove Sanctuary

Levi Backroomusic,8nine Muzique & Zamadoda - Groove Senctuary

Sunset Frequency

Liminal Contact Kind III — Collettivo Undersound

There are albums you make. And there are albums that arrive.
Liminal Contact Kind III belongs to the second category.

The third chapter of the Kind series by Collettivo Undersound was not born from a studio session, a creative brief, or a pre-agreed artistic direction. It was born from an opening — literal, intentional, and in some ways irreversible. The collective chose to work at the edges of perception, to hold the doors wide and see what came through. What came through took the shape of nine transmissions.

The sound is ceremonial in the most precise sense of the word.
Shamanic percussion with a sub-bass pulse that acts on the body before the mind. Dobro slide in open D tuning — droning, haunting, that suspended quality between lament and prayer that only slide guitar in open tuning can produce. Woven through it all, Bobby McFerrin-style humming and scatting: voices without text that become rhythmic instrument, melodic instrument, and spiritual instrument simultaneously. Dark voodoo ambience as the gravitational field holding everything together.
No lyrics. No conventional text. And yet the voices speak.

This is where the story gets interesting.
The vocal material on Liminal Contact Kind III emerged through sessions of controlled meditation — deep altered states in which sounds surfaced not as composition but as retrieval. Phonemes, syllabic patterns, rhythmic structures that the brain seemed to remember rather than invent.

The result is a coherent proto-language. Phonetic roots that resonate with Aramaic, Sumerian, and ancient Sanskrit — not through conscious reference, but through convergence. Wa-ma-nay carries the Semitic semantic field of water and primal matrix. Hi-zan-da echoes classical Arabic structures tied to sacred weight and cosmic melancholy. Sa-mon crosses Sumerian saman — sky — and proto-Celtic samhain. The words do not contradict each other. They build a unified semantic field: invocation, opening, body, sky, return.

Pre-Babel or post-Babel is unclear. Perhaps the distinction no longer holds.

Collettivo Undersound defines its own name with precision.
Anti-social not as isolation but as deliberate refusal of noise — tuning into frequencies the mainstream cannot or will not carry. The real anti-social collective is an epistemological stance before it is an aesthetic one: to receive certain signals, you must first deactivate the wrong receptors.
As above so below. The message was transmitted from somewhere in the elsewhere — another universe, a fold in collective imagination, a critical mass of states forbidden in every star of the federation. The concrete fact remains: the signal arrived, it was recorded, and it is now ready to resonate.

Nine transmissions. CID available.
Liminal Contact Kind III is out now on SoundCloud and available to support on Ko-fi. If you sense something was looking for you while you listened — it probably was.

Collettivo Undersound — as above, so below.

bhahaum bhahaum

Only This Song

JOURNEY INTO THE DARKSIDE is on Spotify, YouTube and Apple Music.

Time

LoveSickNomad

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