This deep/tech house remix of “Bad Honey” reimagines Justin Bieber’s smooth original into a late-night, dancefloor-ready cut. Built on a driving groove, subtle bass pressure, and atmospheric textures, the remix strips the track down and rebuilds it with club energy in mind. Familiar vocals float over hypnotic rhythms, giving the song a darker, more minimal edge designed for packed rooms, warm-up sets, and after-hours moments.

Bad Honey - REMIX

HackSaw is a dark, high-energy tech house weapon built for late-night rooms and warehouse systems. Driven by a relentless groove, gritty low-end, and razor-sharp synth stabs, the track cuts with mechanical precision while maintaining a hypnotic pulse. Industrial textures and glitchy accents grind against a pounding kick, creating tension that locks dancers in and refuses to let go. Designed for peak-time moments, HackSaw is raw, aggressive, and unapologetically forward—music meant to slice through the noise and leave a mark.

HackSaw

This tech house remix collides four iconic songs into one dark, club-driven experience—melding the melodic emotion of Daisies, the modern pop edge of Man Child, the cinematic vulnerability of Fate of Ophelia, and the raw power of Pretend You're God. Anchored by driving tech house drums, rolling basslines, and hypnotic percussion, the track lets the vocals remain recognizable while reframing them in a late-night, underground context. Smooth pop melodies and classic metal intensity ride over a relentless groove, creating a bold contrast designed for peak-time dancefloors—familiar, unexpected, and engineered to move the room.

Daisies / Fate of Ophelia /  Man Child / Pretend You're God - REMIX

A deep/tech house rework of Go Baby by Justin Bieber, blending driving low-end grooves with crisp percussion and hypnotic energy. The original vocals remain untouched, riding a dark, club-ready rhythm built for late-night dance floors and peak-hour sets.

Go Baby! - REMIX

James Ryan Serpico, a Long Island native, began his career exploring visual effects, storytelling, and theatre tech. He gained early experience with Party Harty Entertainment, DJing, and supporting major events. With a background in live production, Serpico self-taught the Adobe Suite and audio-visual skills.

James Serpico

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