'Reworks: Vol2', out now on Ahead Of Our Time: https://jamesheather.lnk.to/reworks-2So

Follow James Heather -
Spotify: https://found.ee/jheather-sp
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Bandcamp: https://found.ee/jheather-bc
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#JamesHeather #AheadOfOurTime

Reworks: Vol2

Release date: 19/11/21

If you would like to review this release, please email info@astralindustries.co.uk

3x12" 180g vinyl//flyer included//LF58 sticker included//mastered by Noel Summerville//original artwork by Theo Ellsworth.

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Following the arrival of their debut album ‘Alterazione’, LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome’s Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.

With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, ‘Live at Brancaleone’ has a vastness that cannot really be contained.

Pre-order

Side A

Bewrayeth

Taken from the album 'Reworks: Vol2', released 03 November 2023 on Ahead Of Our Time: https://jamesheather.lnk.to/reworks-2So

Follow James Heather -
Spotify: https://found.ee/jheather-sp
Apple Music: https://found.ee/jheather-am
Amazon Music: https://found.ee/jheather-aa
YouTube: https://found.ee/jheather-yt
Bandcamp: https://found.ee/jheather-bc
Soundcloud: https://found.ee/jheather-sc
Instagram: https://found.ee/jheather-ig
TikTok: https://found.ee/jheather-tt
Facebook: https://found.ee/jheather-fb
Twitter: https://found.ee/jheather-tw

#JamesHeather #AheadOfOurTime

In Your Spirit (Mogwai Remix)

'Ultraviolet (Alexandra Hamilton-Ayres Rework) / Meant To Be (Voces8 Rework)', out now on Ahead Of Our Time: https://jamesheather.lnk.to/reworks-2So

Follow James Heather -
Spotify: https://found.ee/jheather-sp
Apple Music: https://found.ee/jheather-am
Amazon Music: https://found.ee/jheather-aa
YouTube: https://found.ee/jheather-yt
Bandcamp: https://found.ee/jheather-bc
Soundcloud: https://found.ee/jheather-sc
Instagram: https://found.ee/jheather-ig
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Facebook: https://found.ee/jheather-fb
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#JamesHeather #AheadOfOurTime

Ultraviolet (Alexandra Hamilton-Ayres Rework) / Meant To Be (Voces8 Rework)

Ultraviolet (Alexandra Hamilton-Ayres Rework)

Balance (Abul Mogard Rework)

Oizys (Nailah Hunter Rework)

Beginnings (Steven Weston Remix)

Ancestral Future Now (KMRU Rework)

~ IIKKI 022 ~

music : Aiko Takahashi
artwork : Edouard Elias
album : It Could Have Been A Beautiful
duration(s) : 42.15 mn (LP) / 57.13 mn (CD)
date : November 13th 2023

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Music crafted by Aiko Takahashi with laptop and various music devices, analogue and otherwise.
Recorded in North East of Italy in March 2022.

Mastered by Taylor Deupree
Artwork by Edouard Elias
Design by Sprflxgrfzm

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edition :
• vinyl: limited to 300 copies / yellow transparent LP / hand numbered  / selective UV varnish / black inner
• cd: limited to 200 CD / hand numbered / selective UV varnish
• book: limited to 500 copies / hand numbered / embossed / selective UV varnish / hand stamped

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pre-order : October 06th, 2023 / official release : November 13th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/

It Could Have Been A Beautiful

Aiko Takahashi - It Could Have Been A Beautiful Evening

7th episode of my monthly show 'Bittersweet' on Radio Vilnius, dedicated to melancholic sound expression.

Recent favourites included are by Auguste Vickunaite, Scala, Psyclones, Bogdan Raczynski and many more.

Invited my dear friend Yurei for the second hour, link to the full show:

https://radiovilnius.live/20289-2/

Bittersweet w/ Urte Budnikaite, Radio Vilnius 2024.08.15

Silence scratched by adventurous, transversal music. Listening to a parallel scene rich in all kinds of deviations, a daring palette of new sound sensations.


Bruise on Silence w/ Jean D.L (30/10/24)

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: ABOVE THE CITY

What if sonic practice were not only artistic expression, but a mode of critical reflection — a way to generate knowledge about the positionality of both producer and listener?
To explore this, I invited the artists I interviewed to contribute sound samples — fragments from their production process — to build a collective sound “database.” With this samples gbw9, Melag0m, Kurzschluss, Mahée and HAUSVRAU produced soundpieces - which are released in the format of this compilation.
Here, sound is activated as a method: both a tool of knowledge and a relational medium. The resulting sample pack reflects diverse sonic practices and acts as a collaborative, affective archive.

Infestation as Sonic Resistance
I use the term infestation to describe how certain practices — deemed disruptive by dominant standards — disturb normative structures, much like weeds invading a manicured garden. Infestation stands for persistent, collective disruptions that challenge the status quo.
This concept ties into anti-capitalist modes of music production. By embracing collaboration, shared authorship, and relationality, the sample pack resists neoliberal values of individualism and competition. It becomes a sonic commons: a space for co-creation, not extraction.
INFESTATIONcan be thought of as a harmful seed, a seed that grows subtly, slowly. The sounds creep in sideways — rough edges, broken rhythms, distorted textures. Infestation is when sounds start growing in the cracks. Cultivated through collaboration, Infestation values disturbance, tension, connection, shared creation and finding new paths.
Some artists in this compilation are boycotting Spotify due to its investments in the arms industry. In solidarity, we are releasing the project exclusively via alternative platforms like SoundCloud and Bandcamp.

your seeds make gardens of doubt

V(5)

Available through the honorable houses of HJ and HW!

DISK13

Sabla - Danzaguida

SABLA - DANZAGUIDA

NORMAN WESTBERG & JACEK MAZURKIEWICZ, First Man in the Moon - LP
Release date - March 12th 2021
Catalogue nr. - HG2101
Format - Vinyl / digital
Hallow Ground
Vinyl / digital, catalogue nr. HG2101

hallowground.bandcamp.com

Tracklist:
What Is Good For The Goose (09:35)
That Was Then (08:29)
First Man In The Moon (06:45)
Falsely Accused (06:33)
Oxnard (05:47)

Credits:
Recorded at Studio Diamentowy Pies
Damian Pielka, engineering
Piotr Mazurek, engineering assistance
Jacek Mazurkiewicz, mix
Lawrence English, mastering
John Fell, photographs
Greenpointless, design

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An unlikely meeting of two like-minded spirits, »First Man in the Moon« sees the former Swans guitarist and Hallow Ground regular Norman Westberg and the prolific double bass player Jacek Mazurkiewicz collaborate for five evocative tracks. The pair finds common ground beyond the boundaries of atmospheric drone, abstract jazz and experimental music and blurs the lines between the acoustic and the electronic. 

The two first met when the composer Mazurkiewicz supported Swans with his solo project 3FoNIA on their 2014 European tour. »I really enjoyed his approach,« says Westberg about the Polish musician’s blending of the acoustic qualities of his instrument with electronically generated sounds. A decision to collaborate was made and when the US-American musician returned to Eastern Europe to support Michael Gira on his solo tour in late 2019, Mazurkiewicz reached out to him with the idea of booking some studio time before Gira’s two concerts in Warsaw. »Recording was very fun and easy,« remembers Westberg. »It was just two people enjoying hearing and reacting to what the other is doing.«

»First Man in the Moon« is not however a plain document of these improvised sessions, but also shaped by Mazurkiewicz’s approach as a composer. Once the recordings were finished, he selected and edited the recorded material, refining the peculiar dialogue between the guitarist’s meditative drones and bright chords and his own rhythmic yet subtle approach to playing the double bass, sometimes plucking the strings and occasionally using his bow to underscore Westberg’s fleeting melodies, but also using the instrument in unconventional ways to generate sound. 

A feeling of weightlessness prevails throughout the aptly-titled »First Man in the Moon.« Even at their most abstract however, these five improvisations-turned-compositions remain tangible, lively, and joyfully explorative. It is a record that you wouldn’t expect from either of these musicians, but the logical result of two idiosyncratic minds sharing not only space and time, but also their respective visions with each other.

NORMAN WESTBERG & JACEK MAZURKIEWICZ - What Is Good For The Goose (HG2101)

Original Compositions: 
https://www.jamesheather.com

Balance (Abul Mogard Rework)

James Heather

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