Let's Get Lost

Happy Fourth of July. Double drumming Doobies doin it again. Don't delay, dingus.

Releasing this ahead of our own fortunate wheels hitting the asphalt of various US and European airports over the summer.

And we're bringing in Doobies guitarist and co-writer of this track Jeff 'Skunk' Baxter to provide aerospace-based guidance given his latter day career as US Dept of Defense / NASA Exploration Systems Advisory Committee board member. Who better?

DJ TESTIMONIALS
Colleen 'Cosmo' Murphy – "Love it!"
Balearic Mike Higher Love – "ABSOLUTE CLASS"
Greg Wilson – "Yes please"
DJ Dribbler – "dope on a rope"
Bill Brewster – "Liking this one."
Hiatt DB (Rhythm Section) – "Another sure shot, thanks for the good work my friends!!!"
Mufti – "funky! love it"
Phil Lamb – "100% galloping al fresco business - YES!"
Midfield General / Vicious Charm – "Lovely stuff... thanking you kindly x"
Amateurism –  "🏜️VIBES!🌵"
Rob da Bank – "too fat!"
Idjut Boys – "Call me a douche canoe if you will. but i like it ! thanks"
Hi Dez Bocce – "How far can one get lost in a vortex of oozy slide guitar and Doobie harmonies? FMB sure tests that limit with this chugger."

Pay what you like

Wheels Of Fortune (Flying Mojito Bros Refrito)

Catch Me

Little Feat - Spanish Moon (Andy Buchan Edit)

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The Temptations - You've Got My Soul On Fire (SLY Rework)

Yalown - In the Sky

One Way Ticket (TheEliasRework) MR eLIAS Luca Debonaire Sean Finn Cover Rework

One Way Ticket (TheEliasRework)

Rebellion in '19 (Original Mix)

To coincide with Ian Dury's birthday @dicky-trisco has shared an edit of the great man's 1977 single 'Wake Up And Make Love With Me'.

Dicky Trisco - 12th May 2017:

"The first 45 single I ever bought was by Ian Dury and The Blockheads and was called ‘Hit Me With Your Rhythm Stick’. I bought it in a newsagent store called John Menzies, which had a black weekly chart board with plastic letters on it that was updated by hand each week.

I can’t really remember how I came across the track, or if it was just potluck. I probably heard it on Top of the Pops, or on the weekly chart show on the wireless as it used to be called back in those days. Anyway I bought it and to this day it is a song that I love and would be happy to hear any time, any place and it introduced me to the music of Ian Dury and The Blockheads.

Ian Dury for me reflected what pop music and music in general was all about back then – a longing to be different and to make a difference. He was a fascinating character. My Dad said he looked like a bloody idiot, which only made me admire him more. When he performed he had a real edge and his singing style was more like someone talking, or at times even shouting in his own London accent rather than something shiny and polished. And you have remember these were the days of The Bee Gees, Barbara Streisand, Leif Garrett and other such highly manicured artists. He also had a tremendous amount of personal style with his hats, braces, rolled up trousers and boots. And it was all this difference literally rolled together as well as the great music he made alongside The Blockheads, which pulled me in as an admiring youth.

And the music…I couldn’t quite explain it at the time. But it was unmistakably ‘New Wave’ although I wasn’t exactly sure what that meant either beyond a handful of artists I was into like Blondie, Talking Heads and The Specials. It was a bit ‘Punk’ and DIY for sure and that was definitely a good thing. But it also had the funk. The Blockheads were a groovy outfit of great musicians. Much later I discovered that Chaz Jankel of The Blockheads went on to make some excellent disco influenced solo productions and that these tracks plus songs by Ian Dury and The Blockheads were played by groundbreaking NYC DJs like Larry Levan in the Disco scene out there and graced the floors of seminal clubs like the Paradise Garage and The Loft. My musical journey from awkward youth to being a DJ myself had come full circle all thanks to Ian Dury and The Blockheads.

Anyway I can’t say I am an expert on Ian Dury or The Blockheads to be honest. I love a lot of their music and it has now been with me my whole adult life while many other things have come and gone. In fact at one stage I used to buy any copy of ‘Hit Me With Your Rhythm Stick’ on 45 that crossed my path. But the thing that seems of significance to me and that I wanted to share here with you is the DIY spirit and original style of those times. And they were great times! Acts like Ian Dury and The Blockheads did things differently and did it their own way and gained recognition for what they did via their music around the world. I salute them for that and it gives me, and I hope you, more than a few reasons to be cheerful.

So as a tribute to the genius and spirit of Ian Dury and The Blockheads and as my own personal way of saying thanks for the influence it has had on my life, I would like to share this rework of one of my favourite tracks on this his birthday. THANKS IAN DURY AND THE BLOCKHEADS! Your music really has made me feel like a lucky bastard x "

DOWNLOAD

Ian Dury And The Blockheads - Wake Up (Dicky Trisco Edit)

Juno Review

Kiu D's debut long-player The Journey was something of a hit for Masterworks Music in the summer of 2017. Here, tracks from that well-received set receive the remix treatment from various label affiliates. Rising star and Glitterbox regular Dr Packer steps up first to turn "Dynamite" into a hybrid chunk of orchestral disco/funk-fuelled house bliss, before Bachgenaur recasts "You Don't Have To" as a Red Rack'em-esque wonky disco-house anthem. Elsewhere, Fingerman steals the show with a mid-tempo boogie take on "Good Luck", while Hotmood's version of "Sweet Is Better" is a bouncy, life-enhancing deep house bumper.

JunoDownload

1. Dynamite - [Dr Packer Remix]

Got The Feeling EP

Buy 7" on Juno

B1. Izk Eyes - Tons Of Groove (The Funk District Edit)***OUT NOW 7"***

A vibrant kaleidoscope of sound, colour and emotion, British multi-hyphenate James Alexander Bright’s songs soundtrack fertile daydreams, esoteric dancefloors, languorous reflection, and wild excursions in nature and beyond. His voice, pitched somewhere between Eddie Chacon, Beck and Michael McDonald, is an immediately recognisable signature while impressive multi-instrumentalism sees him perform on guitar, keys, programming, percussion, production and myriad quirky effects.

The past six years has seen James release a veritable treasure trove of music: ‘Mallorca’ and ‘Strange Folk’ EPs, debut album ‘Headroom’, joyous second ‘Float’, an album of collaborations and reworks with cosmic Americana-disco DJ/producer duo Flying Mojito Bros, and a new project with Groove Armada’s Tom Findlay as Bright & Findlay. 

James’ music making is commonly a family affair. Although initially written and recorded at his home studio in the rolling hills of the Hampshire countryside, his tracks involve regular collaborator Peter Lyons in East London alongside old friends and new to contribute vocals (Kerry Leatham and Katharine Alice) and drums (Gillan McLaughlin and Joris Feiertag). He has also collaborated with Letherette, Daudi Matsiko, Fink, Fred Everything, Scrimshire and contributed three songs to Groove Armada’s ‘Edge Of The Horizon’ album 

James balances music alongside the creative duality of a job in illustration and the responsibilities and constraints that come with raising a young family. Utilising any spare moment to write and record new ideas, his creative output under various projects had been relentless. Turning his back on apathetic major label offers in his early 20s, he’s released through cult DIY label Tape Club Records, German stalwart !K7 Music and now with Scottish tastemaker Athens Of The North, presenting an evolving vision of a sound that has touched on everything from outsider art-rock to machine funk, mystic folk to experimental jazz.

His music has been played across BBC Radio, Amazing Radio, Bandcamp Weekly, FIP Radio France, NTS, KCRW, Soho Radio, Triple J, and Worldwide FM.

Collected press:
“Blissful choruses, sweetly nagging refrains and a lo-fi sensibility. Hard not to love” MOJO
“Intoxicating, highly evocative, sun-dappled soul” Uncut
“Pastoral 21st century electronic psychedelia that knows all the best clubs in town” Electronic Sound
“Brilliantly laidback…an ever evolving journey that feels at once fun and adventurous but also familiar and comfortable” Future Music
“It’s a lush, rich slice of soul that will permeate every pore. It’s the sound of the summer” Louder Than War
“Bringing influence and experience together in a wild, kaleidoscopic world of precarious elevations and cathedral emotions” BPM
“Vivid intermingling of buoyant breakbeat drum loops, sunkissed psychedelic folk song, retrofuturist synthesisers and hot buttered British soul” Test Pressing
“All the musical styles I love. I’m a big fan” Tom Findlay, Groove Armada
“One exceptional album” Bill Brewster
“A timeless record” The Bees’ Aaron Fletcher
“Moves stylishly through psychedelic patterns and multicoloured textures” Jack Wyllie from Portico Quartet

Let's Get Lost

James Alexander Bright

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