Playing Robots Into Heaven (Endel Chillout Soundscape)

Playing Robots Into Heaven

Tell Me (Pt. 4 / Endel Chill Soundscape)

Tell Me (Pt. 1 / Endel Chill Soundscape)

Tell Me (Pt. 2 / Endel Chill Soundscape)

Asking To Break (Pt. 1 / Endel Chill Soundscape)

Tell Me (Pt. 3 / Endel Chill Soundscape)

Asking To Break (Pt. 4 / Endel Chill Soundscape)

Epiphania

SSEQ 8.10.24

The first katharsis release of 2025 will be the album "Modular" by danish artist and composer Simon Littauer, known for his live performance on modular synthesizers with a very melodic and almost scientific approach to music. As an experimental approach for the katharsis release-schedule, "Modular" will have a long rollout with singles dropping each month until the final album will release on January 10th (even though bandcamp doesn't allow more than 90 days pre-order).

The album is a culmination of Littauer’s over 9 year-long journey with eurorack modular synthesizers. All the tracks on the album are recorded as one-takes, with no multi-track recordings or editing. Having spent infinitely many hours trying to master the instrument (even taking lessons in hardware design, coding, and electronic engineering to develop custom modules for his setup), Simon Littauer has played over a hundred live concerts on the system, including performances at Roskilde Festival (DK), By:Larm Festival (NO) and Spot Festival (DK).

On ‘Modular’, Littauer explores euphoric breakbeats on club-ready tracks like ‘Phicet’, ‘Swamp’ and ‘Xenon’, which might remind the listener of the universe of artists like Skee Mask, Richard Devine and Lanark Artefax, while calm and soothing atmospheres are introduced on ambient cuts like ‘Melo’. On ‘Jona’ Littauer is joined by J. Ludvig III - the drummer of Erika de Casier, for an ambient trance journey with live drum breakbeats. Overall, the album is a playful and experimental album that travels through many different genres, but with a consistent melancholic tone, that maintains the listener all the way through the 12 tracks.

Littauer explains, ‘‘My vision was to build a portable modular system on which I could perform, and improvise, while being able to recall sequences, samples, and settings reliably during live concerts, without having to re-patch between tracks. I feel like I can confidently say, that I succeeded with that. The sound and structures of the album are formed by how I configured my modular synthesizer, what made sense in a live performance context as well as other artists I heard during the process of making it. The complexity, impressive sound design, and machine-fluency of Richard Devine, whom I was fortunate enough to have as a teacher in the lead-up to the making of the album. And having followed the eurorack scene for many years - artists like Colin Benders and Catharina Barbieri have influenced my work as well’.

Littauer’s modular system is a 208 hp eurorack setup developed throughout 7 years. It is based around a Vector sequencer by Five12, the ER-301, configured as a live-effects engine and mixing console, two Hector modules from Poly, and two Bitboxes - one containing modulation signals and the other one containing oscillators and drums. One reverb module and a single module for macros and transitions developed by Littauer himself. The entire album is recorded on the ER-301 itself, during live performance. 

Full album releases January 10th, 2025

Mastered by Joel Krozer at Six Bit Deep
Artwork by jjjacob
PR by Fomo PR

premiere: Simon Littauer - Melo

stream: https://open.spotify.com/album/4k3C32goUzyFqoH8jZ9GaH?si=wOJfl7jUQluySQsv3g5UYw

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linktr.ee/insensiblewav

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soundcloud: @fakekarin
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after all im not alone

Taken from the upcoming album 'Third Law'.
Released January 22nd via Tri Angle Records.
2xLP, CD & Digital.

First single, '4101' is available to buy on iTunes now. Also available as an instant grat with any pre-order of the album; 
itunes.apple.com/us/album/third-l…d1057689581?ls=1

Roly Porter -  Known Space

Soda Gong is pleased to present a razor sharp collection of rigorous and imaginative new music from Moscow-by-way-of-St. Petersburg-based musician and producer Flaty. “Generic TARGZ” places Flaty’s precipitously complex drum programming and keen ear for atmosphere and space at the forefront, offering up a dynamic array of techno, ambient, generative footwork, and other tougher to pigeonhole rhythmic experiments. It is a dizzying and cohesive document in which ethereal productions, such as “Praaai” wherein a bewitching vocal pad hovers over delicate, pin-prick percussion, sit comfortably alongside tightly controlled chaos, as with the synapse-knotting "Thread" and heavy-hitting “Horn of Plenty.” Over the past few years, Flaty has released a wealth of diverse and uniformly excellent music under monikers such as AEM Rhythm Cascade, Dada Ques, and Wrong Water. He is most closely associated with the influential GOST ZVUK label, but his work has also appeared on imprints such as 12th Isle, Muscut, and his own ANWO Records. Although Flaty serves as his primary alias, "Generic TARGZ" is only the artist's second full-length under the moniker, following 2016's "New Suggestions," a high-water mark in the impeccable GOST ZVUK catalog. Mastered by Rashad Becker at D&M. Artwork and design by Alex McCullough and Niall Wynne Lewis. 

https://sodagong.bandcamp.com/album/generic-targz

Flaty "Generic TARGZ" (Soda003)

Ffggggnnjbb. Test url : https://extinctionrebellion.de/

Asking To Break (Pt. 1 / Endel Chill Soundscape)

James Blake

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